Today, I Marched for Our Lives

The two sides of my waterproof sign.

I live in a tiny town on the Central Coast of California. Usually, protest marches are organized in Santa Cruz, marching through the downtown shopping district. Santa Cruz is pretty flaming liberal, and the community is usually enthusiastic and supportive of protests. But this time the March for Our Lives was cancelled—I don’t know why. So other people picked up the slack and organized a march through our tiny town.

I had purchased foam board for my sign. I tried to find clever sign suggestions for this march, but I have to say I was disappointed by the general blandness of the offerings, so I came up with my own. It was supposed to be pouring rain, and I couldn’t see slogging through the rain with a huge, double-sided sign that was running ink, so I came up with a rain-proof plan. I printed my signs out on 8×10 paper and slid them into a plastic sheet protector with a piece of cardboard to stiffen it. Then I taped the opening closed—voila! A waterproof sign, not as large as I usually carry, but clearly readable. (It did not rain, by the way.)

My husband Tom volunteered to go with me. I donned my trusty pussy hat (which I now view as an all-purpose protest symbol, and thanks again, Bernardita, for knitting it for me). We set off for the park where we were to gather, arriving at 9:00 am. I was astounded—there were hundreds of people, many with their kids. I’m no good at estimating crowd size, but I would say easily 1500 people turned out in my little town. Many had signs, many wore pussy hats. It was a peaceful, cheerful assembly of people who care deeply about the safety of children in their schools. Not to mention the safety of citizens in public spaces. I think everyone there was aware of the (hopefully remote) possibility that some gun nut would decide that this was his big moment. Thankfully, nothing of the sort occurred, at least not here.

We marched through the teensy downtown area for perhaps thee-quarters of a mile to a bridge over the freeway. People going by in cars mostly honked enthusiastically and gave the thumbs-up. A couple of people gave us a thumbs-down, and one person yelled, “Guns for everyone!” But by far, the majority of passing drivers were supportive. At the bridge, we waited for a while and waved our signs at the traffic, then turned around and marched back to the park entrance. On the way back, the line of marchers heading toward the bridge was about as long as the line of marchers heading back, and we set up a cool call-and-response on different sides of the main street:

“Enough is enough!”

“Never again!”

I found myself close to tears as we marched. My grandchildren go to school in this town. I fear for them every day. That’s just wrong. We should be able to send our children to school secure in the knowledge that no insane, violent extremist is going to murder them in their classrooms.

They are too precious to me. Not just my grandchildren–all of them. Now is the time. Now.

Review: “The Book of Lost Things”

 

“The Book of Lost Things,” by John Connolly, is a fairy story about fairy stories—and not the kind that necessarily turn out happily ever after. More the Grimm kind, where virtue isn’t always rewarded, but evil is always savagely punished. It shows again that fairy stories are primordial, ancient, bred in the bone.

David, our protagonist, is a 10-year-old English boy who loses his beloved mother in the opening days of WWII. His father and he do as well as they can together, but then David’s father marries Rose and they have a baby boy, Georgie. None of this goes down well with David, who is grieving, angry, jealous, resentful and lonely. He also starts seeing strange things like a crooked old man lurking in his brother’s room, and begins having fits.

The one solace David finds in his new situation is the books in his room. They are fairy stories, but different from the ones he has read before—darker and more disturbing. He asks Rose about them, and she tells him they belonged to a great uncle who had loved the books, but he and a young female relative had disappeared one day and were never seen again.

One night David is awakened by his mother’s voice calling him. He knows his mother is dead, but his desire that this not be true is so powerful that he wanders into a neglected sunken garden. The voice seems to be issuing from a hole beneath a great tree there. As David hesitates, he hears the screaming of a bomber overhead, disabled, on fire, and heading right for him. He dives into the hole beneath the tree and discovers himself in a strange land as the bomber crashes through and David’s escape route is blocked. Just to let you know that the story to come will not be about sweet little creatures with butterfly wings, the pilot’s head bounces by David after the crash, blackened and bloody.

David soon discovers that a great evil is growing in this new land. A wolf army is gathering, led by the Loup, half man, half wolf. The Crooked Man is here as well, and seems to want something from David. The dangers here are genuine and they are deadly. The author doesn’t flinch at detailed descriptions of some truly grotesque and bloody deaths.

Amid the growing darkness, David also meets some good people who help him. One of them tells him to seek out the king of this land because he has “The Book of Lost Things” that will help David to return home. “The Book of Lost Things” doesn’t help him to find his home, but it does clear up the central mysteries of the story, pointing David to the truth of the Crooked Man and his agenda.

David proves he is brave, loyal, and resourceful. He discovers that not everything is what it seems, and learns to be discriminating about whom he trusts—a single misstep could be fatal. In the process, he solves the mystery of what happened to Rose’s great-uncle and his young relative, and of course realizes his mistake in rejecting Rose and Georgie. By the time David finds the way home, we feel he has earned his return many times over.

The book follows David’s life after this event. It was not a life free from pain or unhappiness, but he finds love, comfort and a purpose in life. At the end—I’ll let you read the book to find out what happens at the very end. Like a good fairy story, the end wraps everything up in a most satisfactory way.

I would have to say that ‘The Book of Lost Things” is not for the faint of heart. Although the protagonist is a child and the source material is fairy stories, it is definitely not a children’s tale. I might even hesitate to recommend it to a teenager, particularly if they were going through a Goth phase. There is a lot of violence, a pervasive sense of creeping evil, and many adult themes. I would have to say that it cleaves to the original tenor of the ancient stories, though. The old fairy tales are dark and primeval. They have nothing to do with living happily ever after or marrying the prince. They teach us to beware the evil in the dark and the forces we do not comprehend. “The Book of Lost Things” is that kind of fairy tale.