It has been about three years since I submitted the third and final book of my “Gods of the New World” trilogy to my publisher. If you have followed this blog, you know that my publisher, Diversion Books, decided to publish only non-fiction going forward. My fantasy, no matter how climactic, did not qualify. Diversion’s first offering in non-fiction was a memoire by Corey Lewandowski, a man so vile that even Michael Cohen despises him. I felt that perhaps Diversion and I were never going to be really close. They are still making my first two books available, so I don’t want to make them mad.
But this did leave me in the middle of a trilogy without a climax. I felt bad for the few people who had read “The Obsidian Mirror” and “Fire in the Ocean,” who rightly expected a satisfying ending to Sierra and Chaco’s adventures—and relationship.
About a year and a half ago, I attended the World Fantasy Convention, held in Los Angeles that year. I went there with a short list of people I wanted to have a discussion with—an editor for a large publishing company, a publisher, and an agent. I told each of them the quandary I was in—third book in a trilogy, no publisher—and their answers were fairly uniform: I, a fairly obscure fantasy author, was not going to find a publisher to pick up the trilogy, much less the third book of a trilogy. My best bet was to publish on Kindle and move on.
Okay. Not the optimal solution, but I am not Neil Gaiman, either. I asked a dear friend, a graphic designer, to create a book cover for the third and final, climactic novel, “Lords of the Night.” Then I went to Iceland and started writing a completely unrelated fantasy about a slightly defective magician in ancient Iceland. That tale is in the throes of final polishing.
But my designer friend had a very tough year—tougher than for most of us, as horrible as 2020 was. She was unable to complete the artwork. I needed to move forward—I had a delayed climax on my hands, after all! I gave it some thought and then learned a new art program for the iPad called Procreate. I loved it so much that I decided to tackle the cover art myself.
This wasn’t an easy decision. I knew my friend’s graphic talents would result in an entirely gorgeous cover, perfectly in tune with the covers of the other books. I am an artist, but I have no design training, so I realized that the final product would not be as wonderful as the first two covers.
But all we do what we must. So I have produced two covers. I would very much like to hear your opinions on which version is closest in style to the first two covers. First, pleaze take a look at the covers for “The Obsidian Mirror” and “Fire in the Ocean”:
So which do you vote for? Cover 1 or Cover 2? Or are they both terrible? I can take the criticism—I’m a writer. Please leave a comment–much appreciated!