As I have mentioned before, my second novel, “Fire in the Ocean,” is coming out from Diversion Books in February 2018. Diversion’s art department came up with a spiffy new cover for “The Obsidian Mirror,” which will be re-issued along with the debut of “Fire in the Ocean”:
“Fire in the Ocean” is the sequel to “The Obsidian Mirror,” and features the same cast of characters. New twist, though–the book is set in Hawai’i on the islands of Moloka’i and Hawai’i (the Big Island).
Why, you might ask, Hawai’i? When I wrote “The Obsidian Mirror,” I drew upon strictly New World mythologies, folk tales and traditions–Native American, MesoAmerican and Voudún, avoiding the supernatural traditions that essentially migrated to the Americas from Europe. I started it as a kind of experiment after reading one of Robert Jordan’s “Wheel of Time” novels. I just wanted to see if a fantasy could be crafted that entirely eschewed the standard fantasy tropes of caped adventurers, swords and sorcery–elves, vampires and trolls need not apply. To my surprise, the experiment turned into a book.
Although I wanted to continue the adventures of Sierra and her friends, I didn’t want to repeat the setting, plot, or other key elements of “The Obsidian Mirror.” So I picked Hawai’i as the venue for the sequel because: 1) I love Hawai’i ; 2) Hawai’i is also “New World,” and therefore fit into the strictures I had placed on myself; 3) it was an excuse to go back to the islands to do research. (And an amazing and wonderful trip it was, as those of you who have followed my blog for a while know!)
Why Moloka’i? Well, it turns out that Moloka’i in ancient times was known as the island of sorcerers. The island has its own take on the mythology and its own unique legends. Moloka’i proved to be a rich source of information and experiences, most of which were incorporated into “Fire in the Ocean.” As for why I chose the Big Island for part of the story–you’ll have to read the book.
Diversion Books just sent me the cover design for “Fire in the Ocean.” What do you think?
My publisher, Diversion Books, just sent me new cover art for “The Obsidian Mirror.” They plan to re-launch it in companionship with the Debut of the sequel, “Fire in the Ocean,” due out in February.
I’m thrilled by the new look for “The Obsidian Mirror,” as it is a real departure from the other two covers it has had the honor to wear. Many elements from the book are woven into the graphics: Sierra and her long braid, the Aztec Calendar, coyotes, cacti, Native American themes and high-tech symbols. I love the bold colors.
Here are the three covers in order of their appearance in the world:
I first encountered the Amelia Peabody mystery series immediately after my father died in a car crash. My mother was alone in a rented condo in Laguna Beach, CA. I flew to John Wayne Airport in Orange County after she called me with the news. I drove around lost in the dark for a few hours (this was pre-GPS), before I finally found the condo and my frail, shocked mother.
By the time we wept with each other and had a glass of wine, it was 3:30 am. Mom went off to bed. I tried but failed to sleep, so I rifled the condo’s bookshelves for something to read. There were several paperbacks left by former occupants, and I selected a book with the intriguing title of “The Mummy Case” by Elizabeth Peters.
And promptly fell in love. The doughty heroine of this mystery series is Amelia Peabody, a no-nonsense Victorian lady who inherits enough money from her father to set off on a grand tour of Europe and North Africa. In Egypt, she encounters a rude, abrasive, black-haired archeologist named Emerson who tends to bellow at her with rage at every turn. So naturally, they fall in love. (I have read everything Peters has written, under her two pseudonyms and her real name, Barbara Mertz, and I can always identify the romantic male lead by his rudeness and irascibility. This is a forgivable foible in my opinion.) I discovered later that Mertz was an Egyptologist, accounting for her extensive knowledge of archeology and ancient Egyptian history.
The mystery was well plotted, but more than that, I adored the humor and Amelia’s unique personality. Peters pokes gentle fun at Victorian conventions. Amelia is prone to admiring Emerson’s “sapphirine orbs” and “manly physique.” At all other times, she is practical, down-to-earth and prepared for anything. Another bow to Victoriana is Sethos, the “Master Criminal” who haunts their archeological adventures—but nurses an unquenchable tendress for Amelia.
Loving the series and its distinctive voice, I was skeptical and a bit afraid to read “The Painted Queen.” Peters died in 2013, leaving a partially finished manuscript and notes for this novel. Her close friend and fellow writer and archeologist, Joan Hess, finished the book. Attempts to continue an author’s work as a franchise—álà the “Dune” series—usually disappoint. I doubted the book would succeed and satisfy.
I am so happy to tell you I was wrong. “The Painted Queen” is faithful to its author’s original vision and style. There were very few false notes. The main one is Emerson’s rather too-frequent declarations of undying passion to Amelia. Not that Emerson never does this, but he usually restricts himself to once or twice per book.
The plot centers on the spectacular and famous painted bust of Nefertiti that was discovered in the ruins of Amarna, site of Pharoah Ankhenaton’s capitol city. The bust was spirited out of Egypt by German archeologists and now resides in Berlin, but this story centers on skullduggery aimed at stealing the statue prior to its removal from Egypt—all fictional, of course.
I chose to listen to an audiobook version of the novel. Barbara Rosenblat, my favorite voice for Amelia, narrates this book. Rosenblat’s raspy tones suit Amelia’s brisk personality, and she handles the humor with subtle slyness. Rosenblat (who is American) employs a British accent with ease and her other accents—she is required to handle German, Arabic, and French voices—seem spot-on to me, though I have no real idea what an Egyptian Arab accent sounds like, outside of Omar Sharif. She delivers a sweet, melodic voice for young women and gruff male voices that are equally convincing.
All our favorite characters come together to tell the tale—including Master Criminal Sethos. There are kidnappings, murders, disguises, poison, hallucinogenic drugs, mistaken identities, and misdirections of all sorts as our heroes and heroines battle to save the bust from the clutches of the villains, dodging assassins as they go. It’s a satisfying adventure that wraps up every plot thread, with the exception of one. Ramses and Nefret, whom faithful readers will know are destined for each other but forever being torn apart—are now both free and obviously interested in one another, but they are not united by the end of the story. I believe there may be yet another Amelia Peabody tale in the future.
Given the deft, note-perfect character of “The Painted Queen,” I am very much looking forward to it.
I had a bit of a scare recently. My dog Gigi developed a fever, lost her appetite and began to act lethargic. She’s 12 years old, so I wasted no time taking her to her vet. Dr. Good, who rolls around in a mobile clinic, did a thorough exam, took blood and urine and an X-ray—and found nothing wrong other than the obvious presence of an infection. So Gigi went on antibiotics.
I’m happy to say Gigi recovered and is doing fine. But while she was sick, I began to dread the possibility of losing this amazing creature with whom I share my life and my home. I thought I would write an obituary about her when she dies—because she will die, and at this stage, who knows how long she’s got? She’s a big dog, and the big ones don’t tend to live as long.
So I decided to write about Gigi now, while she’s still with me and I can discuss her unique characteristics without breaking down in floods of tears.
On the surface, Gigi is just a very doggy dog. She’s half Labrador and half German Shepherd, with maybe a dash of Doberman. She’s black-and-tan and shorthaired, with floppy ears. As much as I love her, I do not share my bed with her because she’s 75 pounds of elbows and she farts and groans all night.
I wasn’t looking for a dog when Gigi came to my attention. I had lost my last dog, Ringo, a year previously and was still in mourning. My daughter Kerry saw an ad on Craig’s List that said, “Sweetest dog in the world needs a home.” I looked at the picture. This dog was much larger than I wanted. She was black-and-tan, which is not a color scheme I admire. And she lived about 65 miles away.
I called her owner. Apparently, they rescued her when she was about six months old, and loved her dearly. But the landlord of the house they had just moved into said the dog had to go. I asked question after question, because living with Ringo taught me the right questions to ask. (Loved that dog, but he was a hot mess when we first got him.) The answers seemed good, so my husband and I drove 65 miles to meet the dog.
The dog’s name was Gertie, a name I knew I couldn’t live with. She greeted us with kisses and a wildly wagging tail that slapped against our legs like a baseball bat. I observed her with a baby and with cats—completely calm. I did everything I could to elicit a dominant or aggressive response—grab her collar, squeeze her paws, roll her over, and so forth—all of which she responded to with kisses and wags.
I decided I wanted her, but we had five houseguests with a sixth on the way and I felt it was unfair to plop an adopted animal down in the midst of all this chaos, so I said I’d come get her when the house had cleared out. Her owner agreed, but later told me that the landlord had threatened to evict them if the dog wasn’t gone by a certain date. On that day, I drove back to collect her.
In the interim, we had a lively family discussion about what to call the dog, as Gertie just wasn’t going to cut it. I thought we should pick a name that was similar to Gertie so she would adapt to it quickly. I suggested Gigi. My daughter said it sounded like a stripper. After a two-hour discussion, Gigi it was, though still over my daughter’s objections.
When I picked her up, her owner burst into tears and rushed us out the door, handing me a ceramic jar for dog treats. It was clearly a painful parting. I put Gigi in the back of my car and headed home. Gigi rested her chin on my shoulder for the entire trip home, which I thought was a good sign.
It turns out I needn’t have worried about the abundance of guests or about the name. Gigi walked into the house and acted as though she had lived with us her entire life. She also responded to her new name instantly. As a matter of fact, as the houseguests began to go back to their own lives, Gigi seemed to miss the party atmosphere of an overcrowded house. She still loves a good party.
Then we began to get to know her. First of all, Gigi is an extremely obedient dog— except when she isn’t. For example, if she needs to go outside to go to the bathroom or check out the gophers, she will go outside. If she doesn’t, she will wag her tail and refuse to move. I have learned to trust her on things like this and will only insist if there is some compelling reason. She has a stentorian bark that wakes the eldest grandchild from her nap, so I put Gigi out when Jessamyn is napping so that if the doorbell rings or there is a package delivery, she won’t sound the alarm. Gigi goes reluctantly, but she goes.
She can make friends with just about any other animal. I have seen her buddy up to:
- At least two coyotes
- A bunny (kisses were exchanged)
- A feral cat
- A cat that was so terrified of her that it refused to come into the house until Gigi performed her ambassadorial work
- Innumerable other cats and dogs and humans
The feral cat is my rescue kitty, Inca. When I first acquired Inca from a rescue organization, they told me she was one of a litter of feral kittens. They were considered too old to domesticate, but they seemed to be adapting to humans, so the rescue decided to place them with families. Inca was okay with me as long as I kept her confined to a bathroom, but she was horrified by Gigi. When I let her out of the bathroom, Inca disappeared for two weeks, flitting about in our peripheral vision like a bat.
One day, I saw Inca and called to her. To my astonishment, she strolled over and climbed into my lap. After a bit, Gigi came into the room and lay down. Inca trotted down the length of the couch, mewing at Gigi. I had no idea what would happen, as I hadn’t had either of them for very long, but Gigi came over as though Inca had been calling her and proceeded to kiss her. Inca adores Gigi. It’s pretty funny to watch her try to give this enormous dog a bath with her tiny pink tongue.
I give Gigi a lot of credit for the rapidity to which Inca adjusted to domestic life and became an affectionate pet. She never used to let me pet her tummy, which I longed to do (best part of a cat). One day, I gave Gigi an extensive belly rub. Inca watched intently nearby as Gigi groaned with happiness. When I finished with Gigi, I turned to pet the cat. Inca flopped down and presented her own belly for a rub, and she has enjoyed it ever since.
Inca and Gigi have seldom been parted, but there was one weekend when I had to use a pet-sitting service. Gigi went to the sitter’s home, but the service had a large enclosed cat area for feline borders, so they were separated for about four days. When I went to pick them up, Inca was there, but the sitter had not returned Gigi. I told them to have the sitter bring Gigi directly to my house as soon as possible, and left with Inca.
When we got home, Inca shot out of her carrier and began searching the house. She went from room to room, mewing loudly, but of course, Gigi was nowhere to be found. When the sitter showed up with the dog about two hours later, Gigi made for her water dish immediately because it was a sizzling day. She put on the brakes when she saw her kitty friend, and the two of them checked each other out carefully, kissed, and then Gigi got her drink.
You might be wondering about the coyotes I mentioned earlier. I am familiar with the coyote trick of sending a fertile female to lure a male dog to its doom (the original femme fatale.). That wasn’t what was happening here. The first time, I noticed Gigi making play bows along the fence enclosing our yard. Something was moving around vigorously in the tall grass and weeds on the other side of the fence. When I got closer, I saw it was a small, young coyote. The two animals were playing with each other, each on one side of the fence, play-bowing and running, then bowing again. They seemed to be having a lot of fun.
In the second instance, my son-in-law Mike came home and saw Gigi in the back yard with what he thought was a fox, just hanging out together. He videoed it, calling Gigi in, so we were able to see it was a young female coyote that had found a way under the fence. Apparently, Gigi and the coyote had been chilling together in the back yard for quite a while. We don’t really want her socializing with coyotes, so we fixed the fence.
There is an exception to Gigi’s long list of friends. My daughter’s dog, Hendrix, is a Japanese Chin. He’s one of those fluffy, goggle-eyed little dogs. He annoyed Gigi at first acquaintance by biting her ankles. Gigi responded by squashing Hendrix flat with one big paw, but unfortunately, this triggered Hendrix’s bad back, requiring expensive meds. Although he has lived with Gigi now for four years, Hendrix has not improved his behavior and sometimes still bites her ankles. Gigi has learned to ignore/not squash him, but she cannot overlook it when he steals her chew toys.
Gigi loves to carry toys around in her mouth, usually a stuffed animal, but sometimes a chew toy. Hendrix isn’t allowed bones or chews because of major, life-threatening allergies, and he steals her toys out of jealousy. One night, Kerry took a bone away from Hendrix and returned it to Gigi. Gigi took it with her customary gentleness, but never stopped staring at Hendrix. Finally, she turned her back, walked away a few paces, turned around, and THREW the bone at Hendrix with a snort worthy of a teenage girl.
Gigi has been wonderful with the grandkids, gentle and protective. She permitted all kinds of indignities, though we tried to spare her and teach the children to be gentle with animals—which they are. When Tom and I aren’t at home, Gigi sleeps in Lilah’s room, squeezing completely under the bed. She’s so big I’m not sure how she gets out again. Both the grandkids learned early to dodge Gigi’s lethal tail. It smarts when her tail connects with human flesh.
While I don’t doubt that if anyone threatened us, Gigi would rip his throat out, I trust her 100% with children, guests and pets. She is one of the most utterly trustworthy personalities I have ever encountered. It’s not like having a dog around so much as having an odd-looking grandmother. A grandmother who might attack burglars.
Whenever I have had to treat Gigi for an ailment, she is the soul of cooperation. She will do anything the vet asks, patiently enduring indignities such as rectal thermometers and intrusive examinations. Once both her ears became infected. I had a bottle of liquid that I had to flood both ears with twice a day—something most dogs would strenuously resist. When Gigi saw me coming with the bottle, she would lie down on one side and present an ear. When I was done treating that ear, she would roll over and present the other one. She’s that way with every medical treatment—including acupuncture, which helps with her arthritis when it get bad—apparently understanding that we are trying to help her even if she doesn’t understand what we are doing. (Although I wouldn’t take any bets on her lack of comprehension.)
We live in a beach town. It’s also a dog town, and many people bring their dogs to play at the beach. I took Gigi frequently when we first moved here, but after a couple of years she started coming back limping and sore. Age, alas, is catching up with her, and her once-black muzzle and face are now frosty. She has arthritis and some old joint injuries that cause her problems. Unfortunately, she just doesn’t understand moderation. If I take her to the beach, she runs around and greets and plays with every other dog present, and most of the humans, too. We have had to curtail her beach visits, which is sad, because she used to have a blast.
It’s hard to express this without sounding kind of woo-woo, but this animal is enormously spiritual—more than most humans I know. She’s kind, gentle, intuitive and loving. I respect her as much as I would respect another human because she is her own creature. She knows who she is. She has a presence. Don’t get me wrong—she’s still a dog. She begs at the table. Sometimes she pees in the wrong place (but only if desperate). She barks at nothing and she barks at everything. But looking in her eyes, I see a kindred being who communicates with me without words, respects me, and loves me.
And when she goes (may it be many moons from today), I will be as grief-stricken as I would be for any family member. That’s why I’m telling you now, while I can, that I have in my keeping a great and beautiful soul. It’s a beautiful soul that farts and groans all night, that’s all.
I occasionally review books and interview other authors on this blog. Here, I interview Oliver Chase, who recently published a political thriller, “Camelot Games.” Given the current political situation, I thought “Camelot Games” was incredibly insightful, as well as a great, fast-paced read.
In the interest of full disclosure, Oliver Chase belongs to a very exclusive group of which I am also a member—authors who were formerly published by AEC Stellar Publishing. AEC Stellar, once presided over by publisher Ray Vogel, featured a number of new authors that Ray took under his wing. The pressures of his “day job” and the need to give more time to his family forced Ray to give up his dream, and our little group of diverse authors was scattered to the wind. I think we all still have a collegial feeling for one another—I know I do. I’ll always be grateful to Ray for publishing my first novel and launching me into my lifelong dream of being a published novelist.
KD: In “Camelot Games,” you’ve written a fast-paced political thriller, complete with back-room skullduggery, betrayal, misdirection, an attack on the nation’s infrastructure, and an attempt at secession. When you wrote this book, was there something in the political atmosphere of the time that inspired you? Or was it something else?
Oliver: What a fun question. Several years ago as I waited for the editor to return one of my novels, I read about the 2003 Northeast blackout. As catastrophes go, only a small part of America and Canada were affected. If you were there, it was awful. If not, the whole affair was someone else’s problem.
The financial losses impacted millions of people. Elevators stuck between floors. The NE corridor’s trains stopped on their tracks. Fire departments and first responders worked for days to help people only to find many could not hold on.
I read about the computer glitch, a bug that kept an alarm and a notification at bay until it was too late. The bug was not intentional, but what would happen if it was?
What would happen if a kingmaker decided his little pond was not big enough, or that he wanted to be more than just a footnote in the history books. Why not use a handsome front man and a lovely ambitious wife at a time when an unhappy nation had grown distrustful of its leadership and clamored for a savior.
Scott and Angie McHale waited in the wings, poised to save a nation, a gentle guiding hand for the ages, and born from the ashes.
K.D.: Are you surprised by how many elements of your novel came to the fore in recent politics, such as the Calexit movement?
Oliver: “Camelot Games” came about in two starts. When a jury convicted a wife killer in San Francisco, I was amazed at the man’s steadfast denial in the face of overwhelming, though circumstantial evidence. I read his testimony and wondered if he could hear himself. Where was his attorney? I haven’t an opinion if the killer sitting on death row today is justified. Or, if the real killer still runs among us. But, I note the man’s refusal to concede or ask forgiveness is pretty unique.
The second story that brought both halves of the novel together involved an early agent provocateur railing against the haughtiness of industrialists who believe their own press. He pointed out they paraded naked, and refuse to listen. Such egotistical ham-handedness of the less powerful might cause temporary pain for citizens, but to do such a thing on a national scale, could prove disastrous.
Hence, “Camelot Games.”
K.D.: This story required a thorough knowledge not just of politics, but of military protocol and procedure and law enforcement. Do you have a background in these fields?
Oliver: I’m hardly apolitical, either in my personal beliefs or my actions. The story however does not identify one party or the other. I’ve scrubbed my convictions clean of the characters and let each either damn or exonerate themselves without regard to a modern political party, organized religious principle, or ethnic background. The book does take place in America, takes a swipe or two at other countries, but pits people and not organizations against one another.
BTW, people suggesting the secession of states, cities and communities has been around since the Whiskey Rebellion in 1791. No one is ever completely happy, even in America. We’re just not wired that way.
K.D.: Your protagonist, Scott McHale, is a strong character, though flawed. Unusually for your genre, his wife Angie is also a strong character and she plays a significant role in your story. Did you start out intending to have a strong husband-and-wife team, or did it just work out that way?
Oliver: I’m a staunch proponent of partnerships. I’d like to think stalwart individuals forged civilization from the Stone Age, but that didn’t happen. Partners happened. Sometimes a community forms an enterprise, sometimes its two people. Like in a marriage. My personal experience finds love a terrific motivator and the glue when the going gets tough. Respect, belief, vision, dedication are important and have their place in partnerships, too.
Does anyone ever wonder why a love-interest in a book appeals to readers? Rocky or rock-solid, I think we innately recognize we humans do better when burdens and happiness are shared.
K.D.: Did you have any trouble writing the female characters? Is Angie based on any real person or persons? Is Big Jim based on a real person, or is he an amalgam of shadowy kingmaker-types?
Oliver: Trouble writing female characters? Hmm. I suppose the reader will have to tell me if I missed the mark with the females in Camelot Games. Obviously, the book centers around strong women. Several are not just important, but are vital to move the story along. Each possesses a unique voice, philosophy, and view of the story. Each will reveal themselves by their actions and their words. I’d have to admit one or two were easier than others. All the females are fictional. Some I’ve known in my imagination, some I wanted to know. Some I hope, I’ll never to have to meet.
K.D.: What were the aspects of the plot that gave you the most trouble? How did you work past it?
Oliver: Since we first started telling tales around campfires in caves of animal drawings, we the storytellers tried to capture the imaginations of our audiences. A plot must be in mind when we begin the story, the stronger and more solid, the better. Otherwise, we’ll lose the reader, shaggy dog stories notwithstanding.
The plot of “Camelot Games” makes clear the book is not a techno thriller. The general pleasure reader likely has little desire to be wowed by my grasp of technology, aerodynamics, or frankly, the inner workings of senatorial subcommittees. What I hope the reader will see is that unbridled ambition by any name changes the dynamics of our most important relationships. Whether it’s marital love, dedication to country, or a lawmaker’s connection to those who elect him, aspirations left unchecked have a way of eating us from within.
K.D.: Did you have to do a lot of research for this, or were you already very familiar with what you were writing?
Oliver: Research is always a tricky, little devil. As I spent time piecing together the elements of the book, I read and researched quite a bit that never made its way into my pages. For instance, Scott McHale sat on several subcommittees, at least two of which had a direct bearing on nuclear energy. In order to make sense of the mysterious buildings that suddenly began populating western United States, someone had to clear the way. Be he willing or unwilling, the task needed to be completed. Not much of my self-education on legislative process appeared in the book. If however, a teacher or even a congressman in the know happens to read “Camelot Games,” I needed to make the process of approvals and financing believable.
As a side note, one of my tools was to have been the now illegal “ear marking.” When that went by the boards, I need to go back to my studies and find another way to fulfill Scott’s mandate. When we use a story-vehicle, authors must insure there’s air in the tires. Otherwise, the story will go flat, too.
K.D.: Which writers have been your primary influences?
Oliver: Herman Wouk, James Michener, and Leon Uris caught my attention and imagination early in my life. They encouraged me to seek out the more difficult writers like Faulkner and Steinbeck. I’m pretty conventional, I know, and I’ve never grown too far from that apple tree. Today, I like Craig Johnson, Helen Wecker, John Sanford, Stephanie Meyer, and Karen White. I find myself listening to as many books as I read, but still look forward to that twenty-minute sweet spot, under the bedroom lamp, just before I fade to sleep.
K.D.: Will you be using the Scott and Angie McHale characters in a sequel? If so, when will the book be available?
Oliver: I had not thought about Scott and Angie in a sequel. To tell the truth, I’m so busy with my noir crime series, I hadn’t considered it. But thanks for the question. I’ll have fun toying with the idea.
K.D.: You made it clear in “Camelot Games” that America’s electrical grid is vulnerable to attack from within. Do you also see it as vulnerable to attack from abroad? What should be done about that?
Oliver: America’s vulnerability to an attack on the electrical grid is a scary reality. In the last few years, more and more is written about how we should be protecting ourselves. Like anything else in government, unless the priority rises to a level where one’s votes are in jeopardy, I doubt any legislator will lean too far forward. The loss of power for even a short time will be catastrophic.
A year after “Camelot Games” went to the publisher’s dark hole, I happened across “One Second After” by John Matherson. Newt Gingrich didn’t write my preface, but he did Matherson’s, and what he said, and believes, is downright scary. Perhaps different stories, but the same frightening result.
Before I say adieu, please allow me to make a shameless, self-serving pitch. Oliver Chase’s Take on Life contains a couple short stories, tiny vignettes about people I once knew and serves as a testing ground for my 2018 anthology. Interestingauthors.com is a place I go weekly to let off a little steam. A couple other authors do the same. I enjoy reading their stuff as much as writing my little bit.
By the way, Olivechase.net is a place to buy my books. If you’d like signed, paperback copies, and we can’t catch up with one another in a Barnes and Noble or Indie bookstore, drop me a note. We can try to work something out. I’d rather go in the red and have you read the book, than try to hold anyone up for a couple of bucks. Besides, I really enjoy readers and writers so please don’t be shy. I’m not that hard to find.
Oliver Chase Biography
Oliver grew up on military bases throughout the country and like all boys, played good guys and bad. Coaxing him into an afternoon of baseball along Lake Erie, hiking the Southern California’s hills or paddling a canoe in the North Carolina backwater didn’t take much unless a book found him first.
His best friend and he joined the Marines and took a deferment to attend college. Herb left school finding stumbling blocks that seemed insurmountable at the time. A year after graduating, Oliver stepped onto a sweaty tarmac with a manual Smith Corona typewriter not far from where Herb had died. Fate usually finds a way of putting day-to-day frustrations into a cruel perspective, especially when lost in the haze of an ugly war.
Thirty-one young men flew days and nights in the mountains trying to keep the world safe for … well, says Oliver, that’s not really true, is it? The only reason we ever went into those dark, frightening places was to save our friends, most of whom we’d never met, and never would. That they lived however, meant others died and that still haunts to this day.
He spent time wandering after he got home. Lots of young veterans did, some on foot, some on the rails. Many like Oliver make stops along the road life gave him. He never slept in the park or a bus station, although many did. Most eventually found a way out of the maze from that crazy period of time, yet too many others did not. Oliver promised he was never truly at risk, but still believes pulling the right ticket is mostly a matter of circumstance and luck.
He did a bit of teaching on the Navajo reservation, spent a few years with the cops and a couple alphabet agencies and never quit writing. The old manual typewriter became a memory when his first computer came along. A Lenovo notebook travels with him now, the wanderlust never completely leaving him be. Today, he spends days on the family farm and occasionally still follows the season around when a bookstore bids welcome. Sometimes he wonders if the old Smith Corona found a home, too. He hopes so, wishing his old friend happier days.
Oliver Chase Links
I know that as a writer, I’m supposed to be producing blog posts every few days about compelling topics such as … I don’t know. Compelling topics, anyway.
My problem is that the political turmoil gripping this country is so frightening, so horrific, that I can barely think about anything else. But I’m sure most of you would welcome reading something that has nothing to do with politics. I know I would, but I’m having difficulty tearing myself away. Long story short, I have fallen woefully short on blog post production, sparing you my agonized ruminations on The State of the Nation.
So I’m going to tell you what I’m working on now, in case anyone wants to know. I finished the sequel to “The Obsidian Mirror” last fall. It’s called “Fire in the Ocean,” and it is set primarily on the Hawai‘ian island of Moloka‘i. Long-term followers may remember that I blogged my research trip there in the winter of 2016—and what a trip it was!
The blurb: What would you do if you found yourself marooned on a tropical island with a shape-shifting demi-god who has lost his powers—and another shape-shifting demi-god who has not?
Naturally, you make friends with the local monster and get the heck out. Sierra Carter, newbie magic worker, does just this but finds herself caught up in a web of greed, deception, good intentions and the deep magic of ancient Moloka‘i, the isle of sorcerers. A few meddlesome gods and goddesses complicate the situation even when they’re trying to help.
“Fire in the Ocean,” the sequel to “The Obsidian Mirror,” continues the tale of Sierra and her friends (including a mannegishi and a part-time coyote) as they battle with an energy developer to protect the precious natural environment of Hawai‘i.
Diversion Books has given “Fire in the Ocean” a February 2018 launch slot, so you’ll be hearing more from me about this book in the future.
I am also re-writing and re-illustrating a children’s book. When I was in my Master’s program at college, I took a course in children’s literature (I was getting a degree in teaching). I asked my professor if, instead of writing a mid-term and final essay talking about some aspect of children’s lit, I could just write a couple of children’s books. He was delighted with this idea, and I produced “I Am Not a Bear” for four- to six-year-old children. (I also wrote a novel for older children that I will not be revisiting.)
The story is a simple one about a boy who wants to be a bear and a little bear who wants to be a human. They try trading places only to discover that they were happier in their own homes.
At the time I wrote the book, I was living in a house trailer on a farm that trained sulky racers—thoroughbred horses that race with a lightweight cart and driver behind them. I have a vivid memory of being curled up on the couch, painting the illustrations for the book and listening to the horses clopping by outside. I got an A in the course, by the way.
I read “I Am Not a Bear” to my children when they were little, and thought about redoing the book. By then, having grown as a writer and as an artist, I thought I could improve on them quite a bit. But I was raising kids and running a business, and time was what I didn’t have.
Now that I have grandchildren and time, I am actually doing it. I have no plans to try to get it published—publishers normally want to pick the illustrators for stories, and I’m sure they are usually right, but this is my story, and I want to do it my way. I intend to have it printed on demand, a couple of books for the grandkids, one for a new great-niece, and a few extra in case more come along.
I am also helping a friend write his autobiography. It’s a rags-to-riches story, quite literally. We have worked on it for the better part of two years, trying to accommodate his busy schedule as a Distinguished Engineer at IBM Research and my fiction writing and travels. I think his story is fascinating, but it is a challenge to translate someone’s life experiences into coherent and gripping prose. It’s harder than I thought it would be, but I’m enjoying it.
I started a writer’s critique circle recently. I joined one that someone else started and enjoyed it enormously, but then she moved out of the area. I tried to revive the one she began without much success, but the new group is fully booked, and I hope it will be as useful and enjoyable as the one my friend started. All writers need editors and readers, and a critique circle can be incredibly helpful. I’m calling it Writers Square, partly because everyone calls these things circles, and partly because one of my favorite mystery series has a writers’ critique club called Writers Square. (I have always been a sucker for bad humor. Good humor, too.)
So that’s my blog for today. I hope you enjoyed this brief respite from politics. I know I did.