Day 2: Amsterdam

Tom and I woke early and went for a walk in Westerpark. It’s a lovely park, a combination of landscaped and wild areas in the middle of the city. OK, not the middle, but close to the docks where we will be embarking on the “River Duchess,” our home away from home for the next three weeks. They were cleaning the wading pond that had produced so many happy childrens’ screams the day before. We saw great blue herons, mourning doves, and a number of birds I didn’t recognize.

This statue of a court dress stands in the middle of a small pond in Westerpark. The lady has evidentially strayed elsewhere.

We returned to the hotel and sat down to order breakfast via Q-code. Our coffee came almost immediately, but not our friends. Or the food. Eventually, Linda texted us. They had decided to sit in the roped-off area for some reason. And the staff had decided to serve them there. So we joined them. Their breakfasts arrived. Ours did not. Tom went to see why not, and apparently the order never went through. No worries—it arrived shortly after Tom inquired.

We had decided to visit the Reichsmuseum today. The Reichsmuseum has the same issues as the Louvre—it is so huge, you would need days to really do it justice. It has a huge collection of Dutch Masters, including Rembrandt’s “Night Watch,” which we had seen on our first visit to Amsterdam. It was a bit of a shock to walk into that gallery. An enormous crowd was gathered in front of the “Night Watch.” I remembered from our first visit that we had been one of a few gathered to gawk at it, and we stayed a long time with no interruptions. Then I remembered we had come here in February, which probably explains the difference. It isn’t Rembrandt’s most fascinating work, in my opinion, so I skirted the rapt crowd to focus on other works.

And I got to revisit some faves—Frans Hals, Jan Steen, Vermeer, and others, and discovered a new favorite, Judith Leyster, who had the same qualities I so admire in the others—capturing the personality of real people, distinct personalities, on canvas. I will have to further explore Leyster’s work.

One of Judith Leyster’s genre paintings. If it is in the Reichsmuseum, I didn’t see it, but it has all the qualities I love in the Dutch genre paintings.

We wandered through more galleries, and I began to skip over the things that didn’t interest me in favor of the ones that did—there’s just too much to see! Eventually, we dragged aching feet to the cafe and had some lunch. David ordered bitterballen, which I had never tasted before. Bitterballen (which I think means battered balls) consist of a stew rendered down until the gravy is very thick, frozen, battered, and deep fried. Very yummy. Very heavy. I had boar sausage with picked onions and bread.

Susan had arranged for a canal tour. The departure point was supposed to be very close to the museum. This proved to be true, but they told us it was the wrong place for our tickets. Then they kindly put us on a tour departing from that location, complete with wine and goodies, even though we hadn’t paid for them. Great customer service. The canal tour was interesting, and you get a short lesson in Amsterdam’s history, albeit through the recorded voices of a couple who argued coyly with each other. I know know what the Zeiderzee is—the southern sea that was closed off from the ocean at some point, protecting Amsterdam from tidal surges that tended to flood the residents’ houses from time to time. It was pretty crowded on that tour boat, but that’s what we get for coming during the tourist season. Horrifyingly, as we passed under a low bridge, someone on the bridge threw a half-full can of Amstel Beer through the open top and hit Linda’s head, soaking her clothes in beer. Somehow, I didn’t expect hat kind of behavior here. Fortunately, Linda was not badly hurt.

After the canal tour, we walked to the Reichst Restaurant (not the museum cafe), but we didn’t have reservations so they turned us down. We wound up back at the Conscious Hotel, where the food was very good, if not spectacular. This is a town where reservations are really required most places.

I tried to watch the third Jan. 6 hearings, but Judge Michael Luttig, who was one of the witnesses, spoke SO slowly, with so many long pauses between phrases, that by the time he finished a sentence I had forgotten what he was talking about. It drove me nuts and I realized I was probably tired, so I went to bed.