The First Day of My Journey to My Next Novel

The view. OMG, The view!

The view. OMG, The view!

As promised, I have gone to Hawaii to research my next novel. I usually journal when I travel because it helps me to retain the memories of my trip, but this time, I have decided to share my journal with you. This is a bit scary for me–maybe some of you will think I’m just farting around over here because to be honest, I’m not entirely sure what I am looking for. Yes, I have a list of things I want to do or find out about, but I also am hoping that I will find something that I didn’t know I was looking for.

If that sounds kind of mystical or arty-farty, sorry. But that’s what I’m doing. I hope you enjoy my journal anyway.

Day 1: San Jose to Kona

After several days of trying to prepare for our trip, the day finally came. I felt underprepared in a way, despite all my lists and fretting. And it did turn out that I forgot a few things, but I figured I could find them in Hawaii–they’d just be more expensive.

We took Hawaiian Air from San Jose. We had the usual cattle-class seats, except that my legroom was cut in half by some reinforcement under the seat in front of me, so I was more uncomfortable than usual. I am 5’10”, so leg room is always an issue for me. Tom took the window seat because he enjoys it. So do I, but I think he enjoys it more, so I make a point of letting him have it. In this case, there would be nothing to see for 5,000 miles except water anyway…

Breakfast was promised, but it turned out to be 6 small and geometrically precise slices of underripe melon, cheese and crackers, and a chocolate-covered macadamia nut candy. Later we got a rum punch with very little rum, hence no punch, served with a bag of Maui onion-flavored chips. I admit that these chips are a particular weakness of mine, but they didn’t make up for the fact that we were both feeling the need for an actual meal by this time, not having eaten since dinner the night before.

I read the inflight magazine, hoping to discover something interesting to see or do. The most interesting article was about Hawaiian native palms. I don’t know about you, but I had always assumed that the palm trees I saw in Hawaii–especially the coconut palms–were mostly native, but it turns out not to be so. There are several subspecies of loulu palm (Pritchardia) that are native, and all are endangered through people, rats, goats and pigs. The large seeds take a year to mature, making them vulnerable to rats, who eat the unripe seeds. When they are ripe, people like them–if they can find them, which is unlikely. The islands were once forested with loulu palms, but they now exist in the wild only in a few places that cannot be reached by people, rats, pigs or goats, which leaves very few places indeed. Coconut palms were brought here by the Polynesians who peopled Hawaii, not by the usual method of floating safely across the sea in their hard shells. Another article I read said that it was difficult for people to get them here in a plantable condition. We tend to forget in this day of air travel how very isolated the Hawaiian Islands really are. It’s astonishing that people ever found them in the days before satellites and airplanes.

Which reminds me of my surprise and disappointment as a child, when I discovered that there were really no undiscovered lands left in the world. I was very fond of books like “The Pearl Lagoon” (Charles Nordhoff) and “The Lost World” (Sir Arthur Conan Doyle), where the protagonists discovered new places, or at least explored little-known places. I desperately wanted to have adventures like that, and the notion that there were no more unknowns was devastating. Of course, I later discovered that there are still plenty of unknowns, and unlimited adventures of the mind and spirit. Not to mention space, where I am definitely not going to go. Ever. But I can imagine it, which is probably much better for someone my age.

We landed in Honolulu (where I removed my fleece jacket) and walked about a mile (I am exaggerating only slightly) to the gate to catch our connection to Kona on the Big Island of Hawaii. This is a very short hop and soon we were landing in the midst of a field of broken black lava. The runway was smooth enough, but although the eruption that laid down the lava here happened a very long time ago, it is still a bleak and almost alien landscape, black, rough rocks with a few brave grasses struggling to eke out a near-waterless existence on the stone.

We collected our bags at tiny Kona airport and caught the shuttle to the rental place. The whole airport operation is so minuscule that it’s easy and quick to do things that might take an hour or more in an urban airport. I had rented the cheapest possible car, which turned out to be a white Chevy Crapmobile. I might have rejected it if I had known it was going to be a Chevy. My parents generously gave me a Chevy Caprice when I graduated from college. Tom and I quickly re-dubbed it the “Chevy Crapice.” I think it was possessed by evil spirits, because it had a crafty habit of waiting to break down until the absolute worst possible moment. Think I’m exaggerating? Try in the middle of a tollbooth on I-90 going into Chicago. In the middle of Lincoln Park in Chicago, the stalking ground of the infamous Lincoln Park Pirates, a towing firm that would tow you even if parked legally and would relent only if offered a healthy bribe. Bits and pieces of it would fall off or stop working even when it was still technically running, which was ruinous to two young students/recent graduates with no money. I still remember my joy when we finally bought a new car (the first Honda car in the US; it had a motorcycle engine), and watched a tow truck haul the Crapice out of our lives forever.

Our rental Crapmobile presented a challenge from the beginning. First, we couldn’t fit my suitcase into its dainty little luggage compartment. I suggested lowering the back seats. There was a mechanism for doing so, but there was no way to lower them completely without removing the back seat bench. And it appeared to be a two-door with no way to put a person in the back seat, much less my enormous suitcase. (In my defense, I selected this case so that I could put our snorkel equipment in it as well as my clothes, etc.) Finally we discovered door handles cleverly concealed in the trim (they looked like vents and were in a strange location at the top rear corners of the doors), got all our luggage in and headed south.

Tom and I both thought there has been a lot of development since we were last here. The first time, I recall that there were “graffiti” messages spelled out against the black lava with chunks of white coral. We didn’t see any of these yesterday. The road seemed wider and there were more houses and other buildings north of the town of Kona.

We headed for Captain Cook along the Mamalahoa Highway. Captain Cook is sort of a long spot along the highway, perched more than 1,000 feet above the ocean. We turned off the highway as instructed and began a winding, narrow approach along the cliffs makai-side (kai meaning the ocean. Hawaiians talk about directions as makai, toward the sea, or mauka, meaning toward the mountains). The steep sides of this descent feature small plantations and a breathtaking view of Keleakakua Bay far below.

We eventually came to our destination, Camp Aloha. The driveway was a severe uphill climb that seriously challenged our Chevy Crapmobile, but we made it. At the top of the drive we found a large outbuilding with lots of mysterious machinery in it. There were trees everywhere. Not a person in sight. We got out and began peering around. Eventually one of our hosts, Joan, came out of the house, which was well concealed behind trees and bushes, and greeted us. Joan and her husband, Casey, have five acres here where they grow macadamias, bananas, papayas and avocados. I asked Joan where they sell their produce, and it all goes to a local grocery store.

Joan showed us around. I had thought we would be in a separate cottage, but we are actually in a wing of their house. The house itself is a one-story bungalow about 30 years, ramshackle and exhibiting a great deal of deferred maintenance. But the view. Oh, the view. The house overlooks Keleakakua Bay, a thousand feet below, and miles out to sea. There are palms and flowering trees all around, and a soft breeze blows all the time. Mynah birds swarm in the trees, as do golden finches, Chinese white-eyes and many others.

We have a bedroom, bathroom and sitting room with a small patio outside. Our kitchen is on the covered lanai overlooking the pool and the mesmerizing view. I now know why it is called “Camp Aloha”; the cooking is over a camp stove or barbecue. There is also a fridge, which our hosts stocked with a variety of foods, a microwave, toaster oven, plastic sink and most of the essential amenities.

After unpacking, we headed into town for some necessities like good wine. We went to dinner at the Manago Hotel, which is an ancient building on the highway. It’s clearly a local hangout. The tables are chrome and Formica, circa 1950s. There are two menus, one for drinks and one for food, posted on the walls. The drinks on offer are a few low-quality California reds, more selection in beers, plus soda, coffee, tea. I ordered a Longboard Lager, which was good, even though I don’t usually drink beer. The food menu had some interesting local fish, plus pork chops and steak. Having read that the pork chops were a specialty of the house, that’s what I ordered, while Tom had the steak–an unusual choice for him. They brought sticky rice, potato-macaroni salad (which was surprisingly good), sprouts and steamed vegetables, which we devoured (our last real meal had been 24 hours previously). Then the meat arrived–enormous portions that neither of us could finish. The meat was fine, but I wouldn’t go with it again. I prefer fish and this is, after all, an island!

We headed home with our wine, opened it and watched part of “Despicable Me,” having missed about 30 minutes of it. Normally, I hate watching a movie after it has started, but last night I didn’t care. Then to bed,and quickly to sleep. The temperature was cool, like a summer evening at home on the Monterey Bay.

Some time in the middle of the night, Tom woke me up by saying, “The stars are amazing!” In my sleep-drugged state, my brain had two responses: “I want to see that!” And simultaneously, “I don’t want to get out of bed.” So I stayed in bed until my bladder had its way with me. After visiting the bathroom, I stepped outside onto the buzz-cut grass and stared. And stared. And stared. And stared.

It was a moonless night, and the stars blazed with so much light I could see the objects around me. The stars were bright right down to the horizon. The North Star flamed overhead, the brightest object in the sky. And the stars glittered and pulsed as though alive. I was tempted to lie down on one of the chaise lounges and stare for an hour or two, but it was cool and I wanted to avoid mosquitoes, so I eventually went back inside, overawed by such unearthly beauty.

It made me realize how much we have sacrificed for our conveniences–the electricity that lights our nighttime. We have lost the beauty and mystery of the stars, the truly spiritual experience of seeing them blaze in the dark like bright promises of a life to come.

I’m just glad I can go places where I can still see the stars as my ancestors saw them. As the ancient Hawaiians-to-be saw these beacons as they steered their tiny and inadequate rafts across the uncharted Pacific. But I will never have the intimacy with the night sky that our ancestors had. To them, each of these gems was an old friend with a story to tell and directions to give. That experience is not mine to have. But I can still rejoice in their beauty, even if I can never understand them.

Writing the Sequel: Embarking on a Spirit Journey

"Under the Cliffs of Molokai" by D. Howard Hitchcock

“Under the Cliffs of Molokai” by D. Howard Hitchcock

I deliberately spent the past six months promoting “The Obsidian Mirror.” I curtailed most of my other activities to give myself time to launch my first book properly. I did not start writing the sequel, though I have thought about it a great deal.

Well, “The Obsidian Mirror” is launched, and the time has come to start working on the next novel. During a vacation last year in Oahu I came up with some really fun things that could happen to my characters if they traveled to Hawai’i—although it won’t be as much fun for them as it will be for me. I knew I needed to ground the story in Hawai’ian mythology and tradition. I’ve been to several of the Hawai’ian islands and I have read a fair amount about the Hawai’ians’ ancient culture and mythology. But there is far more that I do not know, so I felt the need to do more research.

In my previous visits to the islands I have been a tourist. I was there for the snorkeling, the beautiful beaches, the fresh-from-the-ocean fish, and the relaxing natural beauty of Hawai’i. This time, it’s different; I want to know more about modern Hawai’ian culture—the culture of the people of Hawai’ian descent—but I also want to know how modern ethnic Hawai’ians relate to the culture and beliefs of their ancestors. To do this, I need to have some meaningful conversations with ethnic Hawai’ians. I am not going to learn this from a book.

I began by trying to track down my former chiropractor, an ethnic Hawai’ian and an excellent practitioner. Kalani has apparently vanished off the face of the earth. Short of hiring a private eye, I am not going to find him. I asked a friend of mine with connections in Hawai’i if she could introduce me to people there. She tried, but the person she introduced me to via email was always too busy to talk, and finally stopped responding altogether.

Then I asked a friend who lives in Hawaii for help. He is not ethnic Hawai’ian, but having lived on the Big Island for many years, he knows many. We actually have met in person only once. He was a technology journalist while I was working in high tech public relations. We’ve stayed in touch as he moved to Hawaii to grow coffee and eventually became an expert in sustainable agricultural practices. Despite the fact that he hasn’t seen me in person for probably 30 years (!!!) he agreed to introduce me to some of his friends and acquaintances on the Big Island. I am still amazed at his generosity and trust.

At the same time I was seeking personal contacts in the islands, I did what a good researcher does; I tried to get in touch with experts at The Bishop Museum, which is recognized as the world’s best museum of Polynesian culture. I never heard back from any of my attempts to communicate by email or phone.

But I did have a commitment from my Big Island friend, so it was starting to get real. I spent a weekend setting up a week on the Big Island, going from there to Oahu, where the Bishop Museum and the University of Hawaii reside. I set it all up—places to stay, rental cars, airplane flights. I arranged eight days in Oahu, reasoning that if worst came to worst, I could always just pay the entrance fee to the Bishop Museum and then find a docent of Hawai’ian descent who might be willing to help me.

Then I started reading a book called “The Sacred Power of Huna,” by Rima A. Morrell, Ph.D. I was actually looking for books on Hawai’ian mythology and folk tales, but I had never heard of Huna, so I bought it on a whim. According to Morrell, Huna is the original Hawai’ian spiritual practice, developed before the introduction of things like the kapu system and human sacrifice, which she says was imposed on the islands by Samoan invaders around the 14th century. Huna is deeply intertwined with hula and with the Hawai’ian language. Its purpose is to help individuals to increase the light in the world—literally and metaphysically. The author—who did her Ph.D. in Hawai’ian shamanism at University College London after getting her masters and undergraduate degrees from Cambridge—firmly states that magic is REAL, and gives several examples from her personal experience. She also states that Hawai’ians on other islands suspect that Molokai—the island of fewest tourists and greatest percentage of ethnic Hawai’ians other than Ni’ihau—is where magic is still being made. How could a fantasy writer resist?

I put the book down at this point. Molokai. Why had I not thought about Molokai? I have often wondered about it. It’s described as the “Aloha Island,” the friendliest. And it’s called the last remnant of Old Hawai’i, with no high-rise buildings and not a lot of tourists, despite having beautiful white sand beaches, forested uplands, and its own share of snorkeling spots and other tropical delights. I had a strong feeling I should go to Molokai, but thought, “I can’t, because I’ve already made arrangements for Oahu. It’ll cost too much money to change now.”

So I went about my business for a few days, but I couldn’t shake the feeling that I needed to go to Molokai. I don’t really know much about the island. I certainly don’t know anybody there. But it called to me. So I gritted my teeth and made all the changes and paid the extra money to Hawai’ian Airlines to change the reservations.

I have abandoned all my reasonable and rational plans to talk to experts at the museum or the university. I am embarking on what I see as a spirit journey. I don’t know what I will do when I get there. I don’t know what questions to ask. I don’t know what I will discover or whom I will meet. I don’t know how I am going to get what I need to write the next novel. I run the risk of not finding out anything at all. I am taking a leap of faith that my inner guide is taking me to the right place to do what I need to do and learn what I need to know.

At the very least, I will have spent two weeks in one of the most beautiful places on earth.

POSTSCRIPT

Immediately upon posting this piece–I mean, literally within a minute or two–I happened upon a FB page called “Huna Is Not Hawaiian.” Startled, I spent quite a while reading the page and following up on many of its links to longer pieces.

It appears that, indeed, Huna is NOT Hawai’ian, but a new-age overlay on Hawai’ian spirituality. The “Huna Is Not Hawaiian” page views it as a commercialized appropriation of Hawai’an culture.

I thought I should mention this, but it doesn’t impact what I am doing. My purpose in visiting Hawai’i and Molokai in particular is not to study Huna or become Hawai’ian by some strange magic. My purpose is to learn what there is for me to learn to write my next book.

Yes, I still view it as a spirit quest and have abandoned my usual rational methodology in favor of letting what happens happen. I have found in the past that letting things unfold naturally is sometimes a more effective way to reach a goal than systematically striving.

Did the book on Huna change what I planned to do? Absolutely. It reminded me that I had always wanted to visit Molokai, and that of all the islands, Molokai may be the one closest to Old Hawai’i. I still feel excited and confident that I made the right decision–for me. There is something for me there.

But I am under no illusion that a couple of weeks in Hawai’i will do more than enrich my store of experience and knowledge and, hopefully, stoke the joy and impetus of creating a new story. If I’m lucky, I won’t get sunburned.

Book Reviewer Blogger Liis Pallas Reviews “The Obsidian Mirror”

Liis Pallas reviews “The Obsidian mirror”–and I am thrilled!

Liis's avatarCover to Cover

Environmental issues, power-play, ancient Mayan gods, a Coyotl (yes, Coyotl) that turns into a drop-dead-gorgeous young man, a green being of mannegishi, vodun (no, not voodoo), and a bit of reality- admit it- it sparked some interest in you!

from Goodreads

A few days ago I published an interview K.D. was so very kind to tackle.

You know what? It feels strange how some times you read a book, or watch a film, on a serious issue (such as environmental problems, a nuclear power plant worry, fracking causing earthquakes, rubbish in the vast oceans, etc) and when we read about these issues in books, or see them in the movies, we tend to take them as someone’s brain-children, or brain-babies. But I really am humbled and in awe and in the process of having my faith restored because people notice! Authors notice the issues, the global issues that should…

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Time, Time, Time…Is Not on My Side

vetta

Time to write. That’s pretty much the only item on the writer’s eternal wish list. (Except for, “I want my book to be a best-seller,” of course.) There are various cartoons swimming around in the chaotic soup that is the Internet, like this one, that bemoan the writer never having enough time to write:

The Writer's Bermuda Triangle

The Writer’s Bermuda Triangle

So why do writers spend so much time on social media? Is there any indication that social media helps to draw in new readers or sell books? We all (publishers and writers alike) have this childlike faith that it does, but is there any proof?

Then there’s the question of: Does it matter if social media works or not? Because what else do we have? If you’re Neil Gaiman or Ken Follett or Dan Brown, your publisher is worshipfully setting up public appearances and paying for full-page ads in The New Yorker. If you’re like the rest of us, you are doing most—if not all—of your own marketing and publicity.

Then there’s the amount of time we spend just reading posts and following links and signing petitions.

Signing petitions. I suddenly realized that 75%+ of my email was from organizations whose aims I support, either asking me to sign petitions or asking for money, or both. I like signing petitions because it seems to me that they are a way for ordinary people to make their voices heard. It’s also a way to provide a voice to those who have none—endangered species, abused farm animals, and homeless people, for example.

I was delighted that several of the petitions I have signed were successful. A corporation changed its open-carry policy. A former K-9 Corps soldier was allowed to adopt his dog and take it home from Afghanistan (which otherwise would have been dumped in that country as a way of saying thanks for its service). A corporation raised its minimum wage. All of these things encouraged me to continue signing. I felt like I was doing something—a tiny something, but something—to support good causes and hopefully make the world a better place.

But the universe of good causes had discovered their ultimate sucker. I was getting messages from political candidates running in states in which I do not live, asking for my money. I got petitions from individuals asking for help for their relatives. I received just too many emails and petitions from too many organizations. It was taking half my limited time just to sort through them and sign the ones I was interested in supporting.

Add to this situation that our household recently expanded due to the addition of Jessamyn, now almost five months old. Jessamyn is a chubby pink charmer who graces all around her with wide, gummy smiles and delighted cooing. She adores my singing (I think she’s the only one). She is also demanding and needs a lot of attention, just like any other baby. Her mother went back to work outside the home, and a lot of baby and childcare devolved upon my husband and me.

So I had to choose between Jessamyn and the petitions. You may not be surprised to hear that Jessamyn won. I unsubscribed from every one of them. I mark them as “junk” when they enter my mailbox—even though I feel a twinge of guilt every time.

It still takes too long to get through my email. The email system still hasn’t really learned which things are junk. For some reason, the system leaves a lot of unwanted email in my “In” box, even though it carefully marks them with a yellow notice that says, “Postbox thinks this is junk mail.” Well, if you think it’s junk mail, what the hell is it doing in my inbox?

But it’s getting better. Getting though my email is gradually becoming a shorter process. I have a little more time each day to devote to book marketing and research on the sequel to “The Obsidian Mirror.” It’s not enough, but as the days grow shorter, my working day is a tiny bit longer.

But I still feel guilty about not signing all those petitions.

Interview with K.D. Keenan on (r)Evolution with HiC

K.D. Keenan, author of "The Obsidian Mirror"

K.D. Keenan, author of “The Obsidian Mirror”

http://player.cinchcast.com/?platformId=1&assetType=single&assetId=5859167

Check Out Books Podcasts at Blog Talk Radio with Firefly Willows LIVE on BlogTalkRadio

Book Clubs Take Note: Discount Offer on “The Obsidian Mirror”

Chaco #1

Chaco #1

I am offering a special discount on “The Obsidian Mirror” to book clubs while supplies last. Book clubs get a 28% discount to $9.49 ($5 off retail!) plus shipping (retail price is $14.49).

The conditions:

  • Book clubs only;
  • Minimum order of five paperback copies;
  • All books shipped to a single address;
  • Single payment through PayPal for all books shipped to a given book club.

Here are some of the reviews so far:

“Native American mythology is often understated and you can never find enough of it in Fantasy Literature. But don’t worry, K.D. Keenan is here to fix that with The Obsidian Mirror.

What makes the author so special? Well, let’s just say that her best childhood friend was a Native American skull, which she received when she turned six. Show me a better qualification and I’ll eat it! And before you ask, yes, she did return the skull to its proper place when she got old enough to know better.

The story turned out so well and it is so rich in detail that one can almost suspect the author learned more than a few tales from said skull. Add a little bit of Voodoo to the mix and you are well on your way to an all-star American pantheon, echoing Neil Gaiman’s American Gods in a most interesting manner.

Oh, and for all that the author won’t admit it, The Obsidian Mirror has tons of humor. This is skillfully done, with the jokes lurking in the backdrop, tiptoeing behind the text and seldom breaking the surface of the mirror. More often than not you will recognise the joke the same way scientists recognise dark matter – by its effect on the surroundings rather than by its blatant presence.”—Sorin Sociu, author of “The Scriptlings”

“A riveting blend of ancient myth and modern intrigue. Supernatural thrills, corporate espionage and great characters make for a thrill-ride read!”—Gail Z. Martin, author of “Reign of Ash”

“Any fan of mythology and good old fantasy will greatly enjoy this novel. Keenan manages to hook the reader from page one, throwing in some unusual characters (and tropes), mixing it up with a villain that has a brand new bag of toys. I won’t spoil – but it is a new take on the whole good vs evil fight. I love the fact that Keenan picked Meso-American mythology – and rocked the world with it. She clearly knows her stuff and has the potential to take on seasoned authors with her mastery of language and modern twists on some of the most awesome fictional gods around. Looking forward to the sequel.”—Ryan Attard, author of “Firstborn”

“I really enjoyed this book! K. D. Keenan wrote fantasy and characters that were enjoyable! Fred, Chaco, Clancy, Kaylee, and Sierra were my favorites! It has humor, conspiracy, good and evil. K.D. Keenan has a vivid imagination with her characters all through the end. So descriptive in forming a man from a coyote! It’s a great story that kept me hanging on the edge to see who was going to be saved! Her writing has an easy flow, that made me go chapter to chapter! I look forward to her next book!”—Dora E. Gil

“What a wonderful book! I loved reading every minute of it and I am hoping that there will be a sequel soon. There was never a lull or moment’s boredom in the story. It was fascinating learning about the ancient American myths and folklore. The author did an excellent job blending the ancient folklore it into a plausible contemporary setting. The story was so well crafted and the characters albeit mythical came to life and they were so believable. A good read is so hard to find and I am thrilled when I find it.”—J.B. Dow

“’The Obsidian Mirror’ is an urban fantasy based on New World mythologies and legends. It’s an action-packed page-turner, but it doesn’t take itself too seriously. There are plenty of tense moments and some really evil bad guys, but it’s all enlivened by the author’s ability to weave humor throughout the drama.

I enjoyed the well-rounded characters—especially Fred, who’s a mannegishi (sort of a Native American leprechaun). Fred’s a greedy, irresponsible little thief, but you’ll wind up loving his brand of goofy innocence. Chaco, another supernatural character, is another of my favorites. Chaco is kind of a lech, but he’s so cheerful and good-natured that he never offends.
The action mostly takes place in modern-day Silicon Valley, and at the heart of the story is how an evil Aztec/Mayan god takes advantage of modern technology to execute his dark plans. For those familiar with Silicon Valley or Northern California, you will recognize the locale and the culture of the Valley. If you aren’t familiar with this area, take my word for it—the local color is dead-on accurate.

There’s a friendship that forms among three secondary female characters that I particularly enjoyed. None of the three are acquainted before the story begins, but as it unfolds, they form a sort of sisterhood that I found very appealing. I found myself believing in their role in the story and cheering them on.

I truly enjoyed reading this book. It has basically everything I love in a story: characters I care about, action, drama and humor, all tied up with creative storytelling that has enough unexpected twists and turns to keep me interested—and make me genuinely sorry when the story ends. I hope there’s a sequel.”—Linda M. Duyanovich

Interested? Contact me at kdkeenan@theobsidianmirror.net. You can read the first chapter here.

 

My Writing Process

Writer

Today’s blog is part of a writers’ blog tour, so the format is predetermined. I was nominated to write this by Ryan Attard, author of the wild, action-packed “Legacy” fantasy series. Ryan has two books in the series out now, “Firstborn” and “Birthright.” His blog on the subject of “My Writing Process” can be found here. 

1. What am I working on? At present, I’m marketing “The Obsidian Mirror,” which is my debut novel. As a new writer (OK, I’ve been writing my whole life and write for a living, but I am newly-arrived as a novelist), I don’t have an established reader base, and I’ll have to work hard to build one. I expected this and I’m eager and willing to put in the work, but I have not been able to turn my full attention to the next novel, which will be the second in the “Obsidian” series.

As those of you who have been hanging in here with me for a while know, “The Obsidian Mirror” is based entirely on New World mythologies, legends, folk tales and traditions. Supernatural beings—they may have been called gods or folk heroes or even demons—are active in today’s world. I call them “Avatars,” more or less to avoid the whole religion thing. There were thousands of different religions in the ancient Americas, and I wanted to be able to draw on any of them without getting too embroiled in theology.

The second story in the “Obsidian” series will be set in Hawaii. I thought it would be interesting to see what happens when an ancient Avatar such as Coyote the Trickster ventures from his native land to another land where he and his cohorts never had any influence. Hawai’i may be part of the United States now, but the ancient Hawai’ians had their own traditions that owed nothing to the mainland Americas. I have plans for Coyote (also known as Chaco) in particular, but he’s not going to like them much.

Fred the mannegishi will also venture to Hawaii with Sierra, but his experience will be radically different from Chaco’s. As I was writing the character of Fred, he always reminded me of the Hawaiian menehune; Fred is small, green, and mischievous, as are the menehune. Well, it’s time that Fred met some menehune, and we will see what happens. (I honestly don’t know any more at this point.)

The underlying theme of “The Obsidian Mirror” is threat to the natural environment. I plan to continue that with the next book, but my focus will be on the “Pacific Garbage Patch,” which is a continent-sized area in the Pacific that contains millions of tons of particularized plastic swirling around in the ocean—and Hawai’i is right in the middle of it. Marine birds and animals consume this plastic confetti, often with fatal results, and the plastic leaches toxic chemicals into the water. “Plastiglomerates” have been washing up on Hawai’i’s beautiful beaches—chunks of plastic fused together with volcanic rock, sand and coral. Next time you have a fun day at the beach, please be sure you take all the sand buckets, bags, plastic shovels and toys home with you, even if they’re broken. Otherwise—it’s off to the great Pacific Garbage Patch! (Unless you’re picnicking by a different ocean, in which case, please do the same.)

I won’t get preachy with all this. If the story isn’t fun to read, it won’t be read.

When I’m not marketing the first book, I’m trying to find time to do research on ancient Hawai’ian culture for the next book. I may have to actually travel to Hawai’i to accomplish some of this, but no one ever said the writer’s lot is an easy one.

2. How does my work differ from others of its genre? Basing my work on New World mythologies, legends and archetypes is the most unique aspect of my work. I don’t mean to say that no one has ever done this before, but my observation of fantasy is that it leans heavily on European traditions such as swords, sorcerers, vampires, elves, faeries, cloaked adventurers, and so forth. As a matter of fact, that’s why I wrote “The Obsidian Mirror” in the first place. In early 2007, I finished reading an epic fantasy by Robert Jordan. (It was one of the “Wheel of Time” novels.) I thoroughly enjoyed the book, but found myself pondering the whole Eurocentricity of fantasy. My freelance writing business was slow at the time, so I began writing the story largely as an experiment. Much to my surprise, my characters became so vivid and real to me that they did not allow me to quit until I had finished the entire book and rewritten it about three times.

That being said, I am as intrigued by the mysteries of European traditions as anyone—especially when it comes to Celtic folklore and legends. Ethnically, I am pretty much a mutt, but I’m as much Scots-Irish as anything else, and these stories resonate with me. I’d like to write something based on Celtic tradition someday, but I would need to develop my own personal twist on it.

Back to what makes my work unique—I may be fooling myself, but I like to think that I have developed a distinctive “voice” as a writer. Key to this voice is humor, which I use much like salt in cooking; drama, action, and suspense are so much tastier when served with a good dollop of humor.

3. Why do I write what I write? I have wanted to be a writer since I was eight years old. In many ways, I have always been a writer; that’s how I got through school, and I built a career in public relations and marketing communications on my writing ability.

But of course, I didn’t aim to be a marketing writer at the age of eight. I wanted to write fiction because I read everything fictional I could get my hands on, and I thought writing fiction was the most amazing and wonderful thing anyone could do.

I majored in English Literature, so I thought I should be writing “literature”—something profound. Something that might eventually wind up on some college sophomore’s reading list. I attempted this a few times and quickly gave up in despair.

For some reason, it had not occurred to me to write the book that I wanted to read. You will more frequently find me curled up with Diana Gabaldon, Terry Pratchett, Neil Gaiman or Tom Holt than with Faulkner, Saroyan, Shakespeare or Melville. When I started writing “The Obsidian Mirror,” I finally set out to create a book that I would enjoy reading—which is probably why it worked.

4. How does my writing process work? I think this has changed, because I learned a lot about writing a book from creating “The Obsidian Mirror.” And the next time, I will outline the plot FIRST. When I started the story, I was writing on a whim, so I didn’t bother with plotting it out or doing character backstories, or creating walls full of stickies with timelines and so forth. I just wrote it, and that created some difficulties.

My most challenging problem was finishing the book. My second major rewrite had taken me past the end of the original version, but I got to a point in the story where I could not see how it would end. I knew how I wanted it to end, but I couldn’t figure out how to get there from where I was. I had written myself into a corner. It took probably six months and many earnest and frustrated attempts before I located where I had gone wrong and corrected it. The book just about finished itself from that point—I think it took a week.

So, long story short, I will create a plot outline for the next book. Beyond that, my process is: just write. I read somewhere that Terry Pratchett set himself the goal of writing at least 400 words per day. Every day. Holidays, weekends, sick or well. That struck me as a wise discipline, so I take the same goal for myself when I’m in writing mode. Usually I write far more than that, but 400 words is the minimum.

I write whether I’m feeling inspired or not. When you write for a living, as I do, you don’t have the luxury of waiting for inspiration to strike. You just do it because it’s a job like any other job. Waitresses, accountants, lawyers and phlebotomists do what they do with or without the muse of inspiration. (Note for short story: waitress meets the muse of table service!) I write whether I think every word is golden, or whether I think it’s trash. That’s what editing is for.

I do not edit as I write. I wait for it to “cool off” first. That’s true for my marketing writing as well as fiction. You can’t edit your work effectively if you try to do it while in the throes of composition. You have to walk away and come back later when you’re fresher and more objective.

With the exception of my difficulty finishing “The Obsidian Mirror,” I have never had writer’s block. This is because if I start writing and I think it’s basically shit, I force myself to continue. Eventually, the process of writing gets the creative juices flowing, and then I’m over the hill and far away with my characters. I can always go back and fix the shitty parts.

Finally, every writer needs an editor. I paid a well-regarded fantasy writer to edit my story, and she was worth every penny. I also paid an editor friend of mine to proof and edit the final manuscript. (I didn’t pay her what she is worth, but I did pay her.) When you write something and then go back and read it, I don’t care how good you are, you will tend to see what you thought you wrote instead of what you actually wrote. This inevitably results in typos, missing words, and sentences that read as though you were just coming off a 10-day bender on ‘shrooms. A good editor is worthy of h/her hire.

Of course, once the story is finished, you have to find a publisher (unless you self-publish, which has become more respectable these days). And once it’s published, you have to market it, because unless you’re Neil Gaiman, your average publisher these days is not going to fly you first-class to every bookstore in the nation and run ads in The New York Times Review of Books. The author must market his or her own books through social media, bookstore appearances, reviews and so forth, seeking for that elusive audience. But that doesn’t have anything to do with writing, though it has everything to do with making money at fiction writing.

So nothing is wasted. I’m glad I learned about marketing before I wrote a book!

I am supposed to nominate two other authors to pick up this blog tour. I invited two, but only heard back from one: the inimitable Sorin Suciu. Sorin wrote a wondrously funny urban fantasy called “The Scriptlings.” I defy anyone with any sense of humor to avoid laughing out loud while reading this tale, which is full of sly references and geeky humor. His “magical system” will delight anyone with even a passing acquaintance with computer programming. I have never met Sorin Suciu, but he comes across even in email exchanges as engaging, kind, smart and funny. I don’t know what Sorin will write, but I can flat-out guarantee that you will enjoy reading it on his blog next week.

The Launch Party, Coyotes, Mannegishi, and What Comes Next

Chaco, the Coyote Trickster

The launch party for “The Obsidian Mirror” went beautifully last Saturday afternoon. Kepler’s Bookstore in Menlo Park, CA graciously hosted the event, and there was a good crowd of people there. I did a very brief reading and answered questions.

Here’s a sampling of what I was asked:

Q: Is your protagonist (Sierra) autobiographical?

A: Sierra is concerned about the environment; so am I. Sierra is a PR executive, and used to be one. Sierra designs silver jewelry, and I do, too. There the resemblance ends because Sierra is way cooler than I am. (I didn’t mention this, but she’s also younger and more athletic than me.)

Q: What started you writing the book?

A: I had recently finished a Robert Jordan novel that involved riding horses, armor, swords, sorcery, etc. I really enjoyed the book, but later I wondered why, with thousands of legends, mythologies, folk tales and traditions, the New World is rarely used as inspiration for fantasy. Most epic fantasy, at any rate, is usually set in some pre-Industrial Age, pseudo-European environment. Elves, faeries, trolls, ogres, goblins, vampires, etc. are staple fare.

I love swords-and-sorcery, don’t get me wrong! But I had time (my freelance writing business was slow at the time), so I began writing a story based on New World traditions as an experiment. Before long, the characters took over and I HAD to finish the story.

Q: Is Chaco (Coyotl the Trickster) based on a person in your life?

A: I said Chaco was based on my husband, Tom, but I was kidding. Coyotl the Trickster is a folk hero among many of the Native American tribes. I should have mentioned that appearance-wise, I saw Chaco, in his manifestation as a deliciously sexy young man (as opposed to his coyote gig), as Gael García Bernal, the excellent Mexican actor who (among many other roles) played Ché Guevara in “The Motorcycle Diaries.”

One person thanked me for not making Chaco the villain. I started out thinking that since Chaco was The Trickster, he ought to be rather ambiguous; the reader would not be sure whether he was good or bad. I really, truly would have liked to write him that way, but he came out more of a scamp than a real rogue. (That was all his doing, not mine. I had other ideas.)

Q: What other characters are in the book?

A: There’s Fred the Mannegishi. Mannegishi are sort of like leprechauns in that they are small and green, but mostly because they are mischievous. Mannegishi are from legends of the Cree tribe. Fred is truly unreliable, but as one person present said (she had edited the manuscript for me), “Fred seemed like a pain in the butt at first, but he became my favorite character.”

I was asked if I made up Fred’s appearance, but I followed the description of Mannegishi in Wikipedia. I rarely made up anything about the supernatural characters; I tended to follow the traditional descriptions if they were available. Of course, much of my research consisted of strolling around the Internet when I needed a new monster. As the New Yorker cartoon has it, “Nobody knows you’re a dog on the Internet.” By the same token, it’s hard to know whether you’re reading something authentic, or a made-up legend by a tequila company or something. As “The Obsidian Mirror” is fiction—and fantasy fiction at that—I didn’t worry too much about academic purity.

 Q: Do you have a sequel planned?

 A: Yes, two. The next book will be set in Hawai’I, where Fred might meet some cousins of his. “The Obsidian Mirror” has an underlying theme of threat to our natural environment, which will continue to be a theme of my work. I am very concerned about the Pacific Gyre, also known as the Pacific Garbage Patch, a continent-size vortex of plastic particles in the ocean swirling around Hawai’i. But I do not plan on getting preachy. The books have to be fun to read, or no one will read them.

Of course, I may have to make the ultimate sacrifice and travel to Hawai’i to do research. A writer’s life is so hard.

The third sequel will be set in Mexico, and will have something to do with the Virgin of Guadalupe as Tonantzin, the Aztec flower goddess. I don’t know much more about it yet.

After answering questions, I sat down at the assigned table and signed books. The store sold out, with Kepler’s purchasing the last one for the staff. I hope they enjoy it as much as I enjoyed the party. I got a ton of compliments on the food—which I never touched because I was too wound-up!

From Sea to Poisoned Sea

Image: High Contrast

Image: High Contrast

Growing up, I learned in school about the natural wonders of our great land—the deep forests, crystalline rivers, wide and sweeping plans, and pristine deserts. This was probably reinforced by various Disney nature films depicting animals in the wild, with not a telephone line in sight.

Imagine my surprise when I got a little older and found out about “dead” lakes so polluted that nothing much could live in them. Rivers that caught on fire from time to time. Sweeping landscapes of gray factories belching dirty smoke into the air, surrounded by heaps of toxic slag. And because I lived a mere 100 miles from Los Angeles, that mother of all urban blight, the pall of grayish-brown smog that obscured the nearby 8,000-foot-plus-high mountains on many days.

I know it sounds as if I were a complete naïf, but I was stunned. The people who were dumping toxins and garbage into the water had to live here, too. Their children were being exposed to poison in the air and water. They had to look at the blight of human ingenuity, right along with the rest of us. So what could they possibly be thinking?

Many decades later, I am still wondering. It has never made sense to me that people would crap all over their own dinner tables. And it has never made sense to me that governments allow them to do this. Every time I read about some scheme to defang the EPA, or lower air and water quality standards, or build another nuclear power plant even after the disasters at Three-Mile Island, Chernobyl and Fukishima, I am newly gob-stopped. Why would anyone knowingly and deliberately destroy the only home we possess?

That’s one reason I wrote “The Obsidian Mirror.” In it, the ancient and evil Necocyaotl devises a new way to entice people to “look into the obsidian mirror,” after which they become so focused on their personal wants and desires that they are willing to despoil the earth to obtain them. He does this by spreading his evil essence in a fiendishly clever way, using modern technology.

To be honest, it’s the only explanation I can understand. Nothing else makes any sense at all. Profit motive, you say? That’s like burning down your own house to warm your hands for a bit. Until I get a better explanation, I’m sticking with the Necocyaotl Theory.

My Interview with Ryan Attard (aka “the bad boy of AEC Stellar Publishing”)

Ryan Attard, the author of the “Legacy” fantasy series (“Birthright” is the latest in the series and can be found on Amazon at http://amzn.to/1lWWfHt) interviewed me, and you can hear the podcast at http://ryanattard.com/. Warning: it’s long.

Ryan Attard

Ryan Attard

If you enjoy urban fantasy and you’re especially intrigued by anime, Eastern traditions and martial arts, Attard is just the man for you. His protagonist in the series, Erik, is a wizard with genetically inherited magic–who can’t use his magic. He has a snarky cat-demon as a familiar, his current apprentice is a flame-haired succubus, and he fights with a magical sword called Djinn. What more could you want?

I’ll be interviewing Ryan in the near future. I found out that he owns swords himself, and will run through fight scenes with a similarly-equipped friend to assure verisimilitude in his fight scenes. He’s also a martial arts practitioner and he lives on the island republic of Malta. Ryan should be a fascinating interview, and I’m looking forward to persuading him to stop writing long enough to talk with me.