“Fire in the Ocean” Goes on Sale Today!

“Fire in the Ocean” went on sale today from Diversion Books. Although it is a sequel to “The Obsidian Mirror,” it stands on its own as a great adventure. It’s set in Moloka’i and the Big Island of Hawai’i, and draws on ancient Hawai’ian mythology and folktales. In honor of the debut of “Fire in the Ocean,” here is the first chapter of the book. I hope you enjoy it!

Chapter 1 of “Fire in the Ocean”

Sierra glanced up from her in-flight magazine and stared at her companion with concern. Chaco’s face, normally a warm, glowing brown, was a sickly gray with green undertones. She scrabbled hastily in her seat pocket for the barf bag and handed it to him.

“If you feel like you’re going to be sick, use this,” she said. “I didn’t know you get motion sickness.” They had just taken off from San Jose International Airport—how could he be sick already?

Chaco waved away the bag with a weary gesture. “I don’t have motion sickness.”

“What’s the matter, then?” she asked. She hoped he would recover soon—and that he wasn’t contagious. But then she remembered:

Chaco was an Avatar. He was thousands of years old, and had literally never been sick a day in his long life. If he was sick, something was seriously awry.

“I dunno,” Chaco replied, closing his eyes. “Do you…do you suppose you could just leave me alone for a while?”

Sierra returned to her magazine, glancing at his tense, gray face every so often. When the stewards came by with trays of lunch, Chaco shook his head without opening his eyes.

When the screaming began, Sierra nearly jumped out of her skin, and she wasn’t the only one. A female flight attendant was shrieking incoherently in the rear of the plane, where the galley and restrooms were located for economy class passengers. Other attendants crowded around her, and her shrieks stopped abruptly. But not before Sierra heard, “Green! Monster! I saw it…!”

“Oh no,” Sierra moaned. “Oh no, no, that’s just what we need!”

People were still craning in their seats, trying to see what was going on. The curtain had been drawn across the galley space, concealing whatever was happening.

Roused by the commotion, Chaco asked, “What was that all that about?”

“It’s Fred,” Sierra whispered grimly. “It has to be Fred. The flight attendant was screaming about a green monster. Sound familiar?”

Chaco closed his eyes again. “Figures.” Sierra waited for more, but he remained silent.

“What are we going to do? Fred will be a disaster on this trip, which is why I told him—firmly!—that he couldn’t come with us,” Sierra asked.

“I don’t know.”

“We have to do something.”

Chaco shifted his long body slightly to face her and opened his eyes. “Look, Sierra. I have no more idea than you do. In fact, I think I’m in real trouble here.”

Sierra looked at his pale face and anguished eyes. “Are you sick?”

“It’s worse than that,” he responded miserably. “I’m mortal.”

“Mortal? Mortally ill, you mean?”

“No. Mortal. As in, I’m just like you, now. I’m not an Avatar anymore. I can get sick. I can die.”

All thoughts of Fred forgotten, Sierra said, “How do you know? How is that even possible?”

Chaco shook his head. “Wouldn’t you know if all your blood left your body? I mean, just for an instant before you died? I’ve been severed from the numinous, the sphere in which we Avatars exist. The power source has been unplugged, if that makes more sense.”

Sierra absorbed this in silence. Finally, she said, “But you’re still alive. So cutting you off from the, um, numinous doesn’t kill you?”

Chaco rolled his eyes. “Apparently not.”

“Okay. Why don’t you try to turn into a coyote? If you can do that, it proves you’re okay.” In addition to being an outwardly young and indisputably handsome young man, Chaco was Coyotl the Trickster, demigod and culture hero of many Native American traditions. Sierra was so rattled that she didn’t consider what her fellow passengers’ response might be to a coyote lounging in a nearby window seat.

Chaco looked at her, his golden-amber eyes now dulled to hazel. Dark circles beneath his eyes made them appear sunken.

“What do you think I’ve been trying to do for the past hour?”

“Oh.” Sierra sat quietly for a long time, thinking. Eventually, she asked, “How did you get separated from the, um, numinous, anyway? How could something like that happen?”

Chaco roused himself from his lethargy. “I don’t know. It’s never happened before. I could make an educated guess, though. I think it’s because I’m no longer connected to my land, the land that created me. I think my land is the source of my power. I’ve never been on an airplane before, so I didn’t know this would happen.”

“We’re thousands of feet in the air. When we get to Hawai‘i, we’ll be on land again—maybe you’ll get it back. Hawai‘i is part of the United States, after all,” Sierra said, trying to comfort her friend.

Chaco brightened a little at this, but his enthusiasm flickered and died. “I don’t know as much as I should about things like history and geography, but wasn’t Hawai‘i built by volcanoes in the middle of the ocean?”

Sierra nodded.

“And when did Hawai‘i become part of the United States?”

Sierra’s dark brows knit together as she tried to remember. She gave up. “I’m not sure, but it was probably about 60 years ago.”

Chaco groaned, almost inaudibly. “So Hawai‘i isn’t part of my land at all. It’s something different. The people there are probably not even Native Americans.”

This Sierra did know. “They’re Polynesians. They came from Tahiti, I think. Once you get your feet on the ground, maybe you’ll feel better.”

“Maybe,” he said, directing a morose gaze out of the little window at the clouds.

#

The trip was originally supposed to be a fun vacation with Sierra’s fiancé, Clancy. At least, Sierra thought it would be fun, but as Clancy pointed out, his idea of an island vacation had more to do with drinking fruity tropical drinks on the beach than with counting albatross chicks. Nonetheless, he had gone along with her plans for a one-month stint on Midway Island. It was an ecotourism gig that allowed some twenty volunteers at a time onto Midway to help biologists monitor the bird life. The island was a national wildlife refuge that provided breeding grounds for millions of sea birds, including several endangered species. The volunteers lived on Midway for a month, counting chicks and cleaning up plastic from the Great Pacific Garbage Patch so that adult birds wouldn’t mistake the colorful bits of plastic for food and feed it to their nestlings—thereby killing them.

But Clancy’s boss had asked (demanded) that he cancel his scheduled vacation. Sierra was upset by this, but she understood. Clancy was head of security at a high-tech Silicon Valley firm. The president of the United States had scheduled a visit to the plant to highlight her support of American technology—and Clancy’s vacation was sacrificed amid promises of more vacation time later.

“I’m going anyway,” she had told Clancy. At his look of surprise, she added, “Remember? My job is paying for it. I have to go so I can report on the wildlife conservation work on Midway.” Sierra worked for Clear Days Foundation as a communications executive.

“Oh. Well, sure. I just thought…”

“I’d like to ask Chaco to go with me,” Sierra had said. “That okay with you?”

There was a long silence. “Chaco? Isn’t he with Kaylee? Wouldn’t that be kind of awkward?”

“I thought you knew. Kaylee is dating someone named Guy now. She moved on. Kaylee always moves on.”

“Oh. Well, what about taking Kaylee with you? Or Rose? Or Mama Labadie?” Clancy listed off Sierra’s closest female friends.

“All three of them are going to some animal spirit guide workshop in Sedona, so they’re not available. Look, please don’t worry about this. Chaco and I are just friends. We’ve never been anything else. And I’m going to be on a remote island in the middle of nowhere for a month with a bunch of people I don’t know. I’d like to have a friend with me.”

“I’m not worried. Well, maybe I am, a little. Just tell me you’re sorry that it won’t be me.”

“I’m really, really sorry that it won’t be you!”

He would have to be content with that.

#

Discovering that Fred had decided to stow away on the airplane was unwelcome news to Sierra. But there could be no other explanation for the ruckus among the flight attendants and that telling shriek of “Green! Monster!”

Fred was a mannegishi. When visible, Fred looked like a green melon with pipe-cleaner arms and legs, six flexible digits on each paw, and swiveling orange eyes that resembled traffic reflectors. He had the ability to disappear at will, which had been handy in Sierra’s earlier adventures, but he was a mischievous creature with little or no impulse control and an enormous appetite. Fred was not Sierra’s first choice of companion for a visit to a delicate ecosystem populated by endangered birds.

Now she had to deal with an errant mannegishi as well as a mortal and extremely miserable Chaco. As they walked through the loading tunnel to the gate, Sierra whispered, “How are we going to find Fred?”

Chaco shrugged. “My guess is that Fred will find us. Don’t worry about him—he’s been around the block a few times in the past few thousand years.” He was still drawn and tired-looking, with none of his usual sexy saunter. Sierra guessed that returning to the earth had not restored his supernatural powers or immortality.

They made their way to baggage pickup. When Chaco hefted his suitcase, he nearly dropped it, then frowned.

“I think Fred found us,” he reported.

Sierra looked at him, puzzled.

“My suitcase.” He hefted it again. “It’s a lot heavier than it was when I dropped it off in San Jose. It’s either Fred or someone stuffed a bowling ball in here.”

Sierra was horrified. “Well, let him out! He must be smothered in there.”

“Not likely,” scoffed Chaco. He gave the suitcase a good shake. “Serves him right.”

“What if he’s lost his powers like you have?” she hissed, not wanting to be overheard.

“I don’t think so. He disappeared on the plane fast enough when the flight attendant started screaming. Otherwise, there would have been a lot more commotion.”

Acknowledging that Chaco was probably right, Sierra turned her attention to finding transportation to their hotel. It was located right on Waikiki Beach and wasn’t far from the airport. On the bus ride to the hotel, Sierra took in the tropical plants, caught glimpses of turquoise ocean, and, cracking the window a trifle, breathed in the scent of many flowers—and the usual smells of any big city. The people walking on the streets all looked like tourists to her. Many were wearing shorts, flip-flops, and Hawai‘ian print shirts. Surely not everyone in the city is a tourist, she thought. At one point, Chaco’s suitcase began to squirm, but he kicked it sharply, and the suitcase subsided.

Their hotel was an enormous complex of tall buildings, and they had a room on the seventeenth floor, overlooking the ocean. Sliding glass doors on a balcony opened to let in breezes, and the afternoon air smelled soft and sweet with an underlying sharper tang of salt. They dumped their suitcases on the floor—in Chaco’s case, none too gently. Chaco unzipped the bag and Fred rolled out onto the carpet.

“Ow ow ow ow,” he complained, rubbing his fat bottom and glaring at them reproachfully.

“It’s your own fault,” Chaco said coldly. “I’m going to bed.” He commandeered one of the two queen-size beds and pulled the covers over his head.

“What’s his problem?” the little mannegishi asked. “He didn’t spend hours balled up in a suitcase.”

“He’s lost his powers,” Sierra explained. “He’s a mortal now, and it disagrees with him. Anyway, why’d you do it, Fred? I asked you not to come. Now I don’t know what to do.”

She felt nearly as weary as Chaco. The trip had started with Clancy dropping out. Now Chaco had lost his powers and become mortal—and who knew what that would mean? She supposed it would be like a human losing the ability to see, or walk. And she had to deal with Fred, too. As fond as she was of him, Fred was a nuisance at the best of times.

“Lost his powers? How does that happen?” asked Fred, looking worried. He disappeared briefly then reappeared. He looked relieved but puzzled. “I haven’t lost my abilities. Why did Chaco lose his?”

“He thinks it’s because he’s no longer in contact with his birth land. He says he’s cut off from the numinous, whatever that is.”

“I dunno about numinous, but I’m still okay.”

“How nice for you!” came an irritated growl from under the humped covers on Chaco’s bed.

“Look, Fred, I could really use a drink right now. Disappear yourself, and we can talk. There’s got to be a bar in this hotel somewhere.”

As it turned out, the hotel had many bars. Sierra picked one with an outdoor seating area on the beach and ordered something unfamiliar with rum in it. The drink arrived, bedecked with chunks of fresh fruit, small umbrellas, and plastic hula girls and accompanied by a bowl of peanuts. She cleared away the ornamentation, ate the fruit, and began working slowly on the remaining fluid. It was cold, tart, and sweet. She still felt grubby from the trip, but at least she was near a beach—she could see surfers from where she was sitting—with a fruity tropical drink. And an invisible mannegishi. She could see the imprint of Fred’s bottom on the chair cushion next to hers, and the peanuts were disappearing at a rapid pace.

She picked up her phone and pretended to tap in a number, then said, “Hi, Fred. We can talk now.” Anyone observing would see a trim woman with tanned skin and long, dark hair, sitting alone and talking on the phone.

“So what happened to Chaco?” Fred asked.

“As soon as the plane took off, he started to look kind of green around the gills. Then he slumped down and acted like he was sick. He says he’s mortal now. He can die.”

“That’s not good,” Fred observed.

“Tell me about it,” said Sierra. “I’ve been mortal my whole life.”

“Oh, sorry. I didn’t mean to be insensitive.”

“It’s all right. I’m used to it. Chaco isn’t. Do you know if he can ever regain his connection to the numinous? Whatever that is?”

“Dunno.”

“And why didn’t you lose your powers?” Sierra demanded. The mannegishi was quiet for a few minutes.

“Chaco and I aren’t exactly the same sort of thing, you know.”

“How do you mean?”

“Chaco is—was—an Avatar. Much more powerful than a mannegishi. I’m just a, ah, kind of an…well, I don’t know exactly. I have certain powers, but what I can do is born inside me. Like bees can make honey? I can do what I do. That’s all I know.” Sierra could tell by the sounds next to her that the mannegishi was sucking his digits—a nervous habit.

“Stop that!” The sucking sounds ceased, and the peanuts began to disappear again. Sierra flagged a passing waiter and asked for more peanuts and another round of whatever she was drinking.

“What about your powers?” Fred asked abruptly. Sierra sat for a moment, considering. She had discovered during her earlier struggles against the Aztec god Necocyaotl that she possessed certain disturbing powers of her own. Rose had helped her to strengthen her control over these powers, but Sierra still didn’t understand how they worked. Given a choice, she preferred not thinking about them. But Fred’s question was a good one, so she closed her eyes and searched for the glowing ribbons she visualized when her powers were at work. After a moment, she opened her eyes again.

“I still have my powers, such as they are. No difference.” Why were she and Fred untouched, while Chaco had been drastically changed? The illogic of magic, as always, annoyed her, but she couldn’t do anything about the situation today. Right now, she was sitting in the Hawai‘ian sun on a Hawai‘ian beach, drinking a Hawai‘ian drink, and watching the Hawai‘ian waves. Almost against her will, she began to relax. The waiter brought her a fresh drink and another bowl of peanuts. She thanked him, took a long swallow, and closed her eyes. She began to think about Chaco and Fred and their attendant problems. Not relaxing. She opened her eyes again, only to find the rest of her drink gone, as well as all of the fruit.

“Fred!!!”

#

If you enjoyed Chapter 1, you can find “Fire in the Ocean” at:

Amazon

Barnes & Noble

Apple iBooks (requires app)

Audible.com

Review: “Fishing for Stars” by Bryce Courtney

Spoiler Alert: This review is for “Fishing for Stars,” by Bryce Courtnay. It is a sequel to “The Persimmon Tree.” I will be discussing elements of both books. If you haven’t read “The Persimmon Tree,” I highly recommend that you do. And then skip “Fishing for Stars.”

“The Persimmon Tree” is how I discovered writer Bruce Courtnay. Born in South Africa, he had a notable career in advertising before retiring, moving to Australia and becoming a highly successful novelist. “The Persimmon Tree” was a complete surprise to me. It is the story of a young boy, Nick Duncan, and Anna Till, his first love, and it opens at the beginning of the Japanese invasion of Indonesia in WWII.

Nick escapes on a sailboat that belonged to Anna’s father and after run-ins with the Japanese, winds up in Australia, now of combat age. He has an affair with an older woman, Marg Hamilton, fights at Guadalcanal with the Americans, and much later, rediscovers his lost Anna.

Anna’s story is weirder and more harrowing. She is forced to become a “comfort woman” by a high-ranking Japanese officer, Konoi Akira, forcibly addicted to heroin to keep her under control, and trained in the art of kinbaku, a ritualized form of rope bondage and sexual torture. This is why the officer wanted her—to perform kinbaku on him.

Long story short, Nick finds Anna (still addicted) running a kinbaku house in Australia, and decides to take her for a heroin-free cruise on her father’s former sailing ship, in an effort to help her go cold turkey. (Not Anna’s idea, by the way.) They sail into the sunset at the end of “The Persimmon Tree,” leaving us hopeful for their future.

Though I read this book years ago, it made a huge impression on me. It was tightly plotted and pulled me right through the story without a pause. I cared about the characters and rooted for Anna and Nick’s happy reunion.

I subsequently read Courtnay’s magnificent “Potato Factory” historical trilogy based on the life of Ikey Solomon, the model for Dickens’ Fagan character in “Oliver Twist,” plus several other tales. I enjoyed every one of them, even the last one he wrote, “Jack of Diamonds.” I didn’t think it was his best, but he was dying of stomach cancer while writing it, so I thought he deserved a pass.

Which made reading “Fishing for Stars” all the more dismaying. It is, in my opinion, a hot mess. Anna did not respond well to the amateur intervention and stays addicted. She has morphed into a skilled businesswoman with an insatiable appetite for more. Mostly more money, and she isn’t overly choosy how she makes it. She and Nick are lovers, but she won’t allow any touching below the waist as she suffers from vaginismus—a painful cramping of the vaginal muscles. She believes her power lies in preserving her virginity.

Nick admits to being completely satisfied by Anna’s sexual ministrations, but he chunters on ad nauseum about his “need to possess her fully” for YEARS. If I were Anna, I would have dumped him.

Marg Hamilton, the woman with whom he has an affair in his youth, reappears, newly widowed. After several years, she consents to sleep with him again. (I don’t know any men that patient. Do you?) Marg has become a green activist in direct opposition to most of Anna’s commercial activities. The two women call each other “the green bitch” and “Princess Plunder,” and settle down to really despising each other’s guts.

The first third of the book sets the scene and fills in the background for those who haven’t read “The Persimmon Tree.” Not brilliant, but readable. The second part of the story is an action-filled, well-plotted visit to Japan, where Anna confronts her old nemesis Konoi Akira. We get into Yakuza, the Shield Society, kidnapping, Manga porn, murder and mayhem, and it’s all pretty interesting.

The third part of the book is about Marg and her conservation efforts. It is essentially a long and tedious history of the Green political movement in Tasmania and I almost gave up.

In the end, Marg screws Anna (metaphorically), and Anna screws Marg. Nick spends the whole book as a sort of pingpong ball being batted between these two women.

I have always admired Courtnay’s portrayals of women. They are always three-dimensional, strong portraits, contrasting dramatically with the way men often write female characters. However, the way Marg and Anna are written in “Fishing for Stars” turns them into two equally unpleasant viragos—an impression heightened by the narrator, Humphrey Bower. (I listened to the audiobook.) Bower—who is brilliant at accents, from southern Black American to Japanese­—plays Marg as an unusually sniffy school librarian, and Anna as a bitch.

In the final analysis, “Fishing for Stars” is a bad book by a good author, and a very disappointing finale to the characters I loved in “The Persimmon Tree.” I strongly encourage you to read Courtnay’s other work, in particular “The Persimmon Tree,” “The Potato Factory Trilogy,” and “Brother Fish.” You won’t be disappointed.

Cover Reveal: Fire in the Ocean

As I have mentioned before, my second novel, “Fire in the Ocean,” is coming out from Diversion Books in February 2018. Diversion’s art department came up with a spiffy new cover for “The Obsidian Mirror,” which will be re-issued along with the debut of “Fire in the Ocean”:

New cover for “The Obsidian Mirror”

“Fire in the Ocean” is the sequel to “The Obsidian Mirror,” and features the same cast of characters. New twist, though–the book is set in Hawai’i on the islands of Moloka’i and Hawai’i (the Big Island).

Why, you might ask, Hawai’i? When I wrote “The Obsidian Mirror,” I drew upon strictly New World mythologies, folk tales and traditions–Native American, MesoAmerican and Voudún, avoiding the supernatural traditions that essentially migrated to the Americas from Europe. I started it as a kind of experiment after reading one of Robert Jordan’s “Wheel of Time” novels. I just wanted to see if a fantasy could be crafted that entirely eschewed the standard fantasy tropes of caped adventurers, swords and sorcery–elves, vampires and trolls need not apply.  To my surprise, the experiment turned into a book.

Although I wanted to continue the adventures of Sierra and her friends, I didn’t want to repeat the setting, plot, or other key elements of “The Obsidian Mirror.” So I picked Hawai’i as the venue for the sequel because: 1) I love Hawai’i ; 2) Hawai’i is also “New World,” and therefore fit into the strictures I had placed on myself; 3) it was an excuse to go back to the islands to do research. (And an amazing and wonderful trip it was, as those of you who have followed my blog for a while know!)

Why Moloka’i? Well, it turns out that Moloka’i in ancient times was known as the island of sorcerers. The island has its own take on the mythology and its own unique legends. Moloka’i proved to be a rich source of information and experiences, most of which were incorporated into “Fire in the Ocean.” As for why I chose the Big Island for part of the story–you’ll have to read the book.

Diversion Books just sent me the cover design for “Fire in the Ocean.” What do you think?

Cover Design for “Fire in the Ocean”

New Cover Reveal: What Do You Think?

My publisher, Diversion Books, just sent me new cover art for “The Obsidian Mirror.” They plan to re-launch it in companionship with the Debut of the sequel, “Fire in the Ocean,” due out in February.

I’m thrilled by the new look for “The Obsidian Mirror,” as it is a real departure from the other two covers it has had the honor to wear. Many elements from the book are woven into the graphics: Sierra and her long braid, the Aztec Calendar, coyotes, cacti, Native American themes and high-tech symbols. I love the bold colors.

Here are the three covers in order of their appearance in the world:

Cover #1. This was designed by me when “The Obsidian Mirror” was first published by AEC Stellar Publishing.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cover #2. This was done by Diversion Books when they re-published “The Obsidian Mirror” in 2016.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cover # 3. A real departure. I love it!

 

 

 

 

 

 

 

Interview with Oliver Chase, Author of “Camelot Games”

I occasionally review books and interview other authors on this blog. Here, I interview Oliver Chase, who recently published a political thriller, “Camelot Games.” Given the current political situation, I thought “Camelot Games” was incredibly insightful, as well as a great, fast-paced read.

In the interest of full disclosure, Oliver Chase belongs to a very exclusive group of which I am also a member—authors who were formerly published by AEC Stellar Publishing. AEC Stellar, once presided over by publisher Ray Vogel, featured a number of new authors that Ray took under his wing. The pressures of his “day job” and the need to give more time to his family forced Ray to give up his dream, and our little group of diverse authors was scattered to the wind. I think we all still have a collegial feeling for one another—I know I do. I’ll always be grateful to Ray for publishing my first novel and launching me into my lifelong dream of being a published novelist.

KD:                  In “Camelot Games,” you’ve written a fast-paced political thriller, complete with back-room skullduggery, betrayal, misdirection, an attack on the nation’s infrastructure, and an attempt at secession. When you wrote this book, was there something in the political atmosphere of the time that inspired you? Or was it something else?

Oliver:                   What a fun question. Several years ago as I waited for the editor to return one of my novels, I read about the 2003 Northeast blackout. As catastrophes go, only a small part of America and Canada were affected. If you were there, it was awful. If not, the whole affair was someone else’s problem.

The financial losses impacted millions of people. Elevators stuck between floors. The NE corridor’s trains stopped on their tracks. Fire departments and first responders worked for days to help people only to find many could not hold on.

I read about the computer glitch, a bug that kept an alarm and a notification at bay until it was too late. The bug was not intentional, but what would happen if it was?

What would happen if a kingmaker decided his little pond was not big enough, or that he wanted to be more than just a footnote in the history books. Why not use a handsome front man and a lovely ambitious wife at a time when an unhappy nation had grown distrustful of its leadership and clamored for a savior.

Scott and Angie McHale waited in the wings, poised to save a nation, a gentle guiding hand for the ages, and born from the ashes.

K.D.:                Are you surprised by how many elements of your novel came to the fore in recent politics, such as the Calexit movement?

Oliver:                   “Camelot Games” came about in two starts. When a jury convicted a wife killer in San Francisco, I was amazed at the man’s steadfast denial in the face of overwhelming, though circumstantial evidence. I read his testimony and wondered if he could hear himself. Where was his attorney? I haven’t an opinion if the killer sitting on death row today is justified. Or, if the real killer still runs among us. But, I note the man’s refusal to concede or ask forgiveness is pretty unique.

The second story that brought both halves of the novel together involved an early agent provocateur railing against the haughtiness of industrialists who believe their own press. He pointed out they paraded naked, and refuse to listen. Such egotistical ham-handedness of the less powerful might cause temporary pain for citizens, but to do such a thing on a national scale, could prove disastrous.

Hence, “Camelot Games.”

K.D.:                This story required a thorough knowledge not just of politics, but of military protocol and procedure and law enforcement. Do you have a background in these fields?

Oliver:            I’m hardly apolitical, either in my personal beliefs or my actions. The story however does not identify one party or the other. I’ve scrubbed my convictions clean of the characters and let each either damn or exonerate themselves without regard to a modern political party, organized religious principle, or ethnic background. The book does take place in America, takes a swipe or two at other countries, but pits people and not organizations against one another.

BTW, people suggesting the secession of states, cities and communities has been around since the Whiskey Rebellion in 1791. No one is ever completely happy, even in America. We’re just not wired that way.

K.D.:                Your protagonist, Scott McHale, is a strong character, though flawed. Unusually for your genre, his wife Angie is also a strong character and she plays a significant role in your story. Did you start out intending to have a strong husband-and-wife team, or did it just work out that way?

Oliver:            I’m a staunch proponent of partnerships. I’d like to think stalwart individuals forged civilization from the Stone Age, but that didn’t happen. Partners happened. Sometimes a community forms an enterprise, sometimes its two people. Like in a marriage. My personal experience finds love a terrific motivator and the glue when the going gets tough. Respect, belief, vision, dedication are important and have their place in partnerships, too.

Does anyone ever wonder why a love-interest in a book appeals to readers? Rocky or rock-solid, I think we innately recognize we humans do better when burdens and happiness are shared.

K.D.:                Did you have any trouble writing the female characters? Is Angie based on any real person or persons? Is Big Jim based on a real person, or is he an amalgam of shadowy kingmaker-types?

Oliver:                  Trouble writing female characters? Hmm. I suppose the reader will have to tell me if I missed the mark with the females in Camelot Games. Obviously, the book centers around strong women. Several are not just important, but are vital to move the story along. Each possesses a unique voice, philosophy, and view of the story. Each will reveal themselves by their actions and their words. I’d have to admit one or two were easier than others. All the females are fictional. Some I’ve known in my imagination, some I wanted to know. Some I hope, I’ll never to have to meet.

K.D.:                What were the aspects of the plot that gave you the most trouble? How did you work past it?

Oliver:            Since we first started telling tales around campfires in caves of animal drawings, we the storytellers tried to capture the imaginations of our audiences. A plot must be in mind when we begin the story, the stronger and more solid, the better. Otherwise, we’ll lose the reader, shaggy dog stories notwithstanding.

The plot of “Camelot Games” makes clear the book is not a techno thriller. The general pleasure reader likely has little desire to be wowed by my grasp of technology, aerodynamics, or frankly, the inner workings of senatorial subcommittees. What I hope the reader will see is that unbridled ambition by any name changes the dynamics of our most important relationships. Whether it’s marital love, dedication to country, or a lawmaker’s connection to those who elect him, aspirations left unchecked have a way of eating us from within.

K.D.:                Did you have to do a lot of research for this, or were you already very familiar with what you were writing?

Oliver:            Research is always a tricky, little devil. As I spent time piecing together the elements of the book, I read and researched quite a bit that never made its way into my pages. For instance, Scott McHale sat on several subcommittees, at least two of which had a direct bearing on nuclear energy. In order to make sense of the mysterious buildings that suddenly began populating western United States, someone had to clear the way. Be he willing or unwilling, the task needed to be completed. Not much of my self-education on legislative process appeared in the book. If however, a teacher or even a congressman in the know happens to read “Camelot Games,” I needed to make the process of approvals and financing believable.

As a side note, one of my tools was to have been the now illegal “ear marking.” When that went by the boards, I need to go back to my studies and find another way to fulfill Scott’s mandate. When we use a story-vehicle, authors must insure there’s air in the tires. Otherwise, the story will go flat, too.

K.D.:                Which writers have been your primary influences?

Oliver:            Herman Wouk, James Michener, and Leon Uris caught my attention and imagination early in my life. They encouraged me to seek out the more difficult writers like Faulkner and Steinbeck. I’m pretty conventional, I know, and I’ve never grown too far from that apple tree. Today, I like Craig Johnson, Helen Wecker, John Sanford, Stephanie Meyer, and Karen White. I find myself listening to as many books as I read, but still look forward to that twenty-minute sweet spot, under the bedroom lamp, just before I fade to sleep.

K.D.:                Will you be using the Scott and Angie McHale characters in a sequel? If so, when will the book be available?

Oliver:            I had not thought about Scott and Angie in a sequel. To tell the truth, I’m so busy with my noir crime series, I hadn’t considered it. But thanks for the question. I’ll have fun toying with the idea.

K.D.:                You made it clear in “Camelot Games” that America’s electrical grid is vulnerable to attack from within. Do you also see it as vulnerable to attack from abroad? What should be done about that? 

Oliver:            America’s vulnerability to an attack on the electrical grid is a scary reality. In the last few years, more and more is written about how we should be protecting ourselves. Like anything else in government, unless the priority rises to a level where one’s votes are in jeopardy, I doubt any legislator will lean too far forward. The loss of power for even a short time will be catastrophic.

A year after “Camelot Games” went to the publisher’s dark hole, I happened across “One Second After” by John Matherson. Newt Gingrich didn’t write my preface, but he did Matherson’s, and what he said, and believes, is downright scary. Perhaps different stories, but the same frightening result.

Before I say adieu, please allow me to make a shameless, self-serving pitch. Oliver Chase’s Take on Life contains a couple short stories, tiny vignettes about people I once knew and serves as a testing ground for my 2018 anthology. Interestingauthors.com is a place I go weekly to let off a little steam. A couple other authors do the same. I enjoy reading their stuff as much as writing my little bit.

By the way, Olivechase.net is a place to buy my books. If you’d like signed, paperback copies, and we can’t catch up with one another in a Barnes and Noble or Indie bookstore, drop me a note. We can try to work something out. I’d rather go in the red and have you read the book, than try to hold anyone up for a couple of bucks. Besides, I really enjoy readers and writers so please don’t be shy. I’m not that hard to find.

Oliver Chase Biography

Oliver Chase, author of “Camelot Games”

Oliver grew up on military bases throughout the country and like all boys, played good guys and bad. Coaxing him into an afternoon of baseball along Lake Erie, hiking the Southern California’s hills or paddling a canoe in the North Carolina backwater didn’t take much unless a book found him first.

His best friend and he joined the Marines and took a deferment to attend college. Herb left school finding stumbling blocks that seemed insurmountable at the time. A year after graduating, Oliver stepped onto a sweaty tarmac with a manual Smith Corona typewriter not far from where Herb had died. Fate usually finds a way of putting day-to-day frustrations into a cruel perspective, especially when lost in the haze of an ugly war.

Thirty-one young men flew days and nights in the mountains trying to keep the world safe for … well, says Oliver, that’s not really true, is it? The only reason we ever went into those dark, frightening places was to save our friends, most of whom we’d never met, and never would. That they lived however, meant others died and that still haunts to this day.

He spent time wandering after he got home. Lots of young veterans did, some on foot, some on the rails. Many like Oliver make stops along the road life gave him. He never slept in the park or a bus station, although many did. Most eventually found a way out of the maze from that crazy period of time, yet too many others did not. Oliver promised he was never truly at risk, but still believes pulling the right ticket is mostly a matter of circumstance and luck.

He did a bit of teaching on the Navajo reservation, spent a few years with the cops and a couple alphabet agencies and never quit writing. The old manual typewriter became a memory when his first computer came along. A Lenovo notebook travels with him now, the wanderlust never completely leaving him be. Today, he spends days on the family farm and occasionally still follows the season around when a bookstore bids welcome. Sometimes he wonders if the old Smith Corona found a home, too. He hopes so, wishing his old friend happier days.

Oliver Chase Links

 

 

 

 

 

 

A Blog Post That Is Not about Politics

This is my favorite illustration so far. Paul, the little boy wearing bear pyjamas, has run away to the woods at night. Suddenly, he realizes…that he is in the woods. At night.

I know that as a writer, I’m supposed to be producing blog posts every few days about compelling topics such as … I don’t know. Compelling topics, anyway.

My problem is that the political turmoil gripping this country is so frightening, so horrific, that I can barely think about anything else. But I’m sure most of you would welcome reading something that has nothing to do with politics. I know I would, but I’m having difficulty tearing myself away. Long story short, I have fallen woefully short on blog post production, sparing you my agonized ruminations on The State of the Nation.

So I’m going to tell you what I’m working on now, in case anyone wants to know. I finished the sequel to “The Obsidian Mirror” last fall. It’s called “Fire in the Ocean,” and it is set primarily on the Hawai‘ian island of Moloka‘i. Long-term followers may remember that I blogged my research trip there in the winter of 2016—and what a trip it was!

The blurb: What would you do if you found yourself marooned on a tropical island with a shape-shifting demi-god who has lost his powers—and another shape-shifting demi-god who has not?

Naturally, you make friends with the local monster and get the heck out. Sierra Carter, newbie magic worker, does just this but finds herself caught up in a web of greed, deception, good intentions and the deep magic of ancient Moloka‘i, the isle of sorcerers. A few meddlesome gods and goddesses complicate the situation even when they’re trying to help.

“Fire in the Ocean,” the sequel to “The Obsidian Mirror,” continues the tale of Sierra and her friends (including a mannegishi and a part-time coyote) as they battle with an energy developer to protect the precious natural environment of Hawai‘i.

Diversion Books has given “Fire in the Ocean” a February 2018 launch slot, so you’ll be hearing more from me about this book in the future.

I am also re-writing and re-illustrating a children’s book. When I was in my Master’s program at college, I took a course in children’s literature (I was getting a degree in teaching). I asked my professor if, instead of writing a mid-term and final essay talking about some aspect of children’s lit, I could just write a couple of children’s books. He was delighted with this idea, and I produced “I Am Not a Bear” for four- to six-year-old children. (I also wrote a novel for older children that I will not be revisiting.)

Growf, the little bear, sleeps in Paul’s bed.

The story is a simple one about a boy who wants to be a bear and a little bear who wants to be a human. They try trading places only to discover that they were happier in their own homes.

At the time I wrote the book, I was living in a house trailer on a farm that trained sulky racers—thoroughbred horses that race with a lightweight cart and driver behind them. I have a vivid memory of being curled up on the couch, painting the illustrations for the book and listening to the horses clopping by outside. I got an A in the course, by the way.

I read “I Am Not a Bear” to my children when they were little, and thought about redoing the book. By then, having grown as a writer and as an artist, I thought I could improve on them quite a bit. But I was raising kids and running a business, and time was what I didn’t have.

Now that I have grandchildren and time, I am actually doing it. I have no plans to try to get it published—publishers normally want to pick the illustrators for stories, and I’m sure they are usually right, but this is my story, and I want to do it my way. I intend to have it printed on demand, a couple of books for the grandkids, one for a new great-niece, and a few extra in case more come along.

Of course, Paul wouldn’t leave home without his teddy.

I am also helping a friend write his autobiography. It’s a rags-to-riches story, quite literally. We have worked on it for the better part of two years, trying to accommodate his busy schedule as a Distinguished Engineer at IBM Research and my fiction writing and travels. I think his story is fascinating, but it is a challenge to translate someone’s life experiences into coherent and gripping prose. It’s harder than I thought it would be, but I’m enjoying it.

I started a writer’s critique circle recently. I joined one that someone else started and enjoyed it enormously, but then she moved out of the area. I tried to revive the one she began without much success, but the new group is fully booked, and I hope it will be as useful and enjoyable as the one my friend started. All writers need editors and readers, and a critique circle can be incredibly helpful. I’m calling it Writers Square, partly because everyone calls these things circles, and partly because one of my favorite mystery series has a writers’ critique club called Writers Square. (I have always been a sucker for bad humor. Good humor, too.)

So that’s my blog for today. I hope you enjoyed this brief respite from politics. I know I did.

Farewell to the Isle of Women

The Caribbean shore of Isla Mujeres, with embellishment.

 

This morning, I was determined to do some beachcombing. Everyone says there is sea glass here. But first we had breakfast at Lola Valentina, where the staff now knows us and the food is good. They have a small army of cats in the restaurant, black and white, orange tabby, and cream. They aren’t feral, exactly, but they aren’t pets. I suspect they are there not to cage crumbs from the tourists, but to keep the rodent and cucaracha populations under control.

Then we took No. 8., our putt-putt cart, over to the north shore. It is rocky all along the Caribbean side. There are no beaches and the currents are too strong for swimming. The waves are small, just a constant slap-slap-slap against the rough rocks.

Sadly, what we mostly found was plastic garbage. We did find some sea glass, but nothing that a sea glass enthusiast would get excited about. Mostly of the broken beer bottle variety but there were a few nice pieces. And we found a sad, dead cow fish. But mostly plastic garbage, which you see everywhere on this island. Every day, I saw people finish food and just walk away, leaving their refuse on the street.

The bridge to Mia Reef

 

 

After that, we went to Mia Reef, which is a resort built, natch, on top of a reef. As a consequence, the reef is now dead. It is reached by a narrow wooden bridge across a beautiful turquoise inlet. For a fee, non-residents can get all the food and drink they want (including alcohol), and hang out on the beach or at the pool. There is still reef, accessible from the beach, and the water is quite shallow all the way out to it. We didn’t snorkel because it was windy, but one man who was snorkeling said there was a lot to see. We swam in the aqua water and lazed on a swinging mattress under a palapa, looking out on the Caribbean. Mia Reef would be an ideal place to take kids because the water is crystalline, shallow and calm. Once older kids are used to the water, the reef would be an excellent introduction to snorkeling. The resort is elegant and clean, there’s a kids’ club, and the staff is attentive even to day trippers such as ourselves. The food was acceptable, the drinks not overly alcoholic, if you know what I mean.

We walked out on a long pier. There were two people snorkeling, and they said they saw a lot of fish. I decided not to try because of the wind and because we were scheduled for a snorkeling tour the next day, but I later regretted my decision to give it a pass.

As the following day was our next-to-last day on the island, we checked the flight times and discovered that we weren’t going to make our flight if we stayed on the island for the last day we were booked. We would have to go back to the Marriott Courtyard at the airport, which meant we had to check out the afternoon prior to our flight instead of staying on Isla. This was the same day we had scheduled the snorkeling tour, which bothered me because once you’re on one of these tours, you don’t just decide it’s gone on too long; you’re there for the duration. We had to turn in No. 8 by 4 pm and make sure we caught the ferry to the mainland in time. So I cancelled the trip again.

* * * *

We’d already seen most of the things there are to see on this small island. There were only two things left, so we decided to do them.

Green sea turtle at the Tortugranja

We started at Garrifon Reef Park to do some snorkeling. It was more expensive than Mia Reef, but it is a kind of family playground with zip lines over the water, snorkeling, kayaking, a shallow, wandering pool with waterfalls and grottoes, beaches, restaurants and bars. Food, drinks and all activities were included in the price of admission.

Tom and I went snorkeling, but it was a disappointment to me. They make you wear a life jacket, which annoys me because it makes it hard to swim. The reef is dead, but they won’t let you snorkel over it anyway. We saw some fish and I saw a stingray. Tom saw a very large fish that he thought at first was a barracuda, but it was too chunky for that. He’d recognize a shark, so we never figured it out. My snorkel mask, which is one of the new kind that have a non-fogging bubble and built-in snorkel, was apparently too large, and I had to snorkel with my mouth hanging open to prevent water from entering. There was a line of people waiting at the steps to get into the water, and none of them would budge to let us out. A kindly man eventually took my equipment to allow me to climb out, which was nice of him.

We had the cafeteria food they were serving for lunch, accompanied by a non-stop stream of pretty-much-non-alcoholic margueritas that we didn’t ask for, which was fine. Sort of like lime slurpees, but better. Again, this would be a terrific place to bring kids. I’m just spoiled because I have snorkeled in places like Hawaii and Tahiti, where the reefs are alive and the ocean life abundant. I think I’m done trying to snorkel in the Caribbean. I’ve snorkeled in Antigua (actually OK at the time; early 70s), Jamaica and now Isla Mujeres, and most of the reefs I’ve seen are dead.

This was our last night on the island, so we made reservations for the fancy restaurant at Villa Rolandi. I had a filet mignon with bearnaise sauce that was as tender as chicken (I mean well-prepared chicken) and flavor to die for. It’s a great place, but at $400US a night it’s pretty pricey, even if all meals and drinks and activities are inclusive.

The following day we had breakfast at Mango Cafe–poblano pepper stuffed with bacon, eggs, onions and cheese, breaded and deep-fried. OK not healthy, but I’m on vacation dammit. We’ve pretty much done everything there is to do here, so we visited the Tortugranja, a rescue and breeding facility for sea turtles. They provide a safe place to lay and hatch the eggs, then release the babies. They have tanks with some older turtles being rehabbed, and there are some very large specimens in a pen in the ocean. You can walk along a pier to see them. They sell bags of turtle chow at the entrance.

There’s a large pen that extends into the ocean containing several large turtles. I think they are mature adults that for whatever reason will not survive in the wild. When you throw turtle chow in the large pen the turtles get some of it, but there is an army of assorted seagulls above and another one of little fish below that eagerly gobble up much of the food.

Albino sea turtles

 

They had several albino turtles–one tank had nothing but albinos–and had green, hawksbill and loggerhead turtles there. Sea turtles are threatened for several reasons. One is because they are so darned delicious. People everywhere catch and eat them and their eggs despite the fact they are endangered. Another is because many of their hatching beaches have disappeared, taken over by development and humans who enjoy the beach environment. Another is because given their diminished numbers, the natural predation on the babies cuts seriously into their surviving numbers. Baby turtles must crawl from their nests in the sand to the ocean, all the while being attacked by birds. Once in the water, the babies are an easy snack for fish and more birds.

After the Tortugranja, we were pretty much done with Isla. We went into town, bought some gifts, had lunch and turned in No. 8. Then it was time to pack and catch the ferry to the mainland. On the taxi ride from Puerto Juarez, the ferry port on the mainland, the driver told me he had saved up to take his family to DisneyWorld in Florida, spending $750US for visas. The visas were cancelled by the P45 administration, no explanations offered. I apologized for my country, embarrassed. This was the first time anyone in Mexico raised the subject; of course they rely on tourism, but I also think they gave us, as individuals, the benefit of the doubt. Plus, the Mexican people are for the most part friendly, kind and polite. Many times, someone stopped unasked and helped me with something–a dropped item, a suitcase, or helped me over rough ground. On the ferry, which was crowded, a man gave me his seat with his family despite my protests. The Mexicans absolutely do not deserve the cold shoulder they are getting from my country.

I was pleased throughout our trip to note that there were as many Mexicans as other nationalities on vacation in the places we went, enjoying the sights and experiences of their country. (Calakmul was an exception. Most people there were American or European. It’s a kind of remote place, after all, and not someplace you’d take kids.) I have visited Mexico a few times before and didn’t see this previously. I am hopeful this means the middle class is growing in Mexico, and more people have the leisure and money that we have taken for granted here for many decades. I believe there were more Mexican tourists in Isla Mujeres than Americans.

At some point during the trip, Linda asked me if I had enough material for the next novel. I am beginning to work on a story line, but I would say no, I do not. I came back from Moloka‘i two years ago seething with ideas and enthusiasm to start writing. I’m not there yet with this one. I think it will be a slow burn. This one has to be the best one, because after that, I am saying farewell to Sierra and Chaco, Clancy, Fred, Rose, Kaylee and Mama Labadie. Three books are enough.

Next research trip: Iceland, but not for a while. I still have to launch “Fire in the Ocean” and write the third book in the series. But I’m thinking about it!

Here are some photos, included in no particular order, but I like them for one reason or another and they didn’t fit into my narrative:

A typical Mayan arch at Uxmal

 

 

 

 

 

 

 

 

 

 

Clod and friend.

Church at Valladolid.

Beautiful bas-relief at Uxmal.

Our guide Roberto, standing in front of an arched tunnel at Becan. Air funneled through this tunnel and it was as good as air conditioning in the heat and humidity of southern Yucatan.

Another captain’s tomb at Isla Mujeres. You can see the ship’s wheels in cement in the surrounding fence What you can’t see as well is the model of a ship in the glass case at the front.

Red-capped manikin, a rare sighting! At Chicaana.

Just a nice green fungus at Calakmul

Strangler figs (isn’t that a wonderfully ominous name?) growing on an unexcavated building in Calakmul.

Hotel Calakmul. This is what the jungle looks like in southern Yucatan–more like the Adirondacks.

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The Most Cheerful Graveyard in the World

One of the more colorful tombs in the Isla Mujeres graveyard.

After a restless night (me, not Tom), we wished each other happy Valentine’s Day and got into the cart to drive to town. I was much less freaked out this time. Breakfast was the first order of business, then we needed to get the cart gassed up and the wheel fixed. The rental place was right in the middle of a shopping area filled with tiendas offering artisanal crafts and touristy tchachkis, and I wondered why Francisco had not brought us here. Who knows, but I spent a couple of hours going through the shops looking for gifts. I saw all kinds of cool stuff, and a whole lot of crap, but I had no desire to haul heavy woodcarvings or painted (and fragile) pottery home, so I was primarily looking for small, non-breakable, lightweight things.

I asked around for sea glass jewelry, as that is our daughter’s passionate hobby. I only found one shop that had it, and it consisted of monumentally ugly, poorly worn pieces set clumsily in huge, heavy silver collars. I finally did find a few pieces of delicate, beautifully designed jewelry in one store, but nothing with sea glass. I think based on what I got, that she will forgive me.

Great little jewelry store, but look at their “open” sign.

Tom, as always, followed me around while I shopped without the slightest impatience, bless the man. Once I concluded the hunt, we picked up the cart–but we got a new one with no wobbly wheel and much more get-up-and-go than the original. We called it No. 8, as that was the number painted on the side. No suspension, but a huge improvement nonetheless, as it no longer wobbled and had a bit more get-up-and-go. We went to a beach where someone had told us you can find sea glass and found a lovely little swimming area, but no sea glass. I suspect that the sea glass here is of the broken beer bottle variety, anyway, but I’ll keep looking.

We came back to the hotel. I was somewhat disturbed to find a squashed, three-inch cockroach lying by the bedside table, still waving its legs. I wasn’t disturbed by the cucaracha so much–it’s the tropics, after all–as the fact that we hadn’t squashed it and the maid hadn’t done the room yet. I sent it to Xibalba (the Mayan realm of the dead) down the toilet and mopped up the mess. Nothing was missing or amiss, so oh, well. It’s not as if I brought my diamond tiara with me. We returned to the Cubano restaurant for more excellent guacamole and a ceviche to die for, with octopus and conch in it.

And then we did nothing. Just nothing. Until about 8:30 pm, which is about a half an hour before most of the local restaurants close. We weren’t starving, so we went to Chedraui down the street, which is sort of a supermarket combined with Costco—you can get everything from mopeds and washing machines to fountain drinks, dried hibiscus flowers and fish. We got some cheese, crackers, wine and snacks and went back to the hotel for a modest repast, using our kitchen for the first time.

* * * *

We set our alarm for the next morning, as we were scheduled for a snorkeling tour at 10 am. However, the weather was projected to be quite windy, followed the next day by rain. Windy conditions are poor snorkeling conditions, so we rescheduled for after the rain.

As that was our big expedition today, we had to make new plans. We had breakfast at Lola Valentina, where we had eaten the day before, and the staff recognized us, which is always nice. I didn’t feel like a heavy breakfast and had fruit and yogurt. Then we visited the cemetery.

I adore cemeteries. The older, the better. This cemetery features the self-carved gravestone of Juan Menaca, although apparently he was buried in Merida. I wanted to find his stone, but the cemetery was sufficient on its own to delight me. The majority of the tombs are created by hand, each one different, and each one a very personal tribute to the departed, which is what I love about such places. Mexicans have a very personal relationship with their dead. Everyone knows about Dia del los Muertes, Halloween, where families picnic among the tombs and catch up their dead relatives on the doings of the past year. They share food and drink with their departed loved ones and have a lively family party.

Most of the tombs in the Isla Mujeres graveyard were designed like little two-story houses. The top story was often enclosed by glass and protected with miniature wrought-iron grills like most Mexican houses. These enclosures were often locked with padlocks, though in some cases the closure was a simple wooden latch. Inside were offerings of liquor, plastic and real flowers, little Madonna statues and angels, candles, and other things. One fancy tomb had an entire bottle of sparkling wine. Many of the structures are electrified–I’d like to see it at night. The monuments come in all sorts of designs. While most looked like little houses, one looked like a Roman temple, and there were many other variations. No two were alike, although there were several identical angel statues, each holding an index finger to her lips, the other index finger pointed heavenwards. It had the effect of a bunch of very bossy librarians.

“How many times do we have to tell you to BE QUIET???”

Some of the tombs were crudely fashioned, others were elaborate. One looked like a suburban house, complete with artificial turf lawn. Another was fashioned in the shape of a ship–several were dedicated to sea captains, which makes sense on an island. One of the captains’ tombs had a railing composed of concrete ship’s wheels and a model ship resting in a large glass case in front. I assume it was a model of the captain’s own ship, or perhaps something he created. One structure that was made to look like a cottage was painted white with twining roses painted around the door. Several were covered in ceramic or marble tiles. The larger and taller monuments had built-in steps along the side. At first I thought perhaps these were for the deceased’s spirit to reach the offerings, but I soon realized the steps were there to allow the living to reach the little offering houses and replace the contents.

This captain still sails his boat.

Sadly, hurricanes and time have damaged many of these momento morii. The sandy ground is littered with broken marble, glass tiles, shattered bottles and glasses, and so forth. But you can sense the care and love with which these tombs are created and­—as much as possible—maintained.

We did not find Juan Menaca’s gravestone. Disappointing, but even I finally gave up. We ran a few errands and had a nice lunch and did some shopping. We did finally discover the “fiesta artisanal,” and there were some very beautiful items, some different than in the surrounding sea of tiendas, but I didn’t buy anything.

Some tombs were modest, others elaborate, but each one was different.

 

 

This one had its own lawn and a fence around the yard.

The afternoons here tend to be sweltering, even though there is always a breeze. I thought it would’ve been a nice day to swim at Playa Norte, but we stayed in out of the heat instead. Toward sunset, I thought we should go to Punta Sur and watch the sun set. Traveling south in No. 8, I saw a dog enjoying the evening breeze. This would not have been unusual except that he was lying on top of the peaked roof of a portico that stretched out in front of a house. I still wish I had gotten a photo.

When we got to Punta Sur, the facilities were closed for a wedding, but we did sit out and watch the dramatic clouds as the sun set and the storm began to gather. Frigate birds, looking like a flock of pterodactyls, hung on the wind far above us, not fishing, not doing anything, as far as we could tell. Perhaps it is enough to be able to suspend oneself above the sea like a hang-glider, taking in the gold-edged clouds, the towers of Cancun, the little rocky island below, and the darkening waters.

Sunset from Punta Sur.

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Mrs. Toad’s Wild Ride

The view from the Cuban restaurant on Isla Mujeres.

The view from the Cuban restaurant on Isla Mujeres.

 

By the time we woke up in the Marriott Courtyard at the Cancun Airport, Clod and Linda were winging their way home. We ate a leisurely breakfast, turned in the car and caught a cab to the Isla Mujeres ferry. The ferry terminal was a zoo. Being a Sunday, people were taking day trips to the island and people were lined up with kids and bags.

The island is visible from the mainland, separated by brilliant, brilliant turquoise water interspersed with purple and indigo where the water is deeper. It was a brief journey and when we landed at Isla Mujeres, it was a bit overwhelming. The ferry slip is right downtown, and the place was full of people, dogs, motorcycles, taxis, and many, many golf carts. You aren’t allowed to bring your car, and people get around in rented carts, mopeds or taxis–or on foot.

Cancun in the distance, across the blue, blue water.

Cancun in the distance, across the blue, blue water.

Every golf cart in the place was rented, so we took a taxi to our hotel, which was thankfully a good distance from the noisy central area. Chac Chi Suites is a small hotel, two stories built around a central area with a little pool. We have a nice kitchen area with table, which is kind of too bad, as they provide no utensils with which to cook an actual meal–not even a coffee maker. It’s a bit basic other than that, but the room is clean and there is an outside patio area overlooking a small street. We are across from a walled elementary school, and the next day, we could hear the kids at play. (A nice sound!)

Once we got settled, we headed down that street, around the corner, to Sergio’s, a Cuban restaurant, and had beer and the most wonderful guacamole, followed by yummy broiled shrimp cooked with lime and garlic. To get to the restaurant, you walk into what looks like someone’s yard, then just persevere through some non-restaurant-appearing areas until you emerge into a rickety, palm-thatched structure over the water. Sergio’s turned out to be a popular stop for boats, which just moored to the side and let the passengers off. But it didn’t seem touristy at all, the people were friendly and the food was cheap and delicious. And, other than walking to dinner at GreenVerde, that was our day.

The next day we walked a little further to Mango Cafe for an enormous and delicious breakfast. Our rented golf cart wouldn’t be ready for hours, so we hired a taxi to take us around the island to get our bearings. Isla is a long, skinny island, oriented north-south. There are several large lagoons, some fresh, some not, and these are occupied by crocodiles, but crocodile incidents appear to be vanishingly rare. Of course, you are advised not to swim in the lagoons.

First, we went to Punta Sur (South Point). At the extreme tip of the island, there is a tiny temple to Ixchel, the most important goddess in the Mayan pantheon. Ixchel, often portrayed with a water jar or a snake headdress, is the goddess of childbirth, medicine, rainbows, fertility, and possibly the moon. As with many other cultures, she is associated with a triad of goddesses, maiden, mother and crone, Ixchel being the crone and represented in ancient times as a fierce old woman with jaguar ears.

The path to the temple winds through a sculpture garden, with the ocean to either side.

The path to the temple winds through a sculpture garden, with the ocean to either side.

“During Lent of 1517 Francisco Hernandez de Cordova sailed from Cuba with three ships to procure slaves for the mines… (others say he sailed to discover new lands). He landed on the Isla de las Mujeres, to which he gave this name because the idols he found there, of the goddesses of the country, “Ixchel” and her daughters and daughter-in-law’s “Ixchebeliax”, “Ixhunie”, “Ixhunieta”, only vestured from the girdle down, and having the breast uncovered after the manner of the Indians. The building was of stone, such as to astonished them, and they found certain objects of gold which they took.”

—Excerpt from “Yucatan, Before and After the Conquest” written in 1566 by Friar Diego de Landa.

The temple is sadly battered by time and hurricanes. A century ago, it was more or less intact, but today it is a broken tooth at the end of a white path that winds through a sculpture garden. Walking down this path, the rough waters of the Caribbean dash against the rocky western shore of the island as the gentle waters of the sound rock against the east. Cancun is clearly visible on the distant shore.

On the left, the temple of Ixchel on Isla Mujeres today. On the right, what it looked like 100 years ago. Hurricanes have taken their toll over the past century.

On the left, the temple of Ixchel on Isla Mujeres today. On the right, what it looked like 100 years ago. Hurricanes have taken their toll over the past century.

 

The structure was used as a lighthouse. Its second floor had openings, and a fire was burned inside, allowing the light to shine out to sea. It is possible it was just a lighthouse after all, and the temple itself is at a different site.

There are an abundance of iguanas sunning themselves around the rocks on the point. Several modern statues have been erected of Ixchel and an enormous green iguana near the restaurants close to the point. Ixchel is represented as a ripe young woman with a coiled snake on her head.

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A modern representation of Ixchel. In ancient time she was represented by a fierce old woman with jaguar ears. The odd hat is a snake, representing great power.

Next we drove to Hacienda Mundaca. Fermin Anonio Mundaca y Marecheaga was a slaver, and some say a pirate who made a fortune selling Mayan slaves to Cuba. He retired to Isla and built a—for the time—splendid two-story house surrounded by gardens. Much of this he did in hopes of winning the heart of a local maiden, Martiniana (Prisca) Gomez Pantoja, known as La Triguena (the brunette, which may not have distinguished her much, actually). She was a tall, green-eyed beauty, and Mundaca was hopelessly in love with her. He dedicated much of his house and grounds to her, hoping she would marry him, but she married a much younger man (Mundaca was about 35 years older than she). Heartbroken, he slid into madness and died. He carved his own gravestone, which can be seen in the graveyard at the north end, but as he died in Merida, he is not actually buried in the Isla Mujeres graveyard.

Stairs to the upper story of the Hacienda Mendaca. SO glad they don't make stairs like this today.

Stairs to the upper story of the Hacienda Mendaca. SO glad they don’t make stairs like this today.

The estate looks as though someone in the past tried to restore it a bit and add things like caged animals as attractions. The cages are now empty. The house is in ruins, but you can see the two downstairs rooms. Visiting the upstairs would be taking your life in your hands. The staircase from the ground floor to the second floor is more a ladder than a staircase, and I am sure the upper story is unsafe. There are a few photos with labels in Spanish in the downstairs area. Ruins of several outbuildings surround the house at a distance. If you follow a dirt path into the woods, you will come to an eerily deserted garden, surrounding a well at the center. The circular area around the well is delineated with stone and concrete low walls, creating four pie-wedges of masonry. Each pie-wedge has areas for plantings and a seat where one can contemplate the beauty of the vanished garden. Mendaca carved some of the stones, calling himself a ship’s captain and a pilot, not a slaver or a pirate. A few plants struggle on, notably a bougainvillea blooming its meager little heart out. It is a deserted, peaceful and very melancholy place, especially considering it’s creator’s sad story. The incurious would never find this garden, as it is well concealed by the woods.

The well at the center of the forgotten garden.

The well at the center of the forgotten garden.

The forgotten garden at Hacienda Mendaca.

The forgotten garden at Hacienda Mendaca.

 

 

 

 

 

 

 

 

Closer to the house, but a safe distance from it, is a large pond with rushes and water lilies growing in it. It also has a resident crocodile or two, but we didn’t see any. Unlike the rest of the estate, however, the stone wall around the pond looks in very good repair.

Then we embarked on a wild goose chase. A poster in the hotel office advertised an artisan craft fair on the esplanade. I wanted to see it and asked the driver, Francisco, to take us there. He obligingly took us to some shop at the north of the island, but that was obviously not the fair, so we drove back to the hotel, and I asked Francisco to go in and look at it. He then took us to the site in question, where there was no craft fair in sight. Well, no worries. On to Playa Norte, the top-rated beach on the island, for a cold beer and a gander. We weren’t going in the water, but it looked very inviting. It’s shallow, with a white sand bottom out quite far. The water is that heart-melting turquoise, and the sand is as soft and fine as sugar. By this time, we had driven all around the island, and felt well oriented.

We went back to the hotel and found that our golf cart was ready. Tom went to pick it up. Later that night we decided to go to a recommended restaurant called Villa Rolandi. We got into the golf cart, and thus commenced Mrs. Toad’s wild ride. I’ve never been in a golf cart before, and I felt like a turtle without its shell as we putt-putted down the busy main road in the dark, overtaken by taxis, mopeds, and other golf carts. Mexico has some of the most ferocious speed bumps I’ve ever seen, which is OK in a car, but the golf cart had absolutely no suspension, so each one was a bone-rattler. I heard my neck crack more than once as we jolted over these things, and I expected to be thrown out at any moment.

Mrs. Toad.

Mrs. Toad.

We finally arrived at Villa Rolandi, and I immediately felt grubby, underdressed and generally outclassed. We’ve been eating in pretty unpretentious places, with the exception of Hacienda Uxmal (but the quality of the food was the worst there of any place we ate). Villa Rolandi is a grand hotel with all the fixings. Nonetheless, we were ushered into the restaurant without a second glance and seated where we could hear the waves (though being night, we couldn’t see them), with an expansive view of the lights of Cancun shining across the dark sound.

The food was incredibly good. They brought us an interesting crispy flat bread with olives to start, then we had calamari and zucchini deep-fried to perfection. I ordered grilled octopus (pulpo), figuring I could not go wrong, and was not disappointed. Tom had a lovely filet mignon. I couldn’t finish the poor octopus, and followed insult to injury by having chocolate ice cream that I also couldn’t finish. We had a yummy Mexican Cabernet Sauvignon with our meal.

We got into a pleasant conversation with the couple next to us, as Tom recognized them from the hotel at Calakmul. They were from England, near Manchester. The man had at one time decided to visit every Mayan ruin in existence, and apparently had a good stab at it before giving up, but he still likes to visit the ones he missed earlier. I asked him why he wanted to do this, and the answer was because he wanted to, which is certainly a good enough reason. They were both retired educators. I explained what we were doing here, and they were kind enough to ask about “The Obsidian Mirror” and where to buy it.

On the way back, I rode in the back seat of our chariot–which also had a wobbly wheel. The speed bumps were just as vicious but somehow I felt marginally safer because there were support rails to cling to. I was awake for a long time after we finally went to bed at 11:45, and woke up many times during the night. I blame the chocolate ice cream and its theobromine. Sometimes, too much knowledge is a dangerous thing.

Because you can't have too many iguanas.

Because you can’t have too many iguanas.

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