The Tale of How a Little Book for Kids Grew Up and Became a Little Book for Kids


Once upon a time, many years ago (many, MANY years ago), I was a college student at Beloit College (it’s in Wisconsin and that’s all you need to know about it). I was earning a Master’s Degree in Teaching, and one of the courses I took was Children’s Literature. Much of our grade was based on two essays the professor had assigned. Two essays that I am sure the professor had selected carefully for their learning potential, but which I thought were incredibly boring.

So without any notion of what I was really doing, I asked my prof if instead of writing two essays, I could write two children’s books instead. He agreed.

I spent the better part of the next several weeks holed up in the house trailer where my husband and I lived at the time, writing a little book called “I Am Not a Bear,” and illustrating it in pen and ink and watercolor. I painted the scenes and then pasted the typewritten text onto the watercolor paper. Lacking any sort of binding option, I punched the pages with three holes and fastened them with binder rings. It was a crude production, but the best I had to hand.

The original illustration of Paul picking up his room.


The new illustration of Paul picking up his room.

The story is about Paul, a little boy who wants to live with the bears because bears don’t have to do math, pick up their rooms, or eat oatmeal. He winds up trading places with a bear cub, Growf, who wants to live with people. Both discover there really is no place like home, but they do meet each other in the end and have a good laugh about it. It’s a simple story with a sweet message about family and home—and whether or not the grass is really greener elsewhere.

My prof liked the book and read it to his kids, who also liked it. I got an A+ in the class. End of story.

Except it wasn’t the end. I kept this opus in a file drawer for many years. When my kids hit the right age (around four years old), I pulled out my “book” and read it to them. They seemed to enjoy it, even if it didn’t become a favorite like “The Cat in the Hat.” But then, my book didn’t rhyme.

The decades passed. The grandchildren came along. I read “I Am Not a Bear” to them, too. But as I was reading it, I noticed a few things with embarrassment. It was too long and wordy for the target age. The illustrations were crude, and I had learned how to paint in oils by this time and had paintings hanging in galleries. Even more important, print-on-demand had been invented, so I could create a genuine book for my grandchildren—something they could keep if they wanted.

I rewrote the book, trying to cut verbiage and page count. Then I re-illustrated it in pastels. I wanted a soft, fuzzy look, and pastels seemed ideal. I had never used pastels before, but I didn’t let that stop me. It turned out pastels weren’t that much different from painting in oils, just…drier. Then I formatted it for lulu.com and printed a few copies for the grandchildren and sundry other kids belonging to friends and family.

I thought that was the end of this little story. But no.

I became distraught over the separation of families at the border and the imprisonment of immigrant children. I lay awake at night, agonizing over those poor kids and their families, frustrated because there was nothing I could do to help.

Then it occurred to me I could help. If I could find an appropriate organization aimed at helping immigrant families at the border, I could self-publish “I Am Not a Bear” as a bilingual English-Spanish book and donate all the proceeds to that organization to help them be more effective.

I approached only two refugee assistance organizations. The first one never replied to me. The second, the National Network for Refugee & Immigrant Rights (NNIR), responded immediately and enthusiastically that they would love to work with me on this. They have been an appreciative partner.

Just one problem. I don’t speak or write Spanish. I can find my way around a Spanish-speaking country by dint of speaking only in the present tense and waving my hands around a lot, but I didn’t even know the Spanish word for “bear cub.” (It turns out a lot of people who speak Spanish don’t know that either, which made me feel better.)

Fortunately, I have a Spanish-speaking friend who grew up in Mexico, Clod Barrera. I asked Clod if he would translate my book, for the magnificent compensation of nothing but my eternal gratitude. Clod, being a wonderful person, did so. And then I passed the translation around to a few other people to make sure all was copacetic—because I sure wouldn’t have known if there were a problem!

Finally, everything was ready to go. Except for formatting the new version of the book on lulu.com. For some reason, this took forever, and I have no intention of boring you with why, but it is finally ready to sell.

I don’t usually ask people straight out to buy my books, but I’m making an exception. If you care about the plight of children and families at the border—and know a child (around four to seven years of age) who would enjoy the book, or know of a school that could use bilingual books for young children—I’m asking you to buy “I Am Not a Bear/Yo no soy oso.” One hundred percent of the profits will be donated to the NNIR for at least two years. Here’s where to get it: http://www.lulu.com/shop/kd-keenan/i-am-not-a-bearyo-no-soy-oso/paperback/product-23979188.html

I thank you in advance. Every book that sells sends more money to help immigrants and their families.

This illustration didn’t make it into the book for purely technical reasons. but I kind of like it anyway.

The Cozy Mystery Flop: A Review

I love cozy mysteries. Especially English cozies. This may be because I started with Agatha Christie—I tell a lie, it was actually Nancy Drew, so there goes that theory.

Anyway, I like the whole tea-and-crumpets thing. And I listen to a lot of audiobooks, so when someone teddibly, teddibly English narrates, like Davina Porter or Simon Vance, I feel fully immersed in jolly old Blighty.

But they have to be well plotted, too. Really, the core of a mystery is its plot. A mystery is a contract between the author and the reader. The author promises not to spring the solution to the mystery on the reader without first hinting at it or making the critical information known to the reader. The author’s skill is in disguising the information in such a way that the reader never guesses, or is at best unsure until the end. Like many mystery readers, I love to try to figure out the solution before the author reveals it—but I don’t want it to be obvious, either.

In the end, the reader has to be able either say proudly, “I figured it out, but it wasn’t easy,” or, “I should have seen that coming, but I didn’t.” Either way, it has to be a satisfactory end that explains all loose ends and does not defy the laws of reality as we know them.

A few years ago, I stumbled across G.M. Malliet’s mystery series about life in Nether Monkslip, an isolated English country village. The star is an Anglican priest, Max Tudor, an ex-M15 agent who wearied of the life of a spy and went into the god-bothering business. Being an Anglican priest, he gets to have a love life, too. The object of his affections is Rowena, the hippy-dippy owner of the village pagan/spiritual/wicca shop. I’ll just say they are a fun couple.

I adored the series, but soon read all of the existing books, so I picked up another mystery by Malliet, this time with her Detective Inspector St. Just. The first two books were not as enthralling as the Max Tudor stories, but good enough that I purchased a third, “Death at the Alma Mater.”

There are spoilers from this point forward, so please stop reading now if you intend to read “Death at the Alma Mater.”

The story takes place at the fictional St. Michael’s College of Cambridge University. The college hosts a weekend get-together for Old Boys and Girls, and they invite only the wealthiest alums because the intention is to dun them for seriously large donations. One of the guests is gorgeous and wealthy Lexy Laurent, who is famous for being famous, her ex-husband, Sir James Bellows, and his wife India, who took James away from Lexy after only three years of marriage.

It is 20 years after the graduation of these Old Boys and Girls, yet Lexy is believed to still have an obsession with Sir James. When Lexy turns up dead by the boathouse, the fun begins.

I won’t expose the entire plot, but what is supposed to have happened is that James, a writer, had published an early novel that promptly sank from view without notice. He casually gifted his then-wife, Lexy, with the rights to this novel, never thinking it would ever be worth anything. (We don’t know this detail until the exposition at the end.) Lo and behold, the novel develops a cult following and then becomes an overnight best seller years later. Movie deals are being discussed. James, knowing that Lexy will be at the reunion, asks for the rights back. Lexy, having finally reduced her passion for James to ashes, refuses. James pretends it’s no big deal, but plots her murder during the reunion at St. Mike’s.

He carries out the murder near the college boathouse before dinner. After dinner, he is seen by several people having a serious chat with Lexy in the garden. In truth, “Lexy” is a plastic blow-up doll with a Lexy wig on (she’s famous, remember?), wearing an academic robe. This is supposed to establish that Lexy was alive, though in fact she has been dead for a few hours. This gives James an alibi, as he is careful to be within sight of the other guests until the body is discovered.

This is where G.M. Malliet and I parted company. I just didn’t believe a disguised plastic blow-up doll, even if seen only from the back, could pass as a human being. And the jiggery-pokery of blowing up the doll, dressing it, moving it, making sure people saw it but that no one got close enough to see that it wasn’t Lexy, and then somehow getting it out of there without anyone seeing either him or the doll—nah. I became unwilling to suspend my disbelief. (I mean, have you SEEN one of those dolls?)

The other major point is that James killed Lexy for the rights to his book. It was never mentioned that Lexy might have a valid will leaving everything to the Orphaned Hedgehog Home or something. The ex-husband certainly would not be handed the rights back if he were not specifically granted those rights in the will. So it would have been all for nothing.

I can only recommend the St. Just series with muted enthusiasm, and “Death at the Alma Mater” not at all. However, I most heartily recommend all the Max Tudor books. They are everything English cozy mysteries should be, and satisfying reads, every one.

The Death of a Thousand Cuts

Lingchi, or the death of a thousand cuts, was a form of torturous execution practiced in China and Vietnam until the early 20th Century. Without going into too much gruesome detail, this involved cutting small pieces of a person’s body off until they died from blood loss, shock, or systemic failure. The idea was to inflict the maximum amount of pain, anticipation of death, and humiliation upon the victim.

Every woman in America knows the death by a thousand cuts. It starts when we are little kids, and as we get a little older, it only gets worse. Let me offer some examples from my own life. I am not using my experience because I want your sympathy. I want you to remember when this sort of stuff happened to you, your friend, your mother, your aunt, your sister, your classmate. And I want you to be furious and stay that way.

As a child, my father’s worst insult was to call me “girlish.” Being girlish was the worst thing you could be, that was clear, but I was at a loss as how not to be girlish, being a girl and all.

As a girl, I wanted to be an archeologist. My father talked my mother, who was a former archeologist, into telling me that female archeologists never got married. I pointed out that she had, and so had Margaret Meade—five times—but this was ignored. Nonetheless, I was told I could “be whatever I wanted to be.” Puzzling.

As a child of perhaps nine, my friend and I were pursued down the street by older boys demanding a “blow job.” Neither of us knew what that was, but we were pretty sure it was something we needed to flee from—quickly. I learned as a child to avoid groups of adolescent boys or young men when I was walking because of the filthy comments they made. Again, I didn’t understand most of them, but they conveyed a slimy contempt that frightened me.

As a seventh-grader, I was harassed on the school bus by a boy in my grade. When I turned to ask him to stop, he slapped me as hard as he could across the face before I could even speak. I wish I had been more of a fighter as a girl, but I was raised to be sugar and spice and everything nice and I had no idea how to retaliate without getting badly beaten. I turned around and said nothing and repressed my tears. I heard one of the boys behind me say, “Well, at least she didn’t cry.” When my father called his father, the boy’s father basically said suck it.

When I developed secondary sexual characteristics, of course it got much worse. I became adept at spotting and avoiding trouble by being alert for predatory males all the time. Once I was walking through a park in the afternoon and a car driven by a solitary man began following me. He followed me everywhere until I approached a family of picnickers and asked if I could sit with them until the man left. They kindly allowed me to stay and the stalker took off, but it frightened me.

The very next morning, my younger sister and I went for a walk before my parents got up. We were visiting Monterey, CA, and it was foggy. We wandered down to the wharf, not far away, and walked out to the end of the dock. On the way back, we were approached by two transients, toothless, filthy, dressed in dirty rags, who told us to go with them and have some “fun.” It was two men against two young girls (one just a child), and they were very threatening. No one else was around, and the thick fog obscured everything. I put my arm around my sister and began yelling, “NO!” They finally gave way and let us go, but that was the scariest moment of my young life.

In college, I was groped multiple times at dances by men who were just walking past, as though I were a fruit display. Casually done, as if it were their right to touch me in such a way. One man who shall remain nameless as he isn’t up for a Supreme Court judgeship, tried to rape me when he thought I was unconscious. Just napping, as it turned out, but I never trusted him again.

I remember the first time I realized that men did not have my back—even men who weren’t doing anything objectionable. I was waiting in line in a liquor store. The guy in front of me was enormous. I am nearly six feet tall, but this man dwarfed me. After he paid for his purchase, he whirled around abruptly, glowered at me and said, “You wanna go out?” Startled and a bit frightened, I stammered, “No!” He turned away and left the store. I definitely felt threatened and I was worried that he might be waiting for me outside. I looked at the men in line with me (there were no women). I looked at the checkout clerk, also a man. Their eyes were blankly unconcerned. I realized that I was completely on my own. No one was going to offer to walk outside with me to make sure I got to my car safely. I waited quite a while inside the store, peering out to see if I could spot this giant man, before I dared to leave the shelter of the store.

Much later, when I was in business, I ran into men who refused to work with women, and were fairly rude about it. One man, who probably weighed over 300 pounds, made a joking remark about my being overweight in a room filled with men who laughed at his clever joke. In another testosterone-infused business meeting, a man began loudly talking and sharing jokes during my female colleague’s presentation. He was not reprimanded by the male vice president who was running the meeting.

I can’t even tell you about all the times I’ve been catcalled, or ignored, or talked over, or had my ideas repeated by a man to general acclaim—minutes after I had suggested them and been ignored.

I’ve been followed. I’ve been stalked. I’ve had perfect strangers (men) feel free to comment on my attributes or lack of them. I’ve been called bitch, cunt, whore, and slut by people who have never met me before.

I’m not telling you this because my experience is so awful. I’ve never been raped, for instance, or physically abused by a man. No, I’m telling you because EVERY WOMAN IN AMERICA SHARES THESE EXPERIENCES WITH ME. Every. Last. One.

This is the death of a thousand cuts: every day, women and young girls face the lust, scorn, disgust, hatred, indifference, and ridicule of men. After a few decades, it feels very old indeed. The good news is, if you become fat or in any way deemed unattractive, such as getting gray hair or saggy tits, it all goes away! No one catcalls, stalks, or gropes you anymore because now you are COMPLETELY INVISIBLE! No one hears you, no one sees you. It’s better than the catcalling and groping, which should tell you something.

Obviously, I am not talking to or about the good men, of whom there are many. But sadly, because these men are good, they think that these criticisms are aimed at all men. Some get very defensive, “I don’t do those things!” and refuse to hear about it. We need these good men on our side, not defending themselves against us. Women know that “not all men.” So don’t get defensive on us when we’re asking for your support. Don’t tell us that not all men. Show us that not all men.

Thanks.

Review: “The Book of Lost Things”

 

“The Book of Lost Things,” by John Connolly, is a fairy story about fairy stories—and not the kind that necessarily turn out happily ever after. More the Grimm kind, where virtue isn’t always rewarded, but evil is always savagely punished. It shows again that fairy stories are primordial, ancient, bred in the bone.

David, our protagonist, is a 10-year-old English boy who loses his beloved mother in the opening days of WWII. His father and he do as well as they can together, but then David’s father marries Rose and they have a baby boy, Georgie. None of this goes down well with David, who is grieving, angry, jealous, resentful and lonely. He also starts seeing strange things like a crooked old man lurking in his brother’s room, and begins having fits.

The one solace David finds in his new situation is the books in his room. They are fairy stories, but different from the ones he has read before—darker and more disturbing. He asks Rose about them, and she tells him they belonged to a great uncle who had loved the books, but he and a young female relative had disappeared one day and were never seen again.

One night David is awakened by his mother’s voice calling him. He knows his mother is dead, but his desire that this not be true is so powerful that he wanders into a neglected sunken garden. The voice seems to be issuing from a hole beneath a great tree there. As David hesitates, he hears the screaming of a bomber overhead, disabled, on fire, and heading right for him. He dives into the hole beneath the tree and discovers himself in a strange land as the bomber crashes through and David’s escape route is blocked. Just to let you know that the story to come will not be about sweet little creatures with butterfly wings, the pilot’s head bounces by David after the crash, blackened and bloody.

David soon discovers that a great evil is growing in this new land. A wolf army is gathering, led by the Loup, half man, half wolf. The Crooked Man is here as well, and seems to want something from David. The dangers here are genuine and they are deadly. The author doesn’t flinch at detailed descriptions of some truly grotesque and bloody deaths.

Amid the growing darkness, David also meets some good people who help him. One of them tells him to seek out the king of this land because he has “The Book of Lost Things” that will help David to return home. “The Book of Lost Things” doesn’t help him to find his home, but it does clear up the central mysteries of the story, pointing David to the truth of the Crooked Man and his agenda.

David proves he is brave, loyal, and resourceful. He discovers that not everything is what it seems, and learns to be discriminating about whom he trusts—a single misstep could be fatal. In the process, he solves the mystery of what happened to Rose’s great-uncle and his young relative, and of course realizes his mistake in rejecting Rose and Georgie. By the time David finds the way home, we feel he has earned his return many times over.

The book follows David’s life after this event. It was not a life free from pain or unhappiness, but he finds love, comfort and a purpose in life. At the end—I’ll let you read the book to find out what happens at the very end. Like a good fairy story, the end wraps everything up in a most satisfactory way.

I would have to say that ‘The Book of Lost Things” is not for the faint of heart. Although the protagonist is a child and the source material is fairy stories, it is definitely not a children’s tale. I might even hesitate to recommend it to a teenager, particularly if they were going through a Goth phase. There is a lot of violence, a pervasive sense of creeping evil, and many adult themes. I would have to say that it cleaves to the original tenor of the ancient stories, though. The old fairy tales are dark and primeval. They have nothing to do with living happily ever after or marrying the prince. They teach us to beware the evil in the dark and the forces we do not comprehend. “The Book of Lost Things” is that kind of fairy tale.

Review: “My Grandmother Asked Me To Tell You She’s Sorry”

I like fairy tales. I also like fairy tales re-imagined, but not all of them. For instance, I hated Gregory McGuire’s “Wicked.” I thought it disrespected Baum’s innocent vision of Oz, though obviously I am in the minority, and Gregory McGuire is now a rich man. On the other hand, I loved McGuire’s “Lost,” which skillfully weaves together Dickens’ “A Christmas Carol,” shades of Jack the Ripper, and some other goodies into a gripping ghost story.

“My Grandmother Asked Me To Tell You She’s Sorry,” by Fredrik Backman, is a rare jewel. It is a fairy story that combines several related fairy stories and reveals the truth behind them. And it’s completely original, in that it doesn’t rehash older source material. (Not that I’m saying it’s wrong to rehash source material. What would we do without it?)

Elsa, our protagonist, is seven years old and precocious, but I am happy to say she is precocious in a believable, seven-year-old way. Her grandmother is a character, to put it mildly. Among other things, Elsa’s grandmother has taught her a secret language and told her stories of the several kingdoms of the Land of Almost-Awake. Her grandmother is her super-hero, and Elsa adores her. In fact, Granny is Elsa’s only friend, because Elsa doesn’t think much of the kids at school who don’t understand great literature. Like “Harry Potter.” And Marvel Comics.

Elsa, her mother, her grandmother, and her stepfather live in a kind of a boarding house. Some of the tenants are very much in full view, like Britt-Marie, who bosses everyone around about signs in the laundry room and strollers in the stairwell. Others are never seen, including the mysterious “Our Friend,” as Granny refers to him. Elsa’s mother works all the time, her remarried father is not a strong presence, and she resents her stepfather. Her grandmother is her rock.

And then Granny dies. But before she does, she asks Elsa to deliver a letter. Elsa does, and sets off a chain of events that reveal the true nature both of Granny’s stories and of the people in Elsa’s life. Bit by bit, she comes to understand who these people are and how they came to be who they are. She also discovers her grandmother’s hidden connection to every soul in the boarding house.

Elsa eventually discovers a mother who loves her unconditionally, a stepfather who’s actually okay, and a father who turns out to be important after all. She even makes a friend. She learns some things about adults that in the end, she knows she just has to forgive.

While the protagonist of “My Grandmother Asked Me To Tell You She’s Sorry” is a child, this is not a children’s story. The heartache and sadness are all-too-poignant, and the adults’ stories are, well, adult. The story is about a child finding her way through the complexities of life by relying on herself and her memories of her grandmother. She learns the truth behind the tales, and adult truth is sometimes difficult and scary.

Fortunately, there is enough humor in Elsa’s take on things that the book never becomes dreary—and I was pleased that the humor never condescended, even though the lead character is a child.

I had a hard time deciding whether to categorize “My Grandmother Asked Me To Tell You She’s Sorry” as a fantasy or mainstream, even though the only fantasy elements in the story are Granny’s stories. It’s a fairy tale, but although it has a happy ending, it is a realistic ending. Granny doesn’t come back to life. Britt-Marie was never a princess. “Our Friend” is not really a wurse from the Land of Almost-Awake. And yet, the fantasy carries the story. Read it and decide for yourself.

 

The Price of Freedom Isn’t Free

“The price of freedom isn’t free.” That’s a saying that ex-service people are fond of using, especially when they are in a more-righteous-than-thou mood. I’m grateful to those who have served, but more than a little put off by this, as in the former client who had an American flag the size of a tennis court in his office. I remarked on it, and he snapped at

 

me, “The price of freedom isn’t free, y’know!” As if I had claimed the opposite for some reason.

As it happens, he was right, but for reasons other than his pride in military service. Yes, the military does the government’s bidding here and abroad, but it isn’t the military that defends the rights and freedoms of American citizens.

It’s American citizens.

And we haven’t been doing a very good job of it over the past four decades. When the Reagan Administration struck down the FCC Fairness Doctrine, there wasn’t a great deal of pushback. The Fairness Doctrine required that if, for example, a broadcaster aired 15 minutes of liberal information or editorial content, they must balance it with 15 minutes of conservative content on the same subject.

Prior to the elimination of the FCC’s Fairness Doctrine, we didn’t have Fox News. Or ClearChannel. Or Breitbart. Or Rush Limbaugh. Or Alex Jones. Sure, those folks were out there, but they didn’t have a 24/7, 52-week media platform from which to propagate lies and disinformation. As a result, the country has become increasingly polarized as about one-third of the population has willingly walled themselves off from reality to marinate in the “information” they want to hear, as opposed to the truth.

The citizens should have taken to the streets when Citizens United was passed into law. But we didn’t. Citizens United, in brief, changed the status of corporations to people, allowing them to donate money to political campaigns and deeply influence the politics of the country.

The problem is, corporations aren’t people. They don’t act in the interests of the people, they act in the interests of corporations. So if our current laws and policies reflect little to negative concern for the wellbeing of actual human beings, that’s why. The laws weren’t passed for our benefit.

Voter suppression has always been a problem in this country, as certain groups strive to maintain power by excluding others from the political table. However, there are individuals and organizations that are deeply committed to preventing people of color, poor people, and liberals from voting. Here are just a few of the techniques deployed during the 2016 election:

  • Using a voting software program called CrossCheck, allegedly to prevent voter fraud, but in reality designed to throw qualified voters off the rolls when said voters tend to be in the undesired categories. Twenty-eight states used CrossCheck in 2016, throwing literally hundreds of thousands of registered voters off the rolls. Most of these voters were people of color, poor, young (likely to be liberal), or liberal.
  • Voter caging—requiring voters to verify their mailing addresses by sending them small postcards covered with tiny type that often are overlooked as junk mail. Failure to respond resulted in being eliminated from the rolls. These postcards, need I say, were mailed to communities whose residents are poor and/or minority.
  • Voter ID laws—requiring a state-issued ID to vote, which disadvantages poor people in particular as it requires them to travel to the DMV and pay for the ID.
  • Gerrymandering—this is an old (the term was first used in 1812) but successful technique that involves drawing up voting districts that concentrate conservative voters across as many districts as possible to create a conservative majority. (It could work both ways, but it’s mostly Republicans who do this.)
  • Mailing false voting information. Postcards with incorrect information on when and where to vote are mailed into districts with minority populations.
  • Poll closures. Polling places are strategically shut down or closed early in —you guessed it­—poor and minority neighborhoods.

As the Tea Party diligently worked to put whackadoodle candidates in positions of power all across the country, we liberals patiently waited for the checks and balances we’ve been told about to kick in.

Well, guess what? They didn’t.

Turns out you actually have to DO something for the checks and balances to work. As in protest, resist, rock the boat, take to the streets, speak out. As a result, the United States is no longer a beacon of freedom to the world. We are a third-rate developed country. We used to be number one in infant mortality survival, health care, human rights, education, income per capita, equitable distribution of wealth, etc., etc. None of that is true anymore. We’re just another corporate-owned, corrupt, greedy banana republic with an insane tinpot dictator at the helm, masses of increasingly poor citizens, viciously oppressed minorities, and an educational system that turns out ignorant, entitled mistakes like Donald J. Trump and company.

On the other hand, the United States has achieved primacy in many key areas. We are number one in percentage of our population in jail. We are also number one in how quickly we force new parents to return to work. The U.S. spends more per capita on healthcare than any other country (might have something to do with our abysmal healthcare statistics), despite the fact we get less than anybody else for the money. We also have the highest rate of gun ownership in the world and—surprise!—one of the highest rates of gun violence in the world.

Friends, we did not get here due to the enmity of foreign powers. No one attacked us to shove us down the scale of decency and freedom to occupy a position just under Slovakia. We did it to ourselves through irresponsible legislation, punitive laws, favoring corporate rights over human rights, pandering to religious interests (read Christian here), and failing to create an environment where education—the real kind, where you learn how to think—can flourish. And most of it came about because corrupt and greedy people want more money, and they’re not at all reluctant to take it out of your wallet.

The price of freedom isn’t free. We have to work constantly to deserve that freedom. When we see something like the repeal of the Fairness Doctrine, or the passage of an insanely wrong law, we have to step up and work to overcome. I used to think that eternal vigilance was just a fancy patriotic way of describing our military. No, eternal vigilance is what we owe ourselves, our families, our communities and our country to prevent the enemies of freedom from invading the halls of power from within.

Let this be the last gasp of oligarchical power, corruption, and bigotry in this country. Let it be the last spasm of hatred for the poor, disadvantaged, minorities and women. Let it be the last of untrammeled corporate greed in this country. Stay awake, be vigilant, question everything. And let freedom ring again.

New Cover Reveal: What Do You Think?

My publisher, Diversion Books, just sent me new cover art for “The Obsidian Mirror.” They plan to re-launch it in companionship with the Debut of the sequel, “Fire in the Ocean,” due out in February.

I’m thrilled by the new look for “The Obsidian Mirror,” as it is a real departure from the other two covers it has had the honor to wear. Many elements from the book are woven into the graphics: Sierra and her long braid, the Aztec Calendar, coyotes, cacti, Native American themes and high-tech symbols. I love the bold colors.

Here are the three covers in order of their appearance in the world:

Cover #1. This was designed by me when “The Obsidian Mirror” was first published by AEC Stellar Publishing.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cover #2. This was done by Diversion Books when they re-published “The Obsidian Mirror” in 2016.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cover # 3. A real departure. I love it!