My Christmas Gift to You. (Sorry About the Vampires.)

The following short story is my Christmas gift to you. We’ve all had a tough year, and I hope this little parody will make you laugh and forget for a brief time the troubles of our mixed-up world. It’s not exactly a Christmas story, but it’s what I’ve got. Sorry about the zombies, too.

The Lady Sheriff of Gristle Creak

The first thing I noticed about Lili Darkling was that she was alive. Now, no woman, be she ever so homely, rides through the Territory all by her lonesome. Apart from it not being proper behavior for a woman, she’d wind up raped and dead within the day even if she weighed 400 pounds and had bearded warts all over. Not only did Lili ride into town alone, she rode a shiny black horse almost as pretty as she was. If I’m any judge of horseflesh—and I am—that steed of hers was a purebred Arabian, about as common as diamonds in these parts.

To be honest, I would have noticed her anyhow, being a man in the prime of life and kind of hankering after a wife. Lili was a mighty striking woman. Tall and slender, with that whippy look. Black hair, done up under a hat that was more suited to a cowhand than a woman. And blue, blazing blue eyes. A sweet sight, for all she was dressed a bit mannish.

Later I heard she was applying for sheriff. We’d never had a female sheriff before—nobody had—but there wasn’t any real doubt about hiring Lili. We desperately needed a sheriff, and if some woman wanted the job, I guess that made her about the only human being that did. The town council voted before Lili said a single word, and it was unanimous.

But I have been forgetting my manners and have not introduced myself. I am Doctor William Cantrell. Call me Doc. I am the only physician here in Gristle Creak. (That’s pronounced “Grizzly Creek.” Our founder was a great man, but he could neither spell nor abide any criticism.) Despite the town’s small size and our remote and undesirable location here in the Territory, there is more than enough work for a sawbones, alas. More than ever lately, what with the vampires and zombies.

Which is why we needed a sheriff. We went through about one sheriff per month for a while. But I guess the word got out, and the stream of applicants dried up like spit on a griddle. It turns out the techniques that succeed pretty regularly with bandits and bar brawlers aren’t near as effective when dealing with the undead. Townspeople had taken to betting how many days it would take for each new sheriff to wind up either drained of blood or missing his brains. The one before Lili held the record, I think. Fifty-eight days before they found him hanging from a meat hook down at Hanson’s Butchery.

The trouble started about three years back. I was riding back from Jed Holstrup’s place outside of town. Jed didn’t live out there, but he had some cowpokes running cattle on his land, and one of them had turned up dead. Brainless, in fact. I’d been called out there to certify the death, but I was stumped, never having seen a man without his brains before. In the normal way of things when a man’s brainpan gets opened up, the brains might spill out, but they don’t disappear. In this case, the man’s skull was smashed open and the inside of his head was as innocent of gray matter as my pipe was of tobacco, me having run out some time before and Smith’s General Emporium not expecting any for another fortnight.

So I was ambling back to town on my old horse, puzzling over the brainless cowboy, when I saw the zombie. At first, I thought it was Jake, the town drunk—one of them, anyway. He was a real skinny man, staggering along like Jake on a Saturday night after he’d caged a few drinks down at the Gristle Creak Saloon. I rode up to him, intending to say howdy and make sure he was all right out there on his own, drunk as I thought he was. But I got a little closer and saw the gray-green, peeling flesh, the bones showing through, and the lipless mouth exposing brown, broken teeth. Jake ain’t the prettiest thing you ever saw, but he’s a sight better than the thing that was stumbling along the dusty road into town. I wheeled my mount around and lit out for town as fast as poor Jupiter could gallop.

That’s when we lost the first sheriff to the zombies. All it took was one. I thundered into town and swung down in front of the sheriff’s office, screaming my head off. Sheriff Yurnameer must’ve thought I’d gone off the rails, but he mounted his horse and went down the road to investigate.

When the zombie finally slouched into town, he had fresh sheriff all over him. A bunch of us surrounded the zombie and tried to kill it, but it wasn’t easy. He was perfectly comfortable losing a few limbs or his innards so long as he could smell human flesh. It was Miss Prinkett from the upstairs part of the saloon—you know what I mean—who brought a bucket of kerosene, doused the zombie, and set him on fire with someone’s stogie. That seemed to solve the problem, and we all went to the saloon to toast Miss Prinkett and congratulate her on her quick thinking. The congratulations went on all night as I recall.

But the zombies kept turning up. We could handle the singles pretty effectively—we started calling it the “Prinkett Fix”—but if someone encountered a zombie on their own, or if there were more than a couple of them, we were in deep trouble. We soon ran dangerously low on kerosene.

We could’ve held our own, though, if it hadn’t been for the vampires. It started on a fine spring day so bright and sweet I almost didn’t mind that that the mud in the main street was halfway up my shins. I was talking with Jed Holstrup, the ranch owner whose cowpoke started the whole thing. Jed was doing awfully well for a rancher, and we were all proud of him, because everyone else was pretty much scrabbling just to get by. But Jed—he was our golden boy. He’d acquired some mighty pretty suits all the way from San Francisco and I heard tell he was planning to build a big new house now that he and his pretty bride—she that had been Annie Whitethorn—had produced one beautiful little girl, with another on the way.

Anyhow, Jed and I were talking about the zombie problem. Jed was saying he thought they wandered in from the badlands. Nobody really knew what was out there, Jed pointed out. I was arguing that someone must bring them here a-purpose. Why anyone would do that was beyond me, but a man’s got to have a point of view, or there’s nothing to argue about. That was when Pearline came pelting down the street from the saloon, shrieking like the devil was snapping at her heels.

Pearline under full sail is a sight to behold. She is a woman of enormous and abundant charms, if I may say so, and most of those charms were fully evident now because Pearline had departed her place of employment without pausing to dress. She had a few filmy tatters streaming behind her like a wake, but that was all. Jed found a tarpaulin to cover her while she sobbed out her story.

“It’s Miss Prinkett!” she wailed. “She’s dead! Somebody musta kilt her!”

“Does she still have her brains?” I enquired, fearing another zombie attack.

“Yes! But, but, but …” and Pearline was off again like a siren and I couldn’t get one more sensible word from her. Nothing for it but to examine the body, so I trotted down to the Gristle Creak Saloon to take a look.

Sure enough, Miss Prinkett still had all of her quick-thinking brains. She wasn’t going to be using them anymore because she no longer possessed any blood. Cause of death was straightforward: complete exsanguination via two puncture wounds in the carotid artery. On the surface, it was a classic case of vampirism, but I was reluctant to note this on the death certificate. Adding vampires to zombies as the leading causes of death in Gristle Creak could completely discredit my reputation as a man of science. I noted cause of death as “vam-pyric attack,” hoping if the papers were ever audited this might be taken for some sort of systemic failure.

After the vampires started showing up, the town was under siege. Turns out a lot of the things we thought we knew about vampires and zombies just weren’t so. Garlic, for instance. Vampires appear to appreciate a good garlicky blood feed, judging by their preference for those who turned to the stinking rose for protection. Crosses and silver were useless—I told everybody that, but no one believed me until it was too late. You couldn’t shoot, stab or bludgeon a vampire or a zombie to death. We began to bury exsanguinated townspeople with stakes through their hearts, and that was wonderfully effective—I never saw another one of them again once they’d been planted. Of course, the brainless ones never posed a problem, but each new corpse meant one less person to help us fight against the forces of darkness.

So I was happy to see Lili Darkling step out of the sheriff’s office her first day on the job, six-shooter on each womanly hip, brass star twinkling in the sun. I walked over, stuck my hand out, and said, “Sheriff, we all wish you the best of luck. Let me know if there’s anything a-tall I can do to help.”

I was only trying to be polite—I was already up to my elbows in doctoring. But she fixed those mesmerizing blue eyes on me and said, “Why thanks, Doc. I could use your help, now you mention it. I deputize you in the name of the law.”

I spluttered a bit, but she paid me no mind. In the end, I saddled up Jupiter and drifted glumly over to the sheriff’s office. Turned out she wanted me to help her get the lay of the land. Maybe if we rode around outside town we’d see something useful. I had my doubts, but followed her obediently.

We had plenty of time to talk as we rode. Lili wanted to know how it got started, so I told her about the first victim, that cowpoke out at Holstrup’s place. She nodded and said, “Let’s start there.”

“Why? That was three years ago.”

“Just show me the way, Deputy,” she replied, so I did.

As we neared the Holstrup place, I asked, “Why’d you want to be sheriff of Gristle Creak?”

She was silent for a bit, head bowed and the creak of saddle leather and the clop of our horses’ hooves the only sounds. “I don’t rightly know,” she said at last. “I saw the advertisement in the paper. Gristle Creak sounded like my kind of place. I sort of felt I had to come.”

I was satisfied with that, and by now we had reached the little ranch house. We swung off the horses, tied them to the corral railing and hailed the house. Out here in the Territory—especially these days—you don’t just walk up to someone’s door and knock—not unless you want to get shot, that is. The polite and safe thing to do is to stand well away from the door in plain sight and halloo. That way they can take a moment to decide whether to shoot, so the odds of surviving your visit are a deal better.

A head poked cautiously out the door. It was Petey, one of Holstrup’s boys. I greeted him, and he said, “Hi, Doc. Who’s the little lady?”

“I’m Sheriff Lili Darkling,” Lili said, her face stern. “Doc here’s my deputy now. We’re investigating these … murders, and I understand the first one was right here.”

“That’s so,” Petey said. “C’mon in. We got some coffee going and it ain’t too burnt yet. What can we do for you?”

So we drank strong black coffee out of blue-enameled mugs and asked Petey, Eb and Zeke a lot of questions. They didn’t mind. Truth to tell, they were pleased as bull-pups with a marrowbone to have some company out there. Then the sheriff asked Eb if he had seen any zombies on the ranch since his partner had been killed.

Eb, a long, dried-out string of a man, bobbed his Adam’s apple and nodded. “Yes’m, I sure have,” he replied, fear at the back of his worried eyes. “Every now and again I have to go looking for strays up in the box canyon. That’s where I seen ‘em, mostly. Zombies, I mean.”

Lili’s eyes lit up, making her beauty nearly lethal. She’s going to have to learn to tone that down, I thought, or there’s going to be mayhem in the streets. Then I recalled there was already mayhem in the streets. “You ever see them anywhere else on the spread?” she asked eagerly, leaning forward. I reflected that she probably shouldn’t lean forward, either.

Eb looked like someone had just clobbered him on the head with a branding iron, but he replied, “No’m. Yes’m. I mean, no, I don’t see them anyplace else, Ma’am.”

Lili patted Eb’s knee, nearly causing him to lose consciousness. “You’re a good man, Eb! C’mon, Doc. Let’s go explore that box canyon.” We got directions from Petey, who could still talk, and we set off. Three heads poked out of the little house’s windows, staring after us.

“Y’all be careful now,” Petey called, but the other two just gawked. They don’t see womenfolk out there too much, and Lili was good for a couple hundred of the usual kind.

The ride up to the box canyon took maybe an hour or two, but the sheriff and I didn’t talk much. I guess we were both pondering what we would do if we got there and encountered zombies. I didn’t know what Lili had in mind, and she wasn’t saying. For my own part, I had brung along a bottle of kerosene and some lucifers—the Prinkett Fix. I wasn’t worried about vampires—they always attacked at night. We hadn’t figured out why, because they could walk around in broad daylight just like regular citizens, but night was the only time they ever attacked.

It was a mighty pretty day for a ride. Birds were singing their little hearts out, and there were buckets of wildflowers. The air was warm and sweet, for the scorching heat of summer hadn’t gotten its feet under itself yet. I watched a pair of butterflies courting and thought what a grand day this would be for a picnic with my sweetheart. If I had a sweetheart. If I weren’t riding around looking for brain-gobbling ambulatory corpses.

Weathered pillars of pink sandstone, layered like a cake, concealed the entrance to the box canyon. But Petey had told us the way, and we had no trouble winding through the narrow passage into a lush little canyon. There was a stream flowing through it, fed from a waterfall spilling down the cliffs at the back of the canyon. Cottonwoods and willows grew thickly by the water, and there was plenty of pasturage. I could see why some of those strays wound up in this canyon; it was a tiny paradise.

Except possibly for the zombie. This one was female, but that makes no nevermind when you’re talking about the walking dead—they’re all bad eggs. Anyhow, this one was standing under a cottonwood tree, staring at us. Well, her one remaining eye was staring at us, though from what I’d seen, they didn’t really need eyes. She wasn’t moving.

We were maybe a quarter of a mile away from the zombie when we saw it, and our horses’ nostrils caught the stink of deliquescing rotten flesh. They began to crow-hop and whinny. “Maybe we should stop here, Sheriff,” I said. “The horses ain’t hankering to get any closer.”

She agreed, and we sat in our saddles, regarding the motionless zombie. “Looks harmless from here,” Lili said.

“I got some kerosene with me,” I told her.

“Naw. Not yet. Let’s see if there’s any more around,” Lili said.

I was disinclined to seek out more of the walking dead, but I kept my peace. We waited for a good half-hour, the zombie standing there like a war monument, and us on our skittish horses. Then there was movement in the trees behind that unmoving figure. A line of zombies emerged from the undergrowth along a well-worn trail. They were hefting burlap sacks, like the kind you store potatoes in. When they sighted us, they set the sacks down on the ground all at the same time like they were rehearsing a dance-hall routine, and began shuffling toward us in the now-familiar zombie attack mode: arms extended, heads lolling, feet stumbling.

“Boss, I don’t have enough kerosene for that mob,” I said, but Lili was already wheeling her horse around.

“Hyah! Back to town!” she yelled, and her fancy black horse sped off toward the canyon entrance. Jupiter needed no encouragement, and I caught up with her easily. Once we left the canyon, we stopped to see if the zombies were following. We waited maybe an hour because zombies are powerful slow, but nothing ever emerged from the canyon.

We rode back to town in the late afternoon, the shadows of the mountains stretching purple across the chaparral. Lil was thoughtful and quiet for a while, but finally she asked, “Doc, what d’you reckon those things are carrying around in those sacks? Even more interesting, why are they carrying whatever it is? And all those zombies together. You ever seen that many in one place before?”

I shook my head. “No, Sheriff, I surely have not. As to the sacks—well, I kinda hate to speculate on that.” I repressed a shudder. I was afraid to imagine what might be in those burlap bags.

“I’m thinking maybe we ought to call on Mr. Holstrup. That box canyon is on his property, so might be he has some notion of what’s happening,” said Lili.

I turned in Jupiter’s saddle to face her. “You’re a brave woman, and that’s a fact. You haven’t been in Gristle Creak very long, Ma’am, but you should know right now that Jed Holstrup is the richest man in this town. He pretty much runs this town, for all he ain’t an elected official. I’d advise caution.”

Her delicate black brows frowned, looking somehow enchantingly like a moth’s antennae. “Well, I’ll take that under advisement, Deputy. Night’s coming on and we’d best leave it to morning. Good night.”

I went home and blocked all the doors and windows, as usual. I even had the chimney blocked off. I had run a narrow stovepipe from my cast-iron wood stove out through the wall, making sure that there were steel mesh blockages several places along the pipe just in case someone tried to get clever and enter as a bat. We had discovered that while vampires were greedy and vicious, they were also lazy. If you made it really hard to get at you, you had a better than average chance of waking up in the morning and still seeing your reflection in the mirror. Yes, that particular bit of lore is true; vampires have no reflections. Of course, that was no good to us. All it meant is that the females always looked like sinister circus clowns; they wore a lot of cosmetics but couldn’t use a mirror to apply them properly.

Next morning Lili was still hell-bent on seeing Holstrup, so we both called at his home. Mrs. Holstrup, she that had been Annie Whitethorn, opened the door to us after peeking cautiously through the curtains, her thick blonde hair piled high atop her head like a proper matron (though I recalled it used to tumble down her back in a waterfall of gold). I introduced the sheriff and asked if Jed was to home. He was, and Mrs. Holstrup showed us into the sitting room.

Jed strode in, wearing one of his pretty suits. He had a shirt of whitest linen, set off with a Chinese silk cravat, and a yellow brocade vest under a black frockcoat. His black kid boots gleamed like wet tar. He shook my big paw, but stooped over Lili’s little white hand and kissed it like he was Sir Water Raleigh. I snorted audibly, but Lili didn’t react at all. She just said calmly, “Mr. Holstrup, we want to ask you a few questions about those zombies on your ranch.”

He continued to smile, but somehow, it was no longer flirtatious. “I know nothing about them, Miss Darkling.”

“Sheriff Darkling,” Lili corrected.

“Sheriff. Nonetheless, I can tell you nothing. I go out there only a few times a year, and I have never personally seen any zombies on my property.”

“Me and Doc were out there yesterday. We saw a whole passel of ‘em in that box canyon north of the ranch house,” Lili said, her eyes fixed intently on his. “Any idea what they were doing out there?”

“I haven’t any notion, Sheriff.”

“Do you know what’s in those bags?”

For the first time, Jed looked nonplussed. “Bags? What bags? No, I haven’t the slightest idea. Wish I could help—I’d love to see those devils gone for good myself, you know.”

Lili looked at him for a full minute. Then she said, “Thanks for your time. Let’s be going, Doc.”

Lili didn’t say anything about this conversation, but she told me we were going back to the box canyon. That very day, no less. I filled several canteens with what kerosene I could find. I checked to make sure I had my lucifers. Lili brought her supply of kerosene as well, so I figured we were probably in for some action.

I tried talking to Lili on the way to the canyon, but she wasn’t much inclined. Finally I asked, “Why’d you pick me as deputy, Sheriff? Seems to me there’s other men better qualified, but I’m the town’s only doctor.”

She looked round at me from atop her pretty horse. “Took one look at you and I knew you were the man for the job. Knew you wouldn’t let me down in a tight spot. Think I’m right about that, Doc?”

Well, there wasn’t but one answer I could make to that, so I nodded and we continued on, the clopping of our horses’ hooves the only conversation between us. When we reached the entrance to the canyon, Lili silently dismounted and secured her horse’s reins to a cottonwood. I did likewise. Taking our canteens of kerosene along with our pistols, we walked the rest of the way, careful to tread quietly and keep to available cover.

Once inside the canyon, we moved cautiously through the trees along the little stream, heading for the back of the valley. We made slow progress, as we had no desire to inform the zombies we were on the way. The path the zombies used seemed too risky, so we moved through the underbrush, making it rough going. At one point, an impenetrable thicket forced us back to the path, which was fortunate, because otherwise we never would‘ve seen the gold.

Lucky that Lili had such sharp eyes. It was just a little chunk, lying to one side of the trodden dirt trail. She picked it up and it shone like pure sunlight in the palm of her hand. We stood there for some minutes, gaping at it.

“Fool’s gold, d’you think?” I asked.

“Naw,” Lili said, and pointed a slender forefinger at the rounded shape. “If it was fool’s gold, there’d be sharp crystals, maybe layers. This here’s rounded. It’s a real bright color, too. It’s gold.”

I didn’t think to ask how she knew, but I was sure she was right. “Think that’s what the zombies are hauling around in those bags?”

Lili gave the gold nugget a last, loving look and tucked it into her pocket. “I sure do, Doc. Let’s take a closer look at the back of this canyon.”

It took a long time to get back there because we knew if we were sighted by the zombie gang, we’d have a hard time getting out of there alive. We crawled on our bellies and snuck through the bushes and tiptoed like little girls playing at hide and seek. When we finally arrived at the back of the canyon, we saw a line of zombies staggering in and out of a cleft in the cliff wall. Further observation revealed the cleft to be the opening of a cave. The zombies would shuffle in with limp, empty bags. Then they’d shuffle out again, each with a laden bag.

I felt a deep sense of revulsion, watching these things go about their strange business. The only sound they made was a slow dragging as their feet shuffled along over the earth, with an occasional nauseating splat when a random part fell off and hit the ground. The smell was beyond anything a civilized man would’ve encountered, unless maybe he was a grave robber. Being a doctor I am no stranger to bad smells, but this lot had it beat all to Kingdom Come for pure, unadulterated stench.

“Follow,” Lili hissed softly, nudging me. I deduced she meant follow the zombies with the gold, and began edging away from the scene. We did a lot more belly crawling as we tracked the undead, but they didn’t go to the entrance of the little box canyon. About halfway to the entrance, they veered sharply off, following another trail. They shambled in silence toward the west wall of the canyon, coming finally to a small, windowless shack hidden among some piñon trees. Each zombie entered the shack laden with a full sack and exited a moment later with an empty one.

Sitting a ways off hidden by trees and brush, I whispered to Lili, “Want to use the Prinkett Fix on ‘em now?”

She shook her dark head. “I’m more interested in who’s gonna come and pick up the gold. I never heard tell of a zombie that cared anything for gold. Or money. Or anything. ‘Cept maybe brains.”

I had to admit she had a point there, so we waited all that blessed afternoon, as the walking dead marched painfully along, depositing their precious burdens in the shack and then departing. As the shadows lengthened and the canyon began to darken, shaded by its walls, no more zombies appeared. Apparently, production had ceased for the day. But we waited, still hidden nearby, making as little noise as possible.

To amuse myself during the long wait, I tried to identify birdcalls. I identified quail, scrub jay, roadrunner, mourning dove, and pygmy owl, but I was having trouble with a new one. The call reminded me of the squeak of new leather boots, a sort of constant creak creak creak like a cricket. By the time I felt the rifle barrel poke me in the back, I had just about figured out that it actually was the creak of a pair of new boots and that someone had been stealthily creeping up behind us.

“Afternoon, Sheriff, Doc,” said Jed Holstrup. “I can’t say as how I’m too happy to see you, though. Get up, now, and let’s move on back to the mine. ‘Bout suppertime for my … men. Throw your pieces on the ground.” He grinned. We complied.

Lili looked up at him. “Thought it might be you, Holstrup,” she said. “So would I be right in thinking that you brought the zombies here? That’s a pretty sweet berth you found yourself here—gold mine, free labor, no losses. Run some cattle to pretend you got a legitimate operation out here. Am I right?”

“That’s about the size of it,” Holstrup agreed. “They’re hard working, too. Feedin’ ‘em has been my most pressing problem. Only reason they wander away and bother folks is if they’re hungry. Otherwise you’d a never known they was here.”

“Bothering folks.” That’s what he called cracking people’s skulls and sucking their brains out.

“So how do you feed them, Jed?” Lili asked sweetly, for all the world like she was taking tea back in town and making polite chitchat.

“Well, now, that’s where the vampires come in,” Holstrup said, puffing his chest out like he was a proud daddy. “I ain’t really had too many runaways since I invited the vampires in—yes, that’s true, you really do have to invite them. Anyhow, the vampires provide a regular supply of fresh brains. Zombies don’t mind rustling up their own dinner.” I pictured the newly turned graves in the cemetery outside town and shuddered.

After a bit Lili pipes up again, “I know you’re gonna kill us, Holstrup. But we might as well go in comfort. I need a drink, and I bet Doc here does, too.” She hefted one of her canteens and looked at me.

“I could use one last smoke,” I responded. “Jed, you’d let a condemned man have his last pipe, wouldn’t you?”

Holstrup didn’t even look annoyed or impatient. “Sure,” he said. “I got all the time in the world.” He kept his rifle pointed at us, but leaned comfortably against a cottonwood.

I pulled out my pipe and filled it. As Lili pretended to take a swig of water from a canteen, I lit a lucifer.

“This water tastes terrible,” Lili commented as she poured the canteen’s contents on the dusty earth near Jed’s feet. I flicked the match before Jed had the opportunity to react to the smell of kerosene. The resulting fireball would’ve startled a man with better nerves than Jed; he dropped his rifle and leaped away, cursing and shouting. Of course, by that time I had the rifle and Jed was on the wrong end of the argument. Once he’d put out the flames I examined him and he wasn’t hardly burned a-tall.

Which is more than I can say for the zombies. Lili and I pretty much Prinketted the lot of them right there in the mine. We gathered up all the loose pieces and burned them, too, just in case.

So that was all right and satisfactory, except that now it was well past sunset. We decided not to attempt the ride into town at this hour, as there was too much risk of vampire attack. Also, we wanted to make sure there was nothing left of the zombies but ashes. So we decided to camp in the box canyon for the night.

I fetched the horses, our two and Jed’s handsome bay. There were enough emergency rations in the saddlebags to feed three people, plus more lucifers and canteens filled with actual water. We tied Jed up to a tree, built a campfire and commenced to jawing about the day’s events.

“Why’d you want to go and bring a mess of zombies in here, Jed?” asked Lili. “Couldn’t you just work the mine with a few of your ranch hands? You’d have to pay ‘em, of course.”

Jed didn’t seem especially neighborly, but he replied right enough, “Cain’t trust them boys. They’da stole me blind. You can trust zombies. They work hard and they don’t ask nothing in return. ‘Cept brains. The vampires, though, they been a bit of a problem. I can see that.”

“A problem no longer,” said a new voice, and it wasn’t Lili’s. It was a rich, dark, oily voice, and it came from the darkness beyond our circle of firelight.

It was a female vampire, and as she stepped into the light I saw she was a looker, too. Although her cosmetics were apparently applied with a trowel­­, they weren’t smeared all over her phizog like circus paint; her face was perfect. She was tall, and like all vampires generally, thin as a knife blade. I guess an all-blood diet is what does it, but it doesn’t seem to be catching on with the female population at large. Modern womanhood will smear poison on their faces and smash their innards into mush with corsets, but they won’t drink blood for breakfast. Anyhow, what with the tight, low-cut black dress, eerily floating long, black hair, curved black nails, and eyes that were somehow both black and fiery, this lady was indisputably difficult to overlook.

I broke the silence. “Does this mean you’re clearing out of Gristle Creak? All you vampires?”

She turned her white face and huge eyes to me. Her lips were a bright, fresh, wet-looking red. “Yes. That is exactly what I mean. We came at this man’s invitation,” she looked scornfully at Jed, sitting on the ground, bound to a tree and looking at her with horror. “But it is time to leave. We are very old”—she looked no more than a muslin miss, despite her provocative clothing—“and we can predict how humans will behave. Your little town is dangerously close to the torches and pitchforks stage. And this one”—she nudged Jed with the tip of her dainty black boot—“won’t be paying us in gold anymore, if I’m any judge.”

I stared at her with the fascination of a small bird for a large snake. “But what do you need gold for? You’re immortal, aren’t you?”

Her dark eyes unblinking, she slowly nodded. “Immortal, yes, but we still need money. It’s so much easier to hide from the authorities when one has plenty of money. We do what we can to avoid the torches and the sharp stakes, you know. Well, this has been amusing and profitable, but we have overstayed our welcome, I fear. Farewell.”

And she was gone. She didn’t turn into a bat and fly away. She was there, and then she was not there.

We sat in silence for several minutes. Finally, I turned to look at Jed. I had intended to ask him if he wanted some coffee, but Jed was slumped against his restraining ropes, perfectly limp. I checked all his vitals, but no luck. Jed, host to the undead, was now a potential member of that club himself. And all she’d done was flick at him with her little boot.

We burned Jed’s body, not wanting to take any foolish chances. After we finished up this chore, Lili turned to me and smiled. It was a triumphant smile, stretching from ear to ear in a manner that seemed unnatural to me—the widest smile I’d ever seen, so wide it seemed like she could swallow me if she had a mind. She seemed to gleam and glow in the light of the campfire, so full of some kind of energy that her body could scarcely contain it. She stood straight and tall like the goddess of victory, smiling at me.

“I am Ardat Lili, daughter of Lilith, demoness of the Western Wastes. I have triumphed in battle, and this town is now mine by right of combat,” she said, eyes blazing in the firelight.

I squatted down by the fire and poured myself a cup of coffee. “Yes, I know. Have a seat.”

It’s hard to use a word like “deflated” when you’re talking about Lili, but she did seem taken aback.

“How … how do you know?” Lili asked, puzzlement knitting her fine brows together.

“I am the wizard who summoned you here, Demon,” I replied equably. “By the laws we both obey, you are my servant. Sit.”

As I had commanded, Lili sat, looking like she’d just been kicked by a mule. I went on, “I was weary—weary of dragons and meddlesome priests, weary of kitchen maids wanting love potions. I settled in Gristle Creak as the town sawbones some years back, and everything was just fine. I healed folks and they paid me. Then all these incomers started up—the undead, you know—and I knew we needed a demon. It’s all very well burning the undead and shoving stakes into them, but when you’ve got an all-out infestation, the only satisfactory cure is a demon.” I drew on my pipe and sipped some coffee.

Lili’s eyes burned a feral green in the firelight. “So now that the undead have cleared out, I suppose you’re going to put me in a lamp for a thousand years? Seal me into that gold mine back there? Or did you have it in mind for me to be your slave, is that it?”

I looked up in surprise. “Oh, no. That would be poor payment for your assistance. You were compelled to come here, and you couldn’t help chasing after the undead because that’s what I brought you here to do. But you did your job, and a mighty fine performance it was, too. No, I have it in mind that you and I should marry. Settle down. Maybe have some children.”

“And be your lawfully wedded slave? No thanks!” she snarled, her dark hair all down around her face like smoke.

“Well, I won’t compel you. I don’t want a slave, I want a wife. Pretty difficult finding a wife when you’re a wizard, you see. It’s just hard to explain certain things that most ladies would find kind of peculiar. A demoness wouldn’t need any explanations, and she’d be right handy at times, too, helping out with a bit of magic here and there. But if it don’t appeal to you, I guess I can’t change your mind. You can go any time. With my sincerest gratitude.”

Lili didn’t say anything. We settled down to sleep. The next morning, she was still there, though I had freed her. We made some coffee, saddled up and rode back to town, stopping at the ranch house to explain to the hands that Mr. Holstrup had a terrible accident and wouldn’t be around no more, but Mrs. Holstrup, she that had been Annie Whitethorn, would no doubt want them to stay on with the cattle, so they should just keep on as they were. They didn’t seem any too cut up about Holstrup’s demise.

We reported back to the townspeople about the improved undead situation. Out of respect for Jed’s wife, she that had been Annie Whitethorne, we didn’t tell anyone about Holstrup’s wholesale importation of the undead. I borrowed a leaf from Jed and said they’d wandered in from the badlands, but they were all gone now, and no more were expected from that quarter. We opined the vampires had departed in disgust on account of the poor quality of blood nowadays. As for Jed, he had died gallantly fighting zombies and had gotten himself burnt up on accident. We advised Mrs. Holstrup, she that had been Annie Whitethorn, to put an armed guard out at the gold mine, and to find workers she could pay in actual money.

Lili relieved me of my deputy duties and I went back to doctoring. She didn’t say anything the next week nor the week after. Finally, I went to see her one quiet afternoon. She was in the sheriff’s office, doing paperwork. She looked up when I knocked and walked in.

“Howdy, Doc. Help yourself to some coffee, and I’ll be right with you.” I did so, and then sat at the empty deputy’s desk, waiting patiently. We hadn’t any need for another deputy since the undead skedaddled.

Lili signed her name on one of the documents with a flourish and gave me her attention. “What can I do for you, Doc?”

“Well, Lili, I was wondering if you’d given any more thought to my proposal?”

Lili looked thoughtful. “I have. And it was a fine and generous offer, to be sure, Doc. I like it here in Gristle Creak. I’d like to stay on as sheriff.”

“That wasn’t my offer, Lili. You’ve done an excellent job as sheriff, but you can’t be sheriff if you’re going to be my wife.”

“Whyever not?”

That stumped me. I had thought it obvious. “Ladies aren’t sheriffs, Lili. Especially not married ladies. What would people think?”

“Do you care?”

“I care what folks here in Gristle Creak think of me, yes I do,” I said defensively. “It’s my home.”

“Well, I don’t think we’re especially suited, Doc. Seeing as how I want to be a sheriff, and you want me to be a wife. Why don’t you go ask Mrs. Holstrup, she-that-had-been-Annie-Whitethorn?”

I was positively thunderstruck at this suggestion. Annie was a married woman! Then I remembered that Jed’s ashes were blowing around the chaparral like the memories of youth, and that Annie was indeed a widow. A rich widow. With a gold mine.

Well, I reckon I can talk the hind leg off a donkey and you’re probably itching to be on your way, so I’ll make this short. Me and Annie have got four adorable little ‘uns—if you’re counting Jed’s two, and I am—all with curly blonde hair. Annie’s hair is as beautiful as ever, though there’s more silver in the gold now. I’m doing about the same. Wizards tend to age kind of slow. If they’re careful.

But Lili—well, some in the Territory think it’s a scandal that Gristle Creak employs a pretty lady sheriff. But I’m telling you, when it comes to enforcing the law, why, that woman’s a real demon.

The End

© 2017 K.D. Keenan

 

Cover Reveal: Fire in the Ocean

As I have mentioned before, my second novel, “Fire in the Ocean,” is coming out from Diversion Books in February 2018. Diversion’s art department came up with a spiffy new cover for “The Obsidian Mirror,” which will be re-issued along with the debut of “Fire in the Ocean”:

New cover for “The Obsidian Mirror”

“Fire in the Ocean” is the sequel to “The Obsidian Mirror,” and features the same cast of characters. New twist, though–the book is set in Hawai’i on the islands of Moloka’i and Hawai’i (the Big Island).

Why, you might ask, Hawai’i? When I wrote “The Obsidian Mirror,” I drew upon strictly New World mythologies, folk tales and traditions–Native American, MesoAmerican and Voudún, avoiding the supernatural traditions that essentially migrated to the Americas from Europe. I started it as a kind of experiment after reading one of Robert Jordan’s “Wheel of Time” novels. I just wanted to see if a fantasy could be crafted that entirely eschewed the standard fantasy tropes of caped adventurers, swords and sorcery–elves, vampires and trolls need not apply.  To my surprise, the experiment turned into a book.

Although I wanted to continue the adventures of Sierra and her friends, I didn’t want to repeat the setting, plot, or other key elements of “The Obsidian Mirror.” So I picked Hawai’i as the venue for the sequel because: 1) I love Hawai’i ; 2) Hawai’i is also “New World,” and therefore fit into the strictures I had placed on myself; 3) it was an excuse to go back to the islands to do research. (And an amazing and wonderful trip it was, as those of you who have followed my blog for a while know!)

Why Moloka’i? Well, it turns out that Moloka’i in ancient times was known as the island of sorcerers. The island has its own take on the mythology and its own unique legends. Moloka’i proved to be a rich source of information and experiences, most of which were incorporated into “Fire in the Ocean.” As for why I chose the Big Island for part of the story–you’ll have to read the book.

Diversion Books just sent me the cover design for “Fire in the Ocean.” What do you think?

Cover Design for “Fire in the Ocean”

Fans of Amelia Peabody, Rejoice!

I first encountered the Amelia Peabody mystery series immediately after my father died in a car crash. My mother was alone in a rented condo in Laguna Beach, CA. I flew to John Wayne Airport in Orange County after she called me with the news. I drove around lost in the dark for a few hours (this was pre-GPS), before I finally found the condo and my frail, shocked mother.

By the time we wept with each other and had a glass of wine, it was 3:30 am. Mom went off to bed. I tried but failed to sleep, so I rifled the condo’s bookshelves for something to read. There were several paperbacks left by former occupants, and I selected a book with the intriguing title of “The Mummy Case” by Elizabeth Peters.

And promptly fell in love. The doughty heroine of this mystery series is Amelia Peabody, a no-nonsense Victorian lady who inherits enough money from her father to set off on a grand tour of Europe and North Africa. In Egypt, she encounters a rude, abrasive, black-haired archeologist named Emerson who tends to bellow at her with rage at every turn. So naturally, they fall in love. (I have read everything Peters has written, under her two pseudonyms and her real name, Barbara Mertz, and I can always identify the romantic male lead by his rudeness and irascibility. This is a forgivable foible in my opinion.) I discovered later that Mertz was an Egyptologist, accounting for her extensive knowledge of archeology and ancient Egyptian history.

The mystery was well plotted, but more than that, I adored the humor and Amelia’s unique personality. Peters pokes gentle fun at Victorian conventions. Amelia is prone to admiring Emerson’s “sapphirine orbs” and “manly physique.” At all other times, she is practical, down-to-earth and prepared for anything. Another bow to Victoriana is Sethos, the “Master Criminal” who haunts their archeological adventures—but nurses an unquenchable tendress for Amelia.

Loving the series and its distinctive voice, I was skeptical and a bit afraid to read “The Painted Queen.” Peters died in 2013, leaving a partially finished manuscript and notes for this novel. Her close friend and fellow writer and archeologist, Joan Hess, finished the book. Attempts to continue an author’s work as a franchise—álà the “Dune” series—usually disappoint. I doubted the book would succeed and satisfy.

I am so happy to tell you I was wrong. “The Painted Queen” is faithful to its author’s original vision and style. There were very few false notes. The main one is Emerson’s rather too-frequent declarations of undying passion to Amelia. Not that Emerson never does this, but he usually restricts himself to once or twice per book.

The plot centers on the spectacular and famous painted bust of Nefertiti that was discovered in the ruins of Amarna, site of Pharoah Ankhenaton’s capitol city. The bust was spirited out of Egypt by German archeologists and now resides in Berlin, but this story centers on skullduggery aimed at stealing the statue prior to its removal from Egypt—all fictional, of course.

I chose to listen to an audiobook version of the novel. Barbara Rosenblat, my favorite voice for Amelia, narrates this book. Rosenblat’s raspy tones suit Amelia’s brisk personality, and she handles the humor with subtle slyness. Rosenblat (who is American) employs a British accent with ease and her other accents—she is required to handle German, Arabic, and French voices—seem spot-on to me, though I have no real idea what an Egyptian Arab accent sounds like, outside of Omar Sharif. She delivers a sweet, melodic voice for young women and gruff male voices that are equally convincing.

All our favorite characters come together to tell the tale—including Master Criminal Sethos. There are kidnappings, murders, disguises, poison, hallucinogenic drugs, mistaken identities, and misdirections of all sorts as our heroes and heroines battle to save the bust from the clutches of the villains, dodging assassins as they go. It’s a satisfying adventure that wraps up every plot thread, with the exception of one. Ramses and Nefret, whom faithful readers will know are destined for each other but forever being torn apart—are now both free and obviously interested in one another, but they are not united by the end of the story. I believe there may be yet another Amelia Peabody tale in the future.

Given the deft, note-perfect character of “The Painted Queen,” I am very much looking forward to it.

Interview with Oliver Chase, Author of “Camelot Games”

I occasionally review books and interview other authors on this blog. Here, I interview Oliver Chase, who recently published a political thriller, “Camelot Games.” Given the current political situation, I thought “Camelot Games” was incredibly insightful, as well as a great, fast-paced read.

In the interest of full disclosure, Oliver Chase belongs to a very exclusive group of which I am also a member—authors who were formerly published by AEC Stellar Publishing. AEC Stellar, once presided over by publisher Ray Vogel, featured a number of new authors that Ray took under his wing. The pressures of his “day job” and the need to give more time to his family forced Ray to give up his dream, and our little group of diverse authors was scattered to the wind. I think we all still have a collegial feeling for one another—I know I do. I’ll always be grateful to Ray for publishing my first novel and launching me into my lifelong dream of being a published novelist.

KD:                  In “Camelot Games,” you’ve written a fast-paced political thriller, complete with back-room skullduggery, betrayal, misdirection, an attack on the nation’s infrastructure, and an attempt at secession. When you wrote this book, was there something in the political atmosphere of the time that inspired you? Or was it something else?

Oliver:                   What a fun question. Several years ago as I waited for the editor to return one of my novels, I read about the 2003 Northeast blackout. As catastrophes go, only a small part of America and Canada were affected. If you were there, it was awful. If not, the whole affair was someone else’s problem.

The financial losses impacted millions of people. Elevators stuck between floors. The NE corridor’s trains stopped on their tracks. Fire departments and first responders worked for days to help people only to find many could not hold on.

I read about the computer glitch, a bug that kept an alarm and a notification at bay until it was too late. The bug was not intentional, but what would happen if it was?

What would happen if a kingmaker decided his little pond was not big enough, or that he wanted to be more than just a footnote in the history books. Why not use a handsome front man and a lovely ambitious wife at a time when an unhappy nation had grown distrustful of its leadership and clamored for a savior.

Scott and Angie McHale waited in the wings, poised to save a nation, a gentle guiding hand for the ages, and born from the ashes.

K.D.:                Are you surprised by how many elements of your novel came to the fore in recent politics, such as the Calexit movement?

Oliver:                   “Camelot Games” came about in two starts. When a jury convicted a wife killer in San Francisco, I was amazed at the man’s steadfast denial in the face of overwhelming, though circumstantial evidence. I read his testimony and wondered if he could hear himself. Where was his attorney? I haven’t an opinion if the killer sitting on death row today is justified. Or, if the real killer still runs among us. But, I note the man’s refusal to concede or ask forgiveness is pretty unique.

The second story that brought both halves of the novel together involved an early agent provocateur railing against the haughtiness of industrialists who believe their own press. He pointed out they paraded naked, and refuse to listen. Such egotistical ham-handedness of the less powerful might cause temporary pain for citizens, but to do such a thing on a national scale, could prove disastrous.

Hence, “Camelot Games.”

K.D.:                This story required a thorough knowledge not just of politics, but of military protocol and procedure and law enforcement. Do you have a background in these fields?

Oliver:            I’m hardly apolitical, either in my personal beliefs or my actions. The story however does not identify one party or the other. I’ve scrubbed my convictions clean of the characters and let each either damn or exonerate themselves without regard to a modern political party, organized religious principle, or ethnic background. The book does take place in America, takes a swipe or two at other countries, but pits people and not organizations against one another.

BTW, people suggesting the secession of states, cities and communities has been around since the Whiskey Rebellion in 1791. No one is ever completely happy, even in America. We’re just not wired that way.

K.D.:                Your protagonist, Scott McHale, is a strong character, though flawed. Unusually for your genre, his wife Angie is also a strong character and she plays a significant role in your story. Did you start out intending to have a strong husband-and-wife team, or did it just work out that way?

Oliver:            I’m a staunch proponent of partnerships. I’d like to think stalwart individuals forged civilization from the Stone Age, but that didn’t happen. Partners happened. Sometimes a community forms an enterprise, sometimes its two people. Like in a marriage. My personal experience finds love a terrific motivator and the glue when the going gets tough. Respect, belief, vision, dedication are important and have their place in partnerships, too.

Does anyone ever wonder why a love-interest in a book appeals to readers? Rocky or rock-solid, I think we innately recognize we humans do better when burdens and happiness are shared.

K.D.:                Did you have any trouble writing the female characters? Is Angie based on any real person or persons? Is Big Jim based on a real person, or is he an amalgam of shadowy kingmaker-types?

Oliver:                  Trouble writing female characters? Hmm. I suppose the reader will have to tell me if I missed the mark with the females in Camelot Games. Obviously, the book centers around strong women. Several are not just important, but are vital to move the story along. Each possesses a unique voice, philosophy, and view of the story. Each will reveal themselves by their actions and their words. I’d have to admit one or two were easier than others. All the females are fictional. Some I’ve known in my imagination, some I wanted to know. Some I hope, I’ll never to have to meet.

K.D.:                What were the aspects of the plot that gave you the most trouble? How did you work past it?

Oliver:            Since we first started telling tales around campfires in caves of animal drawings, we the storytellers tried to capture the imaginations of our audiences. A plot must be in mind when we begin the story, the stronger and more solid, the better. Otherwise, we’ll lose the reader, shaggy dog stories notwithstanding.

The plot of “Camelot Games” makes clear the book is not a techno thriller. The general pleasure reader likely has little desire to be wowed by my grasp of technology, aerodynamics, or frankly, the inner workings of senatorial subcommittees. What I hope the reader will see is that unbridled ambition by any name changes the dynamics of our most important relationships. Whether it’s marital love, dedication to country, or a lawmaker’s connection to those who elect him, aspirations left unchecked have a way of eating us from within.

K.D.:                Did you have to do a lot of research for this, or were you already very familiar with what you were writing?

Oliver:            Research is always a tricky, little devil. As I spent time piecing together the elements of the book, I read and researched quite a bit that never made its way into my pages. For instance, Scott McHale sat on several subcommittees, at least two of which had a direct bearing on nuclear energy. In order to make sense of the mysterious buildings that suddenly began populating western United States, someone had to clear the way. Be he willing or unwilling, the task needed to be completed. Not much of my self-education on legislative process appeared in the book. If however, a teacher or even a congressman in the know happens to read “Camelot Games,” I needed to make the process of approvals and financing believable.

As a side note, one of my tools was to have been the now illegal “ear marking.” When that went by the boards, I need to go back to my studies and find another way to fulfill Scott’s mandate. When we use a story-vehicle, authors must insure there’s air in the tires. Otherwise, the story will go flat, too.

K.D.:                Which writers have been your primary influences?

Oliver:            Herman Wouk, James Michener, and Leon Uris caught my attention and imagination early in my life. They encouraged me to seek out the more difficult writers like Faulkner and Steinbeck. I’m pretty conventional, I know, and I’ve never grown too far from that apple tree. Today, I like Craig Johnson, Helen Wecker, John Sanford, Stephanie Meyer, and Karen White. I find myself listening to as many books as I read, but still look forward to that twenty-minute sweet spot, under the bedroom lamp, just before I fade to sleep.

K.D.:                Will you be using the Scott and Angie McHale characters in a sequel? If so, when will the book be available?

Oliver:            I had not thought about Scott and Angie in a sequel. To tell the truth, I’m so busy with my noir crime series, I hadn’t considered it. But thanks for the question. I’ll have fun toying with the idea.

K.D.:                You made it clear in “Camelot Games” that America’s electrical grid is vulnerable to attack from within. Do you also see it as vulnerable to attack from abroad? What should be done about that? 

Oliver:            America’s vulnerability to an attack on the electrical grid is a scary reality. In the last few years, more and more is written about how we should be protecting ourselves. Like anything else in government, unless the priority rises to a level where one’s votes are in jeopardy, I doubt any legislator will lean too far forward. The loss of power for even a short time will be catastrophic.

A year after “Camelot Games” went to the publisher’s dark hole, I happened across “One Second After” by John Matherson. Newt Gingrich didn’t write my preface, but he did Matherson’s, and what he said, and believes, is downright scary. Perhaps different stories, but the same frightening result.

Before I say adieu, please allow me to make a shameless, self-serving pitch. Oliver Chase’s Take on Life contains a couple short stories, tiny vignettes about people I once knew and serves as a testing ground for my 2018 anthology. Interestingauthors.com is a place I go weekly to let off a little steam. A couple other authors do the same. I enjoy reading their stuff as much as writing my little bit.

By the way, Olivechase.net is a place to buy my books. If you’d like signed, paperback copies, and we can’t catch up with one another in a Barnes and Noble or Indie bookstore, drop me a note. We can try to work something out. I’d rather go in the red and have you read the book, than try to hold anyone up for a couple of bucks. Besides, I really enjoy readers and writers so please don’t be shy. I’m not that hard to find.

Oliver Chase Biography

Oliver Chase, author of “Camelot Games”

Oliver grew up on military bases throughout the country and like all boys, played good guys and bad. Coaxing him into an afternoon of baseball along Lake Erie, hiking the Southern California’s hills or paddling a canoe in the North Carolina backwater didn’t take much unless a book found him first.

His best friend and he joined the Marines and took a deferment to attend college. Herb left school finding stumbling blocks that seemed insurmountable at the time. A year after graduating, Oliver stepped onto a sweaty tarmac with a manual Smith Corona typewriter not far from where Herb had died. Fate usually finds a way of putting day-to-day frustrations into a cruel perspective, especially when lost in the haze of an ugly war.

Thirty-one young men flew days and nights in the mountains trying to keep the world safe for … well, says Oliver, that’s not really true, is it? The only reason we ever went into those dark, frightening places was to save our friends, most of whom we’d never met, and never would. That they lived however, meant others died and that still haunts to this day.

He spent time wandering after he got home. Lots of young veterans did, some on foot, some on the rails. Many like Oliver make stops along the road life gave him. He never slept in the park or a bus station, although many did. Most eventually found a way out of the maze from that crazy period of time, yet too many others did not. Oliver promised he was never truly at risk, but still believes pulling the right ticket is mostly a matter of circumstance and luck.

He did a bit of teaching on the Navajo reservation, spent a few years with the cops and a couple alphabet agencies and never quit writing. The old manual typewriter became a memory when his first computer came along. A Lenovo notebook travels with him now, the wanderlust never completely leaving him be. Today, he spends days on the family farm and occasionally still follows the season around when a bookstore bids welcome. Sometimes he wonders if the old Smith Corona found a home, too. He hopes so, wishing his old friend happier days.

Oliver Chase Links

 

 

 

 

 

 

Frank Meets Dad: A Lie in 793 Words

Foreword

I wrote the following short-short story some time in the 90’s. I was managing a high tech public relations firm. Being a bunch of creative types, we had a writer’s club we called “The Jackhammer Society.” Once a week or so, we’d meet at lunch and share our fiction or poetry. (It was fun while it lasted–right, Laura Wigod?) I was going through some old files on my computer and re-read “Frank Meets Dad,” and found myself chuckling at it, so here it is. BTW, the story is a complete lie except that my father did once run for office, was defeated, and thus spared the world his career in politics.wildebeest-fight

Frank Meets Dad

Well, Frank threw the first punch, though it was my Dad who ended up in jail, not Sinatra.

Dad had his doubts about meeting Sinatra in the first place. This was in the late Sixties and Dad was running for political office in California. He wanted to be governor someday, and was trying to work his way up the political ranks. Dad got this invitation in the mail one day: “Mr. Frank Sinatra requests the pleasure of your attendance at a fund-raising dinner for the Republican National Committee.”

“I always liked the man’s voice. He’s a talented singer. But he’s a punk,” growled Dad, brooding over a second martini. “He’s got no business in politics. And he hangs around with the Mafia.” Dad went on for several more chapters about Mr. Sinatra’s flawed character, including injured photographers, discarded mistresses and his daughter’s singing career, which Dad thought was an example of the worst sort of nepotism.

“And he drinks too much,” Dad declared over his third or fourth martini.

But in the end, he went. He said it was because there would be important political connections at the party, but I think he went to meet Sinatra.

The party was held in Las Vegas, at The Sands. (“It would be,” said Dad. “The whole place is run by mafiosos.”) The cost was $1000 a plate, so Mom didn’t go. Dad was introduced to Sinatra after dinner as “a promising Republican candidate for the California State Legislature.” Sinatra was smoking a cigar, which he could do because it didn’t involve inhaling the smoke into his golden vocal chords. Dad had quit smoking cigarettes, and was therefore smoking a wicked little black cigarillo. Dad and Sinatra eyed each other through a blue curtain of smoke.

“Glad to meet you, Mr. Sinatra,” said Dad, extending his large, fine-boned hand. Sinatra smiled his cold smile and shook hands.

“Have a seat, Jack,” Sinatra said, waving towards a chair.

My father looked around and sat down. There were several large, dark-suited bouncer-types nearby, he noted with satisfaction. Probably Sinatra’s Mafia bodyguards.

“What’ll’ya have?” Sinatra said, snapping his fingers at the attentive waiter behind him.

“Vodka martini, twist of lemon, easy on the vermouth,” Dad said, never looking at the waiter.

“Whiskey, The Glenlivet, neat,” said Sinatra, keeping his eyes on Dad.

The Mafia-types moved in a little, so Dad stretched his considerable length out to show how relaxed he was.

Sinatra began a conversation about the state of the GOP in California, and asked what Dad was going to do about it if he won his Legislature seat in the next election. Dad started in talking about the issues –– by now he had it all down pretty smoothly. He got Sinatra interested, and soon they were arguing amiably about public education.

The topic soon changed from politics to guns and from guns to women. By the time they were both on their third shared round of drinks, they seemed like old friends. Dad was in the middle of trying to explain the fascinations of marlin fishing to Frank, when Sinatra pulled a cigar from the breast pocket of his silk suit and offered it to him.

“Don’t tell anybody. It’s Cuban,” Sinatra said, pantomiming someone looking around for government bugs.

Dad froze. “There’s no way you could get Cuban cigars without connections into Havana,” he said, and the ambient temperature dropped 100 degrees. He stood up, all six feet and five inches of him and towered over Sinatra.

“Anyone who traffics with an enemy of the government of the United States is an enemy of mine,” he declared, glaring down at Sinatra’s darkening face breathing single-malt whiskey fumes up at him.

Before the Mafia-types could move, Sinatra bounced up.

“Bastard!” he screamed. Although he was eight inches shorter, Sinatra threw a punch and connected with my father’s thin midriff. As Dad folded, the Mafia-types closed in and hustled him out of the room, where he was collected by the Las Vegas Sheriff’s Department.

They let him go the next morning. As a cop handed Dad his keys and wallet, he said, “Mr. Sinatra has generously decided not to press charges. Sir. I wouldn’t push it, if I was you. Sir.”

Dad was pretty peeved, but he wasn’t stupid. He let it drop (though we heard about it at home for the rest of his life). He ran for the Legislature and lost, and decided to quit politics. He said the system was broken. So that was that.

Oh, yes. After he lost the election, Dad took his collection of Sinatra LP’s out to the skeet range and systematically used them all for target practice. It wasn’t fair, but he shot all the Dean Martin LP’s too.

 

The Vengeance of El Niño

It’s been a while since I have shared what I am working on. I blogged extensively about my research visit to Hawai‘i in January of 2015, but I’ve been on radio silence about work ever since.

Part of that is because if I say too much about the story, why would you want to read it when it is published? Another issue is providing detail about a story that might very well change so drastically in the writing process that it becomes unrecognizable.

I did mention that it has been much easier writing with a plot outline than without one. And that was certainly true until I wrote up to the intended climax of the story—and discovered that it wasn’t actually the climax after all and I needed to extend the story (for which no plot outline yet existed).

Part of the problem was that I hit the putative climax at about 65,000 words into the story. That means that I would have wrapped it up in about 75,000 words, which is a bit light for a novel like this. “The Obsidian Mirror” was about 100,000 words, and I am aiming for a similar length for this novel.

So I hit a rough patch as I floundered around trying to figure out what comes next in the story. I hesitate to call it “writer’s block” because I wasn’t blocked. I knew where the story was going, I was just missing a piece. Sort of like Indiana Jones crawling across a rope bridge across a steep chasm and there’s ten or fifteen planks missing in the middle. And crocodiles (my publishing contract and deadline) waiting below.

And then there was getting sick. Then the holidays. El Niño came for a visit last week and flooded the basement, soaking our family photos, my oil paintings, family historiana, and a lot of other stuff. I spent this past week gently prying apart photographs and arranging them on every available surface to dry, turning them over, grouping them, and tossing the ruined ones away. I did no writing at all.

Among the things I found was a packet of letters, all dated around 1879. They were written by someone named Carrie to her cousin, William Smith of Roxbury, NY. (Mr. Smith was one of my ancestors, which is how I came by the letters, but I haven’t looked him up to determine exactly what the relationship is.) They were written in a delicate copperplate hand, very legible, the India ink still clear and sharp despite their age and the complete saturation of the paper.

I reluctantly decided I would have to throw them out. There were so many of them, and my priority was rescuing my thousands of family photos before they stuck irretrievably together. I read a few of the letters and they were fairly mundane, though written with clear affection for the recipient. I felt guilty. They had been kept perfectly for 110 years, and I was the one who trashed them.

However, I found a poignant little poem in Carrie’s spidery copperplate. Here it is:

You I will remember

And in this heart of mine

A cherished spot remains for you

Untill (sic) the end of time.

 

Remember I

When this you spy

And think of me that is very shy.

 

Remember me

When this you see

And think of me that thinks of thee.

 

Remember Carrie

Where ‘ere you tarry.

And think of me

That will never marry.

 

The last stanza was enclosed in brackets. What do you think? I don’t mean Carrie’s gifts as a poet, which are slight, but the heart of it. I think Carrie was in love with William. I have at least saved her poem, which must have cost this shy woman a great deal to share with her adored cousin.

That much of Carrie I am keeping, safe for now.

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Carrie’s Poem

Getting back to my current book, I am firm on the title of “Fire in the Ocean.” It is set in Hawai‘i, which was built—and is still being built—by fire in the ocean: volcanoes. It also touches on the Great Pacific Garbage Patch, where billions of tons of particulate plastic are swirling around out there like peas and carrots in alphabet soup. Hawai‘i is smack dab in the middle of it. The slow dissolution of chemicals from the plastics is another form of “fire in the ocean,” poisoning sea life. And, of course, Pele, the goddess of volcanic fire, is a featured character in the book. Those of you who followed my blog from Hawai‘i know why I couldn’t leave Pele out of the story.

I am back on the job writing. El Niño is paying another visit, but we have pumps going and sandbags. All my rescued photos are safe and dry now and my oil paintings are drying out in the bathtub. Good time to write!

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“The Burden” This is one of my oil paintings, now residing in my bathtub. It won a first prize somewhere obscure.

The Dead Authors Society

A disturbing number of my favorite authors have died recently, and it’s bugging me. I’m talking about the kind of writer whose prose delights you, for whatever reason. Maybe reading a certain author’s work feels like sinking into a warm bath, comforting and deep. Or thrills you with action. Or galvanizes you into action. Or makes you feel as though you are traveling through faerie realms. You own all of their books and re-read them from time to time, just for the pleasure of the visit.

I decided to share some of my favorite deceased writers with you. If our tastes are similar, maybe you’ll like them, too. A caveat: Not all of these authors are great prose artists. But they all have a special, um, je ne sais quois.

Terry Pratchett

Terry Pratchett

Sir Terry Pratchett. If you’ve been reading this blog, you already know I’m in sackcloth and ashes over Pratchett’s untimely demise from Alzheimer’s earlier this year. If not, or if you’re a glutton for punishment, you can read my tribute to Sir Terry or my review of his last Discworld book, The Shepherd’s Crown.

 

 

 

 

L.A. Meyer. Louis Meyer authored the young adult “Bloody Jack” series. I have actually never “read” one of these, but I own all of them as audiobooks. This is because the narrator for all of them, Katherine Kellgren, is absolutely brilliant. She perfectly captures the heroine’s Cockney cockiness, her bounce, optimism, kindness, and impulsiveness. Bloody

L.A. Meyer Photo Credit: Bangor Daily News

L.A. Meyer
Photo Credit: Bangor Daily News

Jack starts life in the late 18th century as Mary Jacqueline Faber, daughter of a respectable couple fallen on hard times. Her parents die and she is coldly ejected into the streets of London at age 8. She falls in with a gang of street children, and after observing that life in the streets was a short-term proposition for most kids, she disguises herself as a boy and signs on as a cabin boy with a naval ship. Her ensuing adventures are grand and hilarious to boot. Kellgren does an amazing range of male and female voices and accents. The only one she just can’t do is Scots. Fortunately, there’s only one significant Scottish character, and he’s only in the first few books.

Meyer created a memorable, lovable, and downright addictive character in Jacky Faber. The other major characters are also well delineated and engaging. He manages to sneak in a good bit of history in the process of entertaining us.

L.A. Meyer died in 2014 from Hodgkin’s lymphoma. But he finished his series before he set sail into the great beyond. I’m listening to the final book now with a mixture of enjoyment and sadness that this is the last I’ll see of Bloody Jack.

The Bloody Jack series in chronological order:

  • Bloody Jack: Being an Account of the Curious Adventures of Mary “Jacky” Faber, Ship’s Boy (2002)
  • The Curse of the Blue Tattoo: Being an Account of the Misadventures of Jacky Faber, Midshipman and Fine Lady (2004)
  • Under the Jolly Roger: Being an Account of the Further Nautical Adventures of Jacky Faber (2005)
  • In the Belly of the Bloodhound: Being an Account of a Particularly Peculiar Adventure in the Life of Jacky Faber (2006)
  • Mississippi Jack: Being an Account of the Further Waterborne Adventures of Jacky Faber, Midshipman, Fine Lady, and the Lily of the West (2007)
  • My Bonny Light Horseman: Being an Account of the Further Adventures of Jacky Faber, in Love and War (2008)
  • Rapture of the Deep: Being an Account of the Further Adventures of Jacky Faber, Soldier, Sailor, Mermaid, Spy (2009)
  • The Wake of the Lorelei Lee: Being an Account of the Adventures of Jacky Faber, on her Way to Botany Bay (2010)
  • The Mark of the Golden Dragon: Being an Account of the Further Adventures of Jacky Faber, Jewel of the East, Vexation of the West, and Pearl of the South China Sea (2011)
  • Viva Jacquelina! Being an Account of the Further Adventures of Jacky Faber Over the Hills and Far Away (2012)
  • Boston Jacky: Being an Account of the Further Adventures of Jacky Faber, Taking Care of Business (2013)
  • Wild Rover No More: Being the Last Recorded Account of the Life and Times of Jacky Faber (2014)

Source: Wikipedia

Elizabeth Peters

Elizabeth Peters

Elizabeth Peters. Elizabeth Peters’ real name was Barbara Mertz. She wrote mysteries under the name Elizabeth Peters and supernatural/gothics under the name Barbara Michaels. She was an Egyptologist by education and wrote books about the everyday life of ancient Egyptians under her own name. She died in 2013.

As Elizabeth Peters, she had several series, but my absolute favorite is the Amelia Peabody series. Amelia Peabody is a wealthy English spinster of Victorian times who decides to travel. Intrigued as many Victorians were with the mysteries of ancient Egypt, she winds up in Cairo, encounters a nasty, rude male archeologist and a few murders. She winds up saving the day with British aplomb, a stiff upper lip, and a sharp umbrella. Amelia tells her own stories, and her prose is delightful to anyone who has read much Victorian literature. Here are some selections of Amelia’s wisdom:

  • “Men always have some high-sounding excuse for indulging themselves.”
  • “Abstinence, as I have often observed, has a deleterious effect on disposition.”
  • “Godly persons are more vulnerable than most to the machinations of the ungodly.”
  • “I do not scruple to employ mendacity and a fictitious appearance of female incompetence when the occasion demands it.”

Source: http://ameliapeabody.com/fromamelia.htm

Amelia waxes positively purple over her husband, Emerson, and there are references to his “sapphirine eyes” and “manly physique” that are clearly intended for us to giggle over.

The characters in this series age and change over time. The stories are informed by the geopolitical realities of each era, as Amelia moves from Britain’s Age of Empire to the wars and disruptions of the early 20th century. Here are the Amelia Peabody books in chronological order:

  • Crocodile on the Sandbank
  • The Curse of the Pharaohs
  • The Mummy Case
  • Lion in the Valley
  • Deeds of the Disturber
  • The Last Camel Died at Noon
  • The Snake, the Crocodile, and the Dog
  • The Hippopotamus Pool
  • Seeing a Large Cat
  • The Ape Who Guards the Balance
  • Guardian of the Horizon
  • A River in the Sky
  • The Falcon at the Portal
  • The Painted Queen

Source: Wikipedia

The author knew an enormous amount about ancient Egypt and the history of Egyptology, and this background made the books fascinating on yet another level beyond the delights of the characters and the murder mystery plots.

In all honesty, not every book in the series is brilliant, but I never cared. Spending time with Amelia was worth a little disappointment once in a while.

Mary Stewart Photo Credit: Australian Consolidated Press

Mary Stewart
Photo Credit: Australian Consolidated Press

Mary Stewart. To tell you the truth, I only just looked her up to see if she were still among us—and she is not. She died in 2014 at the age of 97. Born Mary Florence Elinor Rainbow (Yes! Really!), she authored a number of thrillers with romantic subplots that made them perhaps more appealing to women than to men. Her POV character was always female. My mother and I started reading these in the 1960s and thoroughly enjoyed them. I have never liked romances, but the intelligence and eruditeness of Stewart’s writing engaged me. A few from this era that I particularly enjoyed are “Madam, Will You Talk?,” “The Moonspinners,” “This Rough Magic,” and “The Ivy Tree.”

Then she jumped genres in 1973 with the publication of the “The Crystal Cave,” the first book of what became her “Merlin Trilogy,” beautifully written and researched historical fantasies. “The Crystal Cave” was followed by “The Hollow Hills” and “The Last Enchantment.” Having always been an Arthurian enthusiast, I devoured them. Related books include “The Wicked Day” and “The Prince and the Pilgrim.” The trilogy made her an internationally famous best-selling author and she won many awards and honors for it.

So then, as far as I can tell, she went on to write little romances about rose-covered cottages in the forest and whatnot. I have read these but don’t recommend them.

Bryce Courtnay

Bryce Courtnay

Bryce Courtnay. Bryce Courtnay was a South African advertising executive who emigrated to Australia and decided to write a book. “The Power of One,” was published in 1989, and Courtnay quickly became one of Australia’s best-selling authors. He died in 2012 of gastric cancer.

Courtnay primarily wrote historical fiction, mostly set in Australia, New Zealand and South Africa, though his last novel, “Jack of Diamonds,” was set in the U.S. and Canada. He seems to catch the feel and taste of each era and locale he writes about. His stories can contain pretty dark material, but somehow you feel that it comes right in the end—mostly, anyway. His characters feel like real people, even the most bizarre ones. In “Brother Fish,” he has a German immigrant housewife living on a New Jersey farm during WWII who poisons her lumpish husband and takes a young lover­—and you completely sympathize.

Among Courtnay’s best is his “Potato Factory” trilogy, in which he follows the fictionalized family of the real-life model for Dickens’ Fagin, Ikey Solomon. “The Potato Factory” takes place in Victorian times as Ikey and his horrible bawd of a wife are deported to the prison colony of Australia. “Tommo & Hawk” follows the lives of Ikey’s adopted sons. “Solomon’s Song” takes the family into the WWI generation. Each book is dense, rich, complex and a treat to the senses as Courtney makes his stories come alive. There is something for everyone: action, tragedy, revenge, mystery, murder, love, beauty, friendship and horror.

Well, that’s it for dead authors—for now, anyway. I just wanted to say a thank you to these writers for taking me to places I have never been to meet people only they have imagined. They have given me so much enjoyment over the years, and perhaps as long as people read their work, they will never truly die.

 

 

 

 

Diversion Books Announces Re-publication of “The Obsidian Mirror”

New Cover

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FOR IMMEDIATE RELEASE

DIVERSIONBOOKS

seth@diversionbooks.com

DIVERSION BOOKS RESCUES THE OBSIDIAN MIRROR, RELEASES NEW VERSION OF FANTASY NOVEL

May 15, 2015—Diversion Books today released The Obsidian Mirror, an inventive high tech-meets-Aztec fantasy novel by Silicon Valley public relations veteran K.D. Keenan, marking the second time the novel has been issued in less than a year.

Diversion Books, which publishes a number of classic fantasy authors—including Ursula K. Le Guin, M.K. Wren and Henry Kuttner—scooped up the title after its original publisher, AEC Stellar Publishing, went out of business.  “The Obsidian Mirror is a terrifically fun read,” said acquiring editor Laura Duane. “It recalls the wit and invention of Douglas Adams, and fits perfectly with many of our other fantasy titles.”

The Obsidian Mirror tells the story of Sierra Carter, an out-of-work PR executive who receives a call from Quetzalcoatl, the plumed serpent god of the Aztecs, and discovers that her former firm’s semiconductors are a means of spreading a deadly evil around the world.  Powering these nasty vibes is Necocyaotl, Aztec god of death and destruction, who has placed his essence in every device, causing people to place their self-interest and selfish desires above all else.

Carter, with the help of some paranormal pals—Chaco, a handsome young man when he isn’t being a coyote; Fred, the mannegishi with the ability to disappear at will; and Rose, a Native American shaman—learns how to develop her inner powers. She’ll need them, because Necocyaotl’s team is playing for keeps, and the evil god brings an ice demon, dark spirits, and assorted monsters into the game to bolster his more human henchmen.

The Obsidian Mirror is available as an eBook from Diversion Books, Amazon, Apple’s store, Barnes & Noble, Kobo, and Google Books.

ABOUT DIVERSION BOOKS:

Founded in 2010, Diversion Books has emerged as a premier digital publishing house, partnering with top literary agencies, media companies, and authors to build a rapidly -growing catalog across a range of genres. With its cutting-edge marketing and versatility in the changing landscape, Diversion proudly publishes top-tier authors old and new, building the next generation publishing company, one great book at a time.

FOR MEDIA QUESTIONS, PLEASE CONTACT:

Seth Kaufman, Sales & Media Strategist

seth@diversionbooks.com

 

 

Writing: The Never-Ending Journey

Photo by Bec Brown

Photo by Bec Brown

When I first started this blog, the subtitle was “A Blog about Writing a Novel.” I thought of it as a journal documenting the process of writing my first novel and trying to get it published. Of course, at the time, I had no idea whether I would get it published (or even finished).

Well, “The Obsidian Mirror” was finished and published, and now will be republished by Diversion Books. (They are giving it a new cover as well, which should be interesting. I can’t wait.) I have a contract for the sequel from Diversion, and I have written about 20% of the first draft.

So it’s no longer a blog about writing a novel. It’s about the journey I am on as an author. I have changed the subtitle to “The Journey to Authorship.”

Now, that sounds like I will be forever journeying toward a goal, but never reaching it. That would be exactly right.

I learned a huge amount about writing a novel when I wrote “The Obsidian Mirror.” I revised it eight times. I had many people read it and comment on it, including the wonderful Gail Z. Martin, who has authored numerous fantasy novels herself.

Now I am trying to put those lessons to good use in the sequel. I am also trying out new things. For example, the antagonist in “Fire in the Ocean” (working title) is not an evil god. He’s not even evil. As a reader, I am much more interested in complex characters than cardboard cutouts, but as a writer, it’s really easy to fall into the mistake of making evil characters 100% evil, twiddling their mustachios and laughing, “BWAHAHAHAH!” (Okay, maybe not that bad, but you get the idea.) So I am trying to create a more complex character, one who is human, with human strengths and weaknesses, whose actions are not motivated by pure nastiness.

I have to admit, this is a bit scary for me, and I am proceeding with this character in baby steps. But, as in “The Obsidian Mirror,” I am still trying to understand why perfectly normal people do massively destructive things to the environment—even though they have to live the consequences along with the rest of us.

Another challenge is the setting in Hawai’i. “The Obsidian Mirror” was set in Silicon Valley, where I lived and worked for more than 30 years, so I knew it very well. I have visited Hawai’i many times and love it, but I am not as intimately familiar with it as I am with Silicon Valley. I spent eight days on Moloka’i, where much of the novel takes place, but eight days doesn’t make me an expert. Fortunately, I made some friends in Moloka’i while I was there, and I am hoping they will help to correct any inaccuracies or general idiocies I may commit.

So I am still learning and stretching my authorial wings. I am on a journey I suspect I will never complete, because I hope always to be learning more about my craft and growing as a writer. If I stop doing that, I will stop writing.