Farewell to the Isle of Women

The Caribbean shore of Isla Mujeres, with embellishment.

 

This morning, I was determined to do some beachcombing. Everyone says there is sea glass here. But first we had breakfast at Lola Valentina, where the staff now knows us and the food is good. They have a small army of cats in the restaurant, black and white, orange tabby, and cream. They aren’t feral, exactly, but they aren’t pets. I suspect they are there not to cage crumbs from the tourists, but to keep the rodent and cucaracha populations under control.

Then we took No. 8., our putt-putt cart, over to the north shore. It is rocky all along the Caribbean side. There are no beaches and the currents are too strong for swimming. The waves are small, just a constant slap-slap-slap against the rough rocks.

Sadly, what we mostly found was plastic garbage. We did find some sea glass, but nothing that a sea glass enthusiast would get excited about. Mostly of the broken beer bottle variety but there were a few nice pieces. And we found a sad, dead cow fish. But mostly plastic garbage, which you see everywhere on this island. Every day, I saw people finish food and just walk away, leaving their refuse on the street.

The bridge to Mia Reef

 

 

After that, we went to Mia Reef, which is a resort built, natch, on top of a reef. As a consequence, the reef is now dead. It is reached by a narrow wooden bridge across a beautiful turquoise inlet. For a fee, non-residents can get all the food and drink they want (including alcohol), and hang out on the beach or at the pool. There is still reef, accessible from the beach, and the water is quite shallow all the way out to it. We didn’t snorkel because it was windy, but one man who was snorkeling said there was a lot to see. We swam in the aqua water and lazed on a swinging mattress under a palapa, looking out on the Caribbean. Mia Reef would be an ideal place to take kids because the water is crystalline, shallow and calm. Once older kids are used to the water, the reef would be an excellent introduction to snorkeling. The resort is elegant and clean, there’s a kids’ club, and the staff is attentive even to day trippers such as ourselves. The food was acceptable, the drinks not overly alcoholic, if you know what I mean.

We walked out on a long pier. There were two people snorkeling, and they said they saw a lot of fish. I decided not to try because of the wind and because we were scheduled for a snorkeling tour the next day, but I later regretted my decision to give it a pass.

As the following day was our next-to-last day on the island, we checked the flight times and discovered that we weren’t going to make our flight if we stayed on the island for the last day we were booked. We would have to go back to the Marriott Courtyard at the airport, which meant we had to check out the afternoon prior to our flight instead of staying on Isla. This was the same day we had scheduled the snorkeling tour, which bothered me because once you’re on one of these tours, you don’t just decide it’s gone on too long; you’re there for the duration. We had to turn in No. 8 by 4 pm and make sure we caught the ferry to the mainland in time. So I cancelled the trip again.

* * * *

We’d already seen most of the things there are to see on this small island. There were only two things left, so we decided to do them.

Green sea turtle at the Tortugranja

We started at Garrifon Reef Park to do some snorkeling. It was more expensive than Mia Reef, but it is a kind of family playground with zip lines over the water, snorkeling, kayaking, a shallow, wandering pool with waterfalls and grottoes, beaches, restaurants and bars. Food, drinks and all activities were included in the price of admission.

Tom and I went snorkeling, but it was a disappointment to me. They make you wear a life jacket, which annoys me because it makes it hard to swim. The reef is dead, but they won’t let you snorkel over it anyway. We saw some fish and I saw a stingray. Tom saw a very large fish that he thought at first was a barracuda, but it was too chunky for that. He’d recognize a shark, so we never figured it out. My snorkel mask, which is one of the new kind that have a non-fogging bubble and built-in snorkel, was apparently too large, and I had to snorkel with my mouth hanging open to prevent water from entering. There was a line of people waiting at the steps to get into the water, and none of them would budge to let us out. A kindly man eventually took my equipment to allow me to climb out, which was nice of him.

We had the cafeteria food they were serving for lunch, accompanied by a non-stop stream of pretty-much-non-alcoholic margueritas that we didn’t ask for, which was fine. Sort of like lime slurpees, but better. Again, this would be a terrific place to bring kids. I’m just spoiled because I have snorkeled in places like Hawaii and Tahiti, where the reefs are alive and the ocean life abundant. I think I’m done trying to snorkel in the Caribbean. I’ve snorkeled in Antigua (actually OK at the time; early 70s), Jamaica and now Isla Mujeres, and most of the reefs I’ve seen are dead.

This was our last night on the island, so we made reservations for the fancy restaurant at Villa Rolandi. I had a filet mignon with bearnaise sauce that was as tender as chicken (I mean well-prepared chicken) and flavor to die for. It’s a great place, but at $400US a night it’s pretty pricey, even if all meals and drinks and activities are inclusive.

The following day we had breakfast at Mango Cafe–poblano pepper stuffed with bacon, eggs, onions and cheese, breaded and deep-fried. OK not healthy, but I’m on vacation dammit. We’ve pretty much done everything there is to do here, so we visited the Tortugranja, a rescue and breeding facility for sea turtles. They provide a safe place to lay and hatch the eggs, then release the babies. They have tanks with some older turtles being rehabbed, and there are some very large specimens in a pen in the ocean. You can walk along a pier to see them. They sell bags of turtle chow at the entrance.

There’s a large pen that extends into the ocean containing several large turtles. I think they are mature adults that for whatever reason will not survive in the wild. When you throw turtle chow in the large pen the turtles get some of it, but there is an army of assorted seagulls above and another one of little fish below that eagerly gobble up much of the food.

Albino sea turtles

 

They had several albino turtles–one tank had nothing but albinos–and had green, hawksbill and loggerhead turtles there. Sea turtles are threatened for several reasons. One is because they are so darned delicious. People everywhere catch and eat them and their eggs despite the fact they are endangered. Another is because many of their hatching beaches have disappeared, taken over by development and humans who enjoy the beach environment. Another is because given their diminished numbers, the natural predation on the babies cuts seriously into their surviving numbers. Baby turtles must crawl from their nests in the sand to the ocean, all the while being attacked by birds. Once in the water, the babies are an easy snack for fish and more birds.

After the Tortugranja, we were pretty much done with Isla. We went into town, bought some gifts, had lunch and turned in No. 8. Then it was time to pack and catch the ferry to the mainland. On the taxi ride from Puerto Juarez, the ferry port on the mainland, the driver told me he had saved up to take his family to DisneyWorld in Florida, spending $750US for visas. The visas were cancelled by the P45 administration, no explanations offered. I apologized for my country, embarrassed. This was the first time anyone in Mexico raised the subject; of course they rely on tourism, but I also think they gave us, as individuals, the benefit of the doubt. Plus, the Mexican people are for the most part friendly, kind and polite. Many times, someone stopped unasked and helped me with something–a dropped item, a suitcase, or helped me over rough ground. On the ferry, which was crowded, a man gave me his seat with his family despite my protests. The Mexicans absolutely do not deserve the cold shoulder they are getting from my country.

I was pleased throughout our trip to note that there were as many Mexicans as other nationalities on vacation in the places we went, enjoying the sights and experiences of their country. (Calakmul was an exception. Most people there were American or European. It’s a kind of remote place, after all, and not someplace you’d take kids.) I have visited Mexico a few times before and didn’t see this previously. I am hopeful this means the middle class is growing in Mexico, and more people have the leisure and money that we have taken for granted here for many decades. I believe there were more Mexican tourists in Isla Mujeres than Americans.

At some point during the trip, Linda asked me if I had enough material for the next novel. I am beginning to work on a story line, but I would say no, I do not. I came back from Moloka‘i two years ago seething with ideas and enthusiasm to start writing. I’m not there yet with this one. I think it will be a slow burn. This one has to be the best one, because after that, I am saying farewell to Sierra and Chaco, Clancy, Fred, Rose, Kaylee and Mama Labadie. Three books are enough.

Next research trip: Iceland, but not for a while. I still have to launch “Fire in the Ocean” and write the third book in the series. But I’m thinking about it!

Here are some photos, included in no particular order, but I like them for one reason or another and they didn’t fit into my narrative:

A typical Mayan arch at Uxmal

 

 

 

 

 

 

 

 

 

 

Clod and friend.

Church at Valladolid.

Beautiful bas-relief at Uxmal.

Our guide Roberto, standing in front of an arched tunnel at Becan. Air funneled through this tunnel and it was as good as air conditioning in the heat and humidity of southern Yucatan.

Another captain’s tomb at Isla Mujeres. You can see the ship’s wheels in cement in the surrounding fence What you can’t see as well is the model of a ship in the glass case at the front.

Red-capped manikin, a rare sighting! At Chicaana.

Just a nice green fungus at Calakmul

Strangler figs (isn’t that a wonderfully ominous name?) growing on an unexcavated building in Calakmul.

Hotel Calakmul. This is what the jungle looks like in southern Yucatan–more like the Adirondacks.

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Day 7: Uxmal and the Chocolate Museum

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“House of the Nuns” at Uxmal, where no nuns ever lived.

 

After a peculiarly tasteless breakfast amid the imposing splendor of Hacienda Uxmal, we headed out to the ruins on foot. It really was a short walk, for once. There is a visitor’s center with shops featuring books, pottery, etc., very upscale. There was a short line for tickets, so I sat down to wait in the shade until they were purchased. While I was waiting, the gentleman sitting near me said he was a guide and could speak English. We hired him to show us the site, and I’m delighted we did. He was a Maya Indian named Dimitro.

This is the pyramid that answers with a quetzal's cry when you clap your hands in front of it.

This is the pyramid that answers with a quetzal’s cry when you clap your hands in front of it.

As we walked out to the site, I asked Dimitro what he knew of aluxes. He said they were mischievous, small beings. Some were good, some bad, but the bad ones just play tricks–they aren’t truly harmful. They will bother you at night, pulling on your ear or your clothing to prevent you from sleeping. You can stop them by putting a piece of chocolate and a glass of water on the table before you go to bed and announcing, “This is for everyone. Anyone can have it.” You will sleep in peace that night. In the morning, the chocolate and water will still be there, but they will be tasteless: the essence is what the aluxes take. (Maybe that was the problem at Hacienda Uxmal: an alux infestation.) It’s the same with the gods–they don’t consume the sacrifices physically, but partake of the essence, which is why they burned the sacrifices, whether of blood or food. I asked him if he had ever seen an alux, and he said only children and animals can see them (confirming what Roberto had told me), but they had sometimes bothered him at night or misled him in the forest.

Detail of the Temple of Chaak at Uxmal. Chaak's noses are all pointing down, which is a prayer for rain.

Detail of the Temple of Chaak at Uxmal. Chaak’s noses are all pointing down, which is a prayer for rain.

Dimitro said the Mayan view of the life and death cycle was this; when you are born, you carry with you the knowledge of your ancestors in your blood. You add to this store of wisdom in life, and in death you are consumed by the jaguar and pass through the tree of life back up to your ancestors to be reborn later with added wisdom. As you were in past lives, you will be forever. It’s a rather nice scheme for kings, priests, etc., but not so great for the slaves and peasants. I forgot to ask what if you were a great warrior, but were captured and enslaved. Do you come back as a slave or a warrior?

One of Chaak's noses, not yet restored to its proper place.

One of Chaak’s noses, not yet restored to its proper place.

The buildings at Uxmal are much larger than in the classical Mayan cities we saw in the south, and they are beautifully adorned with carvings. The Chaak mask is everywhere, including at the corners of the temples. Chaak has a long nose because he has the face of a caiman, a symbol of both water and the underworld. When Chaak’s nose points upward, it is a prayer for rain. When the nose points down, it is thanks for the rain.

Dimitro, standing near a fallen Chaak nose.

Dimitro, standing near a fallen Chaak nose.

As we approached the first pyramid, Dimitro clapped his hands sharply together. The noise echoed off the pyramid with a high-pitched cry that he said was the cry of the quetzal bird, highly prized in ancient times for its brilliant blue-green feathers, symbolizing the sky, and now endangered. I have no idea if this sound was intentionally engineered by the builders, but it could have been. People are very clever creatures, and have built other monuments that do strange things, like track the solstices or create “whispering stones.”

The so-called House of Nuns is an enormous complex of temples and long, low buildings built around a vast rectangular courtyard. Dimitro said this had been a school, but didn’t seem to know what they might have taught there. Not priests, he said, because priestly knowledge was inherited in the blood. There were, of course, no nuns, but the building reminded the Spanish of the walled convents back home. The acoustics within this enclosure are spectacular–a priest could have addressed a crowd of hundreds from the steps of the temple and been heard clearly by everyone.

The pillars at Uxmal resemble Doric columns, but without the fluting along the sides.

The pillars at Uxmal resemble Doric columns, but without the fluting along the sides.

The stone motifs on the buildings were lovely. There were many round columns, rather like unadorned Doric columns, which we had seen at Tulum but not in the south. There were lattice-like insets, and others that looked like many half-columns arranged in rows that Dimitro said were representative of bamboo. There were no carved stele on the site. There are no cenotes in the area, but instead of the open catchments used in Calakmul, they used chultuns; jar-shaped subterranean water storage pits. The areas around the pits are angled to direct rainwater into this underground storage. This was a big improvement over the earlier method, as evaporation would have been much less.

The buildings at Uxmal are decorated with gorgeous bas-relief sculptures. You can see a plumed snake here, with a head emerging from its open mouth. This is the "spirit snake" incarnation of Kulkulcan, enabling the spirit of an ancestor to communicate with the living.

The buildings at Uxmal are decorated with gorgeous bas-relief sculptures. You can see a plumed snake here, with a head emerging from its open mouth. This is the “spirit snake” incarnation of Kulkulcan, enabling the spirit of an ancestor to communicate with the living.

Uxmal is a pleasant place to walk around, with fewer trees than Calakmul, but still enough shade, and it was also a cooler day (not cool; cooler). We visited the ball court, slightly larger than the one at Becán, with one stone goal ring still protruding from a wall. (There never were stone rings at Becán). Then we came to the “governor’s palace,” which involved scaling a rather steep and long set of stairs. I decided to give my knee a break and sat in the shade, trying to take notes on my phone.

The "Governor's Palace" at Uxmal. Again, probably no governors, but it looked like a governor's palace to the Spanish.

The “Governor’s Palace” at Uxmal. Again, probably no governors, but it looked like a governor’s palace to the Spanish.

After perhaps 20 minutes, Dimitro came back alone and sat with me. He said the tour was over and the others would come find me, but he wanted to say goodbye. He asked for my hand and held it between his two hands. We both closed our eyes for a few beats. Then he touched my hand on the back and the palm. I thanked him and we talked another minute until I felt a sudden rush of coolness despite the heat. He said he had given me energy because I needed it, and said goodbye. Whether it was real or not isn’t the question; I was both touched by this and felt refreshed.

After doing a bit of obligatory shopping, I mentioned that although we had been doing well on two meals a day, this was the day I needed to eat lunch. I was getting that empty, urgent feeling that females of my family sometimes get, and it inevitably leads to HANGRY. But the suggestion was made to visit the Museo de Chocolate across the street before eating. I might have objected, wanted to avoid full-on HANGRY mode, but chocolate sounded promising.

Museo de Chocolate at Uxmal

Museo de Chocolate at Uxmal

The museum has a circular path that has several stations set up, each explaining a different aspect of chocolate. These cover in great detail the biological info about the plant, the use of chocolate by the Maya, a “Mayan chocolate ritual,” how the ordinary Maya lived, including their homes and everyday things, how they prepared chocolate (this involved a free taste), the discovery and adoption of chocolate by Europeans, the modern agriculture, modern chocolate processing, and more. There were also plants growing in the outdoor museum that were important to the ancients, such as sisal, and some spider monkeys, deer and jaguars in cages. These latter were not being kept as exhibitions so much as either being rescued and rehabilitated, or as in the case of the jaguars, sheltered because they could not survive in the wild. By the time we left, we probably knew way more about chocolate than any of us wanted to know.

There were two things worth noting. First, the “Mayan” chocolate ceremony. Several Mayans in plain cotton shifts guided us to a seating area. Waiting for us was someone who was clearly the priest, an elderly but sturdy-looking Maya who could have been the model for the human avatar of Quetzalcoatl in “The Obsidian Mirror.” I was staring at him in fascination as I sat down on the board being used as a bench for spectators Not having noticed the board was extremely narrow, I promptly fell backward onto the gravel. It wasn’t a long fall, but several well meaning Belgians and their guide rushed to my rescue, offering large, strong hands. I took their hands, but before I could get my feet under me, found myself being dragged through the gravel at a high rate of speed. I indicated I would rather do it myself, and eventually got to my feet, apologized to all and sundry for the interruption, and sat down again—very carefully. Someone handed me my phone, which will need a new case after serious gravel abrasion. But I was fine.

The "Mayan chocolate ceremony" at the Museo de Chocolate.

The “Mayan chocolate ceremony” at the Museo de Chocolate.

Tom described the ceremony as a cross between a Mayan ritual, the Catholic mass, and Monty Python. I suppose they studied the steles and murals to approximate it, and may even have some of the stages worked out, but in all likelihood, the actual doings are long forgotten. Still, it was a good way to show that the Maya regarded chocolate as sacred and special, hardly a casual treat.

Chocolate was prepared as a drink in those times, never eaten. The beans were fermented and ground into a paste that was mixed with coconut butter. It was combined with chilis and sometimes honey and mixed with hot water to drink. Often, the blood of sacrificial victims was added as well. (I’ll take mine straight, thanks.) Chocolate was reserved for the elite, of course, as all good things have been throughout history.

Chocolate contains a substance called theobromine, which is a stimulant and vasodilator. In high doses, it may have other effects. One of the Spanish conquistadores described an Indian consuming several cups of chocolate and then offering himself as a sacrifice. So I suppose it can amp you up a bit, especially if you believe, as this gentleman undoubtedly did, that you’re going directly to paradise.

We were given a demonstration of the preparation of the drink (sans blood) and given cups of the hot mixture to try. You could add sugar (Tsk!), chilis, achiote (a popular local spice from the annatto tree), and other flavorings if desired. I went with chili, and because I am a wimp, sugar. It was very rich and tasty. But not enough to avoid HANGRY.

As a last note on chocolate, it was the Europeans that added sugar and milk or cream to the drink (no chilis), and also discovered how to make chocolate candies. The Maya never consumed it as anything other than a drink.

I could have bought some chocolate there—there were chocolate bars and chocolate ice cream—but I didn’t want candy or ice cream, I wanted FOOD. By the time we finished up at the museo, I was ready to eat my own head. Fortunately we were near several restaurants. Unfortunately, there ensued a discussion about which restaurant to try. I turned to Tom and said, “JUST GO SOMEWHERE!” We chose the restaurant at the entrance to the ruins. This proved to be an excellent choice, as they had Yucateco cuisine like cochinita pibil (pulled pork flavored with achiote), and it was well prepared and delicious.

After lunch, we piled back in the car and took the road to Valledolid. We had originally planned to stay two days in Valledolid, then Linda and Clod would drive to Cancun to catch their flight home while we went on to Isla Mujeres for a few day. Note to unwary travelers in the Yucatán: the time zones change between states. Valledolid is in the State of Yucatán and Cancun is in the State of Quintana Roo, and they are not in the same time zone. If we had followed our original travel plan, Linda and Clod would have missed their plane by several hours. So we stayed only one night in Valledolid and then went on to the Marriott Courtyard Airport in Cancun so that Linda and Clod could get up at some horrible hour in the morning and catch their flight home.

Moon over Valladolid, as seen from our hotel roof.

Moon over Valladolid, as seen from our hotel roof.

The hotel in Valledolid was charming, It reminded me of the pensions my mother used to tell me about, built around an interior courtyard. The courtyard was probably once occupied by a fountain and potted plants, but now has a pool taking up most of it. Every surface was tiled, with wrought-iron railings and bars on the windows. They had a rooftop patio where you could look out over the city, and they served breakfast up there as well. The hotel was clean and comfortable, though our window was right on the street—literally. Cars passed within inches of the wall of our room. But that didn’t keep me awake. The price of $30 a night was also very comfortable.

Valladolid town plaza with the church in the background.

Valladolid town plaza with the church in the background.

After dinner, we went for a walk to the town plaza, which was delightful. Everyone was out strolling in the cool night air, and kids were running around with balloons or eating ice cream. The church at one end of the plaza was all lit up. We were all charmed with the domesticity of the scene, and at the same time, reminded of how different our own culture is.

Clod and Linda, testing the "courting benches" in Valladolid's town plaza.

Clod and Linda, testing the “courting benches” in Valladolid’s town plaza.

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Days 3 and 4: The Lost City in the Jungle

calakmul

 

We had a journey of about three hours from Laguna Bacalar to Calakmul, the Mayan city I had most wanted to see. But before we left the lake, I wanted to swim in Cenoté Azule. The Yucatán Peninsula has no running surface water–streams or rivers–but the subterranean water rises to the surface via cenotés, which are underground caves that form in the limestone that composes the peninsula. Back in the day, many of these cenotés were repositories of virgin sacrifices, weighted down with jade and probably high on something. Xebalba (sheh-bal-bah), the Mayan underworld or place of death, is under the water. It did not pay to be a virgin in those days–if it ever did.

Many cenotés are deep holes, filled with water, but hard to get to as the water is many yards below the ground’s surface, though open to the sky. Cenoté Azule is a “mature” cenoté, which means the water is now at the surface so it is easier to get into and out of. Cenoté Azul is inevitably described as having crystal clear, pure waters, and we were advised to bring snorkeling equipment to see the underwater sights.

Cenoté Azul has restrooms and a restaurant, and a few ricketty shade structures much enjoyed by termites. Linda and I got into the water, but crystal clear is not how we would describe it. It was quite murky from the mud being stirred up by people getting in and out. I swam out further than Linda, and the water did clear up, but beneath me, intensely black, deep water was all I could see. I swam back and got out. At least I had a chance to adjust my new snorkel mask in fresh water with no waves slapping me around. And I can say I swam in a cenoté, however briefly.

Cenote Azul in the foreground. The water beyond is Laguna Bacalar; the cenote and the lake are separated only by a thin strip of land.

Cenote Azul in the foreground. The water beyond is Laguna Bacalar; the cenote and the lake are separated only by a thin strip of land.

We drove to the next large city, Chetumal, needing to pick up sundries and cash as the next leg of the trip was cash-only. Then on to the Calakmul Biological Reserve, deep in the jungle near the Belize border. We had reservations at Hotel Puerta Calakmul, which is deep inside the reserve. It is the only hotel in the reserve, but it is still a LONG way from the actual ruins. The hotel reminds me of the Adirondacks, or something similar. Everything is rustic, with natural logs and branches forming the supports of the buildings. There’s lots of screening, and the buildings are all palm-thatched. There is a surprisingly good restaurant here, a pool, and not much else. Everyone here came for the ruins or for the nature reserve, or both. There’s one group of bird-watching Brits who can always be seen, all wearing khaki and carrying huge binoculars.

Home sweet home at Hotel Calakmul.

Home sweet home at Hotel Calakmul.

The jungle is not quite what I expected. There are some large trees, but not as many as I imagined. Mostly the trees are rather slender and of medium height. There is less dense undergrowth than I would have anticipated, and the place has more the feel of a young temperate forest—if it were not for the orchids and bromeliads clinging to the trees, plus the occasional monkey. I suppose this is because the Yucatán is a rather dry place–definitely not rainforest, with trees so tall that there is a complete ecosystem existing in the canopy. Mostly, there is no canopy in the jungle here.

The beds were comfy and although the mosquito netting didn’t seem necessary, we used it. I have been surprised at the lack of bugs. I knew this was the driest, coolest, least buggy time of year, but I still expected a LOT more bugs.

The next morning, we met our guide, Roberto. Roberto is a Mayan from Chiapas whose family moved here when they lost everything in a flood/mudslide. I immediately began to pick his brain.

I am particularly interested in a legendary people called aluxes (ah-LOOSH-es). They are similar to the Menehune of Hawaii and the leprechauns of Ireland in that they are small people, the size of children, and they are mischievous and curious. They are guardians of the forest. I saw them as being akin to Fred the Mannegishi, if you happen to have read “The Obsidian Mirror.” The aluxes go back at least to the time of the ancient Maya, and there are bas-relief sculptures of them from the ruins (but not the ones we were there to see.)

Aluxes from a bas-relief sculpture at Uxmal.

Aluxes from a bas-relief sculpture at Uxmal.

Roberto said he didn’t know much about aluxes, but it turned out he knew quite a lot.

He said he saw one when he was young, but he was with several other boys. No one else saw the alux, but he said it looked like a child running in the forest, wearing a shirt and shorts with a woven hat with a pointed crown and a brim all around. None of his companions saw it. When he and his brother got lost in the forest, they believed it was aluxes leading them astray because they hadn’t asked permission to hunt. He told me that if you are hunting for food and make an offering to them to ask permission, they will leave you alone. If you are hunting to sell the meat or fail to ask for permission, they will trick you and get you lost in the forest.

I asked Roberto whether he knew of other forest spirits, and he told me about Juan de Monte. “Monte” is a Spanish word for forest, and Juan de Monte is another protective forest spirit with the added characteristic of shielding wounded animals and nursing them back to health. He told us a story about a man from his village who was a very good hunter. He shot deer to sell the meat. He was hunting one day and shot a deer, but the wounded animal escaped. He followed it and came to a stone hut. Inside the hut, he saw many wounded animals. A spirit of the forest appeared to him, Juan de Monte, and told him these were all the animals he had wounded but not killed. Juan de Monte was nursing them. He told the hunter he was not allowed to hunt again. The hunter returned home but he couldn’t speak. His family took him to a curandero, who helped him to regain his power of speech. The hunter went hunting again because it was his livelihood. In the forest, an enormous deer appeared, the largest he had ever seem, and he shot it. But the deer was unwounded. He shot at it several more times with no effect. He threw down his rifle and ran home. Later, he and his brother went back to get the rifle, but the man never hunted again. I don’t know how far back Juan del Monte goes, but I plan on researching it. (I found a Mayan legend later about the “King of the Forest,” a spirit who plays the same role as Juan de Monte. I believe they are probably the same.)

Calakmul Temple of Venus (I think).

Calakmul Temple of Venus (I think).

Our first visit was to Calakmul, a city that was founded about 700 BC and abandoned around 1200 AD. From the hotel, it is reached by a 60-kilometer-long road with many potholes. In the Classical Maya period, Calakmul was the predominant force in southern Yucatán/northern Beliz and Guatamala. At its peak, it was home to 65,000 people. Archeologists have been excavating and restoring Calakmul for decades, but much is still unexplored. There are no cenotés in the area so they had a system of rainwater catchments and storage. Unsurprisingly, the primary god of this city (and all the Mayan cities of the Yucatán) was Chaak, the god of rain and lightening. The city was abandoned because of a severe drought and crop failures. They probably thought Chaak was trying to tell them something.

It was a very pleasant place to explore, with lots of shade. On the 1-kilometer walk to the ruins from the site entrance, we saw two spider monkeys– the first monkeys I have ever seen in the wild. We also saw oscillated turkeys, as gorgeous as peacocks, and pheasants.

Oscillated turkey.

Oscillated turkey.

Coming into the ruin feels almost as though you have discovered a lost city. There are very few other visitors there, and you can walk around alone hearing only the sounds of the leaves in the breeze or perhaps howler monkeys booming in the distance. The ruins are impressive, and you can see how the building and stone-carving techniques evolved from the older to newer buildings. There are many limestone stele, but they are so eroded that most of them resemble rotten teeth more than bas-relief sculptures. Two large stele still show the remains of a king on the right side and a queen on the left. You can just make out the faces and bodies. The queen faces right toward her husband, and the king faces left. Their feet are portrayed with left foot pointing left and right foot pointing right, knees bent, giving them the appearance of being bow-legged.

One of the least-eroded stele at Calakmul.

One of the least-eroded stele at Calakmul.

Most of the overgrowth has been removed from the excavated buildings, but strangler figs still grow on them in places, roots flowing over the stone steps like melted wax. Roberto was very informative about the animals and flora, happily pointing out the poisonous trees (chechem) and the trees (chaka) that cure the itchy rash caused by the chechem, as well as the orchids and bromiliads that have hitched a ride on many trees. The chaca tree is also called by some “la tourista” because it has a red, peeling skin–like so many Norte Americanos who come here and expose their pale skin to too much tropical sun.

Strangler fig surrounding a captive stele.

Strangler fig surrounding a captive stele.

There were many round stone altars associated with the stele. They were heavily eroded, but it was still easy to see they are nothing like the post-classic Mayan altar shaped like a human being, usually on its back (chak-mool). The Classical Maya of the Yucatán did not practice much human sacrifice. They did practice blood sacrifice, however. The royalty was expected to let their own blood, obtained by perforating lips, tongue, earlobes or genitals with a stingray spine, cactus thorns or thorny vines. I’m not talking about making a modest cut or incision, either–there is plenty of graphic evidence that they thrust the object all the way through their flesh to the other side. The blood was collected in a bowl and burned. This was the duty of royalty to assure the gods were properly worshiped. Animal sacrifice and the burning of food like maize was also practiced. Although some cities sacrificed the captain of the winning ball team, Calakmul doesn’t have a ball court­—at least none that has yet been found. More about the ball game later.

Maize was the principle crop, but they also grew beans and squash. The Maya cultivated cotton, at least in some places. The standard garb was a simple white cotton garment for men and women. Priests, warriors and elites added elaborate headdresses of feathers, jade jewelry, animal skins (the jaguar being especially significant and powerful) and other ornaments. Those heavy-looking headdresses you see in Maya murals and bas-relief sculptures? Those are highly stylized feathers.

Imagine this fresh and new, painted in bright colors.

Imagine this fresh and new, painted in bright colors.

The temples and palaces were originally covered with stucco and painted. These important buildings were oriented to the four cardinal directions. Little remains of the stucco or paint, but it is likely that each side was painted with the color associated with that direction. The only pigment remaining that I could see was red. Mayan cities, which were cleared of vegetation, must have been bright and gorgeous under the sun, richly colored and designed to impress, with their tiered temples and palaces, and spacious plazas. The red color of the paint was created with cochineal bugs.

Some temples had living quarters, maybe for priests or royals. They left little to inform us. The Maya lived outdoors for the most part, using rooms only for sleeping. The elite rooms feature a slab of stone, often quite large, as a bed—very much like the concrete slabs we slept on at Hotel Azul36. These slabs would be covered with matting or perhaps mattresses stuffed with the cottony insides of ceiba fruit. There were often niches cut in the wall or into the sides of the stone platform, perhaps for personal storage. The common people lived in wattle-and-daub round huts with palm-thatched roofs, so there is little left of them, if anything. Cooking was done outdoors, and there is no evidence here of kitchens.

There was a magnificent ceiba tree at Calakmul, one of the largest trees in the area. At this time of year it is leafless, but we could see the many small, oval fruits on its branches. With its height, symmetry and white bark, it reminded me of the White Tree of Gondor. The Maya thought the ceiba tree was the tree of life, holding up the sky.

Ceiba tree, the Mayan tree of life.

Ceiba tree, the Mayan tree of life.

The largest pyramid was dedicated to Chaak, of course. There was also a temple dedicated to Venus (the planet, not the Greek goddess). Venus was essential in the Mayan calendar, and was also associated with Kukulcan, a feathered serpent god precursor to the Aztec god Quetzalcoatl—but Roberto said there was no evidence of Kukulcan worship at Calakmul.

As a matter of fact, there’s a lot we don’t know about the Maya. Time and the jungle obliterated much, and the Spanish took over from there. It’s only due to a few Spanish friars that any of the Mayan codices were copied and translated. Hundreds of these Maya documents were burned, and artifacts stolen or destroyed. And yet, there are still many people who speak one dialect or another of that ancient language and continue to pass down the ancient stories, one generation to the next.

The artifacts at Calakmul have either been removed to the archeological museum in Mexico City, or walled off from the public by archeologists. There were three royal tombs discovered there with jade masks. Roberto showed us photographs. They were widely separated in time. The earliest is composed of tiny pieces of jade, needed to be able to show the curvature of the face. The second uses larger pieces that have been worked to create curves, but the third, composed of large pieces, is a stunning work of art. The ability to work with jade at all is impressive, given that jade is harder than steel, and the Maya had no metal tools. They barely had any gold, as it was obtained only through trade, and they considered jade more beautiful.

The oldest jade mask found at Calakmul, using tiny jade pieces to create the contours of the face.

The oldest jade mask found at Calakmul, using tiny jade pieces to create the contours of the face.

Newest mask found at Calakmul, showing huge steps forward in jade working and artistic skill.

Newest mask found at Calakmul, showing huge steps forward in jade working and artistic skill.

 

 

 

 

 

 

 

We could have gone on to the merchant quarters and marketplace, but we thought we’d seen the best of Calakmul–at least that part of it that has been excavated. We walked back to the entrance, seeing a family of white-lipped peccaries on the way. They are much smaller than wild boars, but they have pretty much the same attitude. We gave them a wide berth and went on, Roberto pointing out the flora and fauna as he went. Unfortunately, I had little time to write everything down. We were scheduled to do something every day, and I was always so tired from the heat, humidity and walking that I fell asleep every night without journaling.

 

 

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The Home of My Heart

This is me, aged maybe 12, dressed up in old-timey clothes in the front hall of 16 Campbell. I can't remember why.

This is me, aged maybe 12, dressed up in old-timey clothes in the front hall of 16 Campbell. I can’t remember why.

My daughter went online a few weeks ago to look up the house I grew up in, a house she remembers with affection. It had been sold, and there were about 20 recent photographs of the house on one of the realty sites.

I scrolled slowly through the photos online, remembering, and I suddenly realized that I loved that house—still, after many decades of living in other houses—as though it were a human being. I hadn’t realized you could love a house with such warmth and tenderness, but this was no ordinary house. I’m going to call it 16 Campbell from now on because she deserves a name, and because that is how we all refer to her. Yes, I realize I am anthropomorphizing wildly here, and I am probably also being sappily sentimental. So be it.

I remember moving into 16 Campbell at the age of four and a half. It had been built by an architect renowned in my small Southern California hometown during its Victorian heyday as a resort for East Coast families seeking relief from icy winters. My parents bought it on the G.I. Bill from an elderly widow who was running it as a boarding house for other elderly widows. It was a white, Dutch Colonial-style house, shingle-sided, two-storied, crumbling gently atop a hill like a dowager duchess who has fallen on hard times.

Few, if any improvements had been made to the house since her debutante days. Because she had been intended as a vacation home, the floors were made of pine planks instead of hardwood, and us kids, running around barefoot all day, got many a splinter in our feet. My parents eventually got hardwood installed downstairs, but upstairs it was still wear shoes or expect tears. Plaster was crumbling, there were wasps in the attic, the curtains were tattered, and the kitchen was resolutely inconvenient.

Not that we kids cared. We soon came to know every inch of that house. It sat over a rarity in California: a basement. The basement was just a hole dug into the hard red dirt with no foundation, and it was both scary and fascinating. It could be reached either by an old-fashioned storm door from the outside, or via stairs that led down from the mudroom. The basement was full of arcane things. There was an electric reducing device that consisted of a huge steel box lined inside with light bulbs. A person was supposed to sit inside this box, and I suppose the heat of all those light bulbs made him or her sweat and thus “lose weight.” We were given strict orders not to touch this device, but it was a constant temptation until my parents had it removed.

There were also many trunks full of old clothes, letters, diaries and junk. One trunk held costumes from earlier eras, including fake moustaches and dried-up vials of “spirit gum” to apply them, a beaded silk cloche with the beads dropping off, a hoop skirt, a genuine Apache woman’s dress and beaded leather moccasins. Later, much later, we discovered a Civil War folding map table down there.

But that was not what made me love 16 Campbell. It was the house itself. Not everything that happened in that house was safe or pleasant, but the house felt protective and comforting. I played in the mud against its flank like a puppy rolling against the warm furry sides of its mother. I lay in bed, watching the patterns of leaves cast against the wall by the vines over my window, feeling safe. Whether I was building grass forts in the empty back lot or creating fairy feasts and leaving them in the roots of the gnarled pepper trees, or reading in the golden light that came through the living room’s bay window in the late afternoon, I felt the house’s protective presence around me. There was no part of the house that didn’t welcome me, and there were so many places to hide and be by myself when I didn’t want to be found.

None of us siblings really wanted to sell 16 Campbell when my parents died because we all had the same attachment to the house. But we had either built lives elsewhere and/or didn’t want the expense of restoring the property, which had declined as our parents had aged. Poring over the new photos, I saw the old lady had been completely rejuvenated. Her trim had been stripped to the gleaming grain of the wood. The awkwardly modernish light fixtures installed by my parents had been replaced with period reproductions. The pool area had been gracefully incorporated into the exterior spaces. There was a pergola, looking like an original fixture of the grounds, where once there had been an ancient rose garden. There was a greenhouse and paths along the hill once completely covered with myrtle and brush. A neat white metal fence surrounded the yard, replacing the drunkenly leaning wire fence covered with Lady Banksia roses.

The old girl was looking grand indeed. She sparkled with fresh paint and wallpaper, and her hardwood floors shone. Every room was bright, clean and spacious­. Even the kitchen, cramped and badly designed despite my parents’ best efforts to update it, now looked like an Architectural Digest layout.

16 Campbell was no longer the ramshackle old house where I had grown up, but that didn’t matter. I was glad she had been loved and cared for—as glad as I would be for any human being whose health and youth had been restored. She was the home of my heart, and I will always love her.

Warning: This Post Contains Shameless Self-Promotion

New Cover

Recently I finished editing the first draft of “Fire in the Ocean,” the sequel to “The Obsidian Mirror.” I sent it off to my alpha readers and editor, and I can finally relax and think about something else for a while.

Such as promoting “The Obsidian Mirror.” While I was in the throes of writing the sequel, I did next to nothing about promoting my published work. A writer’s work is never done, I guess.

Why should you read “The Obsidian Mirror”? Short answer: because it’s a fun read. I read largely for entertainment. I like books that take you away and let you live someone else’s life for a while. I wrote “Obsidian” to be that kind of book: a diversion, a book I would love reading myself. It’s probably not a coincidence that the second publisher of the book is Diversion Books—they specialize in just that kind of novel.

Another reason to read “Obsidian” is because it is based on the mythologies and folklore of the Americas, which makes it a bit different. The idea occurred to me after finishing one of Robert Jordan’s “Wheel of Time” novels. I loved the book, but started wondering why so much fantasy is based on proto-European, pre-Industrial Age tropes such as elves, faeries, dragons, and caped adventurers. The Americas have thousands of mythologies, folk tales and traditions that are largely ignored by fantasy writers.

I began writing “The Obsidian Mirror” as a kind of personal experiment. Meso-American gods and Coyote the Trickster, an Inuit ice demon and a mannegishi named Fred are some of the characters. What I did not anticipate is that I would fall in love with my characters and be driven to finish the book. Having done that, I felt compelled to get it published.

I don’t have much to brag about. I’m not a best-selling author. I have won no prestigious awards for my fiction writing. But I do have one thing that gives me modest bragging rights.

I have heard authors talk about receiving hundreds of rejection slips. One writer said he had a drawer filled with 450 rejection slips for his novel. That didn’t happen with “The Obsidian Mirror.” I approached perhaps 10 publishers and/or agents before AEC Stellar agreed to publish the book. When AEC Stellar bit the dust, I approached about five publishers before Diversion Books picked it up, re-published it and agreed to publish the sequel.

So I may not have sold a million copies, but I never had any problem finding a publisher. As a matter of fact, years after I originally submitted the manuscript to their slush pile, Baen Books got back to me and said they were interested in it. The early bird gets the book, Baen.

So why am I proud of this? Because I have some independent assessments that people will enjoy reading my novel. Add to that, the several four- and five-star reviews on Amazon, and you might conclude that you would enjoy it, too. To make it super-easy for you to find the book, here it is: http://amzn.to/1MQBvkd

I did warn you.

 

 

I Will Be Speaking at the Los Gatos Literary Fair August 22

I will be making a short presentation at the Los Gatos, CA Literary Fair, Saturday, August 22. The Fair is from 12 noon to 3:00 p.m. I will also be signing copies of “The Obsidian Mirror.” I’d love to see you there if you happen to be in the neighborhood!

2015 LG Lit Fair flyer

Bosch and Rubens and Goya, Oh, My!

Today was all art, all day. We first visited the Prado. I had one destination in mind: Hieronymus Bosch’s “Garden of Earthly Delights” triptych. I have been fascinated with this work since I was a child. My mom had “Jansen’s History of Art” at home, and I used to leaf through it frequently. Bosch’s triptych was endlessly fascinating, and if you are familiar with the work, you know why. As a child, I found it confusing, fascinating, beautiful, ugly, perverse, opaque, scary, astonishing, and just plain weird. I have always wanted to see this painting (or paintings, technically, as there are three panels) in person–and now I have done so.

"Garden of Earthly Delights" triptych by Hieronymous Bosch

“Garden of Earthly Delights” triptych by Hieronymous Bosch

The colors are as bright and fresh as though it had been painted yesterday. The level of detail is breathtaking–it almost feels as though you could use a microscope on it and see not brush strokes, but further levels of texture and precise rendering.

Detail of "Hell"

Detail of “Hell”

As for the subject matter, I have read that to Bosch’s contemporaries, this work would have been perfectly clear, its symbols well-understood and its messages obvious. I’m not so sure. He depicts pink crystal structures floating in water, strange organic shapes that could be fruits made of bones, but with legs and faces, monsters that make the demons of Medieval paintings look like pussycats, and people doing things to each other so creative in their erotic or sadistic inventiveness that it would make the Marquis de Sade blanche.

"Earthly Delights" detail

“Earthly Delights” detail

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

These reproductions don’t begin to capture the brightness of the colors or the clarity of the painting. There is a monster with a human face in the “Hell” panel that some have speculated is a self-portrait. The recorded guide said it is a portrayal of the devil. If so, it’s very atypical for the period, which tended to depict the devil as monstrously as possible. It is a calm, handsome face that observes the chaos and horror surrounding it with unearthly serenity. I have no idea if it is Bosch or not, but it is definitely striking.

To Bosch or not to Bosch?

To Bosch or not to Bosch?

 

 

 

 

 

 

 

 

Really, if my feet didn’t hurt so much, I could have stood there all day staring at this painting. But my feet did hurt, and there were rooms and rooms of Velasquez, Rubens, and Goya to see as well. Goya, in particular. He’s one of the few painters who shifted back and forth between almost Flemish attention to detail and the loose, evocative brushwork of Impressionism (long before there were any Impressionists).

Goya in full-on court painter mode with "The Family of Carlos IV." Very fine, detailed brushwork.

Goya in full-on court painter mode with “The Family of Carlos IV.” Very fine, detailed brushwork.

 

 

 

 

 

 

 

 

 

 

 

Goya in Impressionist mode. Hard to believe it's the same painter.

Goya in Impressionist mode. Hard to believe it’s the same painter.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

After the Prado, we took a break and had some lunch in a nearby restaurant.On the way, we saw this:

The Beer Bike

The Beer Bi

 

 

 

 

 

Actually, we saw several of them, all filled with people laughing loudly, pedaling madly and holding up traffic. It’s the Bbike, described thusly: “Bbike is a Beer Bike, a multi-tandem bike for up to 18 people with a built-in beer tap in which you’ll be able to enjoy Madrid in an original, different and fun way.” Can you even imagine such a thing in a U.S. city? Me neither.

After lunch, we went on to the Thyssen Museum. We were there a bit late, and so didn’t see everything by any means. There were a lot of painters I had never heard of before, which was kind of embarrassing, but then, I never held myself out as an art expert. I have to say, I was delighted when they closed the museum. My feet were killing me.

The lacy decoration behind Tom is composed of oversized white Spanish combs that completely covered the ceiling of the restaurant where we ate lunch.

The lacy decoration behind Tom is composed of oversized white Spanish combs that completely covered the ceiling of the restaurant where we ate lunch.

We rested for a bit and then went to dinner at a restaurant called Veridiana. I refused to walk the half a mile to the restaurant, and I don’t feel bad about it at all. The food was great and our waiter looked like President Obama. I mentioned this and he said he gets that a lot, but that he is a happier person than Mr. Obama. I believe him.

Cover Reveal for “The Obsidian Mirror” (Redux)

I am delighted to announce that Diversion Books has come up with a splendid new cover for the republished version of “The Obsidian Mirror”! It has a lot of the feel of the original, with a lot more sophistication and glamor. LeNew Covert me know what you think:

 

Writing: The Never-Ending Journey

Photo by Bec Brown

Photo by Bec Brown

When I first started this blog, the subtitle was “A Blog about Writing a Novel.” I thought of it as a journal documenting the process of writing my first novel and trying to get it published. Of course, at the time, I had no idea whether I would get it published (or even finished).

Well, “The Obsidian Mirror” was finished and published, and now will be republished by Diversion Books. (They are giving it a new cover as well, which should be interesting. I can’t wait.) I have a contract for the sequel from Diversion, and I have written about 20% of the first draft.

So it’s no longer a blog about writing a novel. It’s about the journey I am on as an author. I have changed the subtitle to “The Journey to Authorship.”

Now, that sounds like I will be forever journeying toward a goal, but never reaching it. That would be exactly right.

I learned a huge amount about writing a novel when I wrote “The Obsidian Mirror.” I revised it eight times. I had many people read it and comment on it, including the wonderful Gail Z. Martin, who has authored numerous fantasy novels herself.

Now I am trying to put those lessons to good use in the sequel. I am also trying out new things. For example, the antagonist in “Fire in the Ocean” (working title) is not an evil god. He’s not even evil. As a reader, I am much more interested in complex characters than cardboard cutouts, but as a writer, it’s really easy to fall into the mistake of making evil characters 100% evil, twiddling their mustachios and laughing, “BWAHAHAHAH!” (Okay, maybe not that bad, but you get the idea.) So I am trying to create a more complex character, one who is human, with human strengths and weaknesses, whose actions are not motivated by pure nastiness.

I have to admit, this is a bit scary for me, and I am proceeding with this character in baby steps. But, as in “The Obsidian Mirror,” I am still trying to understand why perfectly normal people do massively destructive things to the environment—even though they have to live the consequences along with the rest of us.

Another challenge is the setting in Hawai’i. “The Obsidian Mirror” was set in Silicon Valley, where I lived and worked for more than 30 years, so I knew it very well. I have visited Hawai’i many times and love it, but I am not as intimately familiar with it as I am with Silicon Valley. I spent eight days on Moloka’i, where much of the novel takes place, but eight days doesn’t make me an expert. Fortunately, I made some friends in Moloka’i while I was there, and I am hoping they will help to correct any inaccuracies or general idiocies I may commit.

So I am still learning and stretching my authorial wings. I am on a journey I suspect I will never complete, because I hope always to be learning more about my craft and growing as a writer. If I stop doing that, I will stop writing.

Terry Pratchett Is Gone, and I Miss Him

Terry Pratchett

Terry Pratchett

Today, I was going to write about some good news, but then the sad news arrived: Terry Pratchett died.

I have written about Pratchett before in these pages because he is one of my best-loved authors. He was a fantasy writer who was also a brilliant satirist and humorist of the highest order. Reading a new Pratchett book was for me as richly satisfying as artisan chocolate, and it lasted a good deal longer. (Plus I can go back and re-experience the books, which is hard, not to say disgusting, when chocolate is involved.)

Pratchett used his fantasy creation, the Discworld, to satirize our absurdities in this world. Nothing was off-limits for him. Personally, I think one of his finest pieces was “Monstrous Regiment,” which satirized bias against women and the absurdity of religion, which are deeply interconnected. Unlike fellow satirist and countryman Evelyn Waugh, Pratchett never indulged in invective; instead he made you laugh. And when you laugh, you become more open. And becoming open to new perspectives is how hearts and minds get changed.

There are, according to Wikipedia, 41 novels in the Discworld series. Pratchett also wrote several other novels, including “Good Omens” with the luminous Neil Gaiman, a series of children’s books, “The Long Earth” series with Stephen Baxter, and numerous handy guides to Discworld, short stories, and more. There’s a lot more to say about this man. He was awarded an O.B.E. and later knighted, so he is officially Sir Terry Pratchett. He suffered from a particularly vicious form of Alzheimer’s disease for eight years, and bore it with humor and bravery. He was deeply knowledgeable about the folklore of the British Isles, and commented to a meeting of folklorists that he viewed folklore much as a carpenter views trees. Wikipedia has an exhaustive amount of material on Pratchett and also his novels, so I won’t go into a lot of detail here–but he was a man of many parts.

I enjoy everything Pratchett wrote, but Discworld holds a special place in my heart (me and millions of others). He created a world so rich in detail, teeming with fascinating characters and creatures, that a return to Discworld was a richly enjoyable experience every time. I love his witches, especially grumpy and wise old Granny Weatherwax and Nanny Ogg, who had a lively girlhood and likes her pint or two. I love brave Captain Carrot, the 6 foot-plus dwarf who is the unacknowledged King of Ankh-Morpork, Discworld’s largest and (probably) most noisome city. And Lord Vetinari, the ultimate politician who always manages to keep things on course without too much bloodshed. And Death, who always SPEAKS IN CAPITALS (and has the last word). In Discworld, you meet hundreds of characters who are so beautifully drawn that they leave the mark of their personalities with you forever.

But the real reason I cried when I heard he had died is because he was kind to me once. I have related this before, but here it is again:

You see, I met Connie Willis first. I was in the vendors’ hall at Worldcon when it came to San Jose, CA several years ago. I happened to glimpse her nametag. Connie Willis is also a favorite author, so I introduced myself—and proceeded to commit every rabid-fan sin it is possible to commit in attempting to praise her work. Even as I heard the vapid words burbling out of my mouth, I knew I was doomed. The expression of pain on Ms. Willis’ face only confirmed my gauche blundering. I attempted to extricate myself by saying, “Well, I’m starting to drool on you, so I guess I’d better go now.” Ms. Willis nodded mute agreement, and I slunk away with my tail between my legs, feeling like a complete moron.

I was standing at a vendor’s stall wondering if it is possible to actually die of embarrassment when a tidy gentleman with a gray beard and a black fedora walked up. I thought he looked familiar, but when the vendor called him “Mr. Pratchett,” my suspicions were confirmed. He stood right next to me as the vendor handed him a CD, saying, “I’ve been saving this for you, but I was afraid I might come across as a rabid fan.” (Like me, I thought.)

Pratchett took the CD and said, “I adore rabid fans!”

I turned to him and said, “Well, then, would you mind if I drooled on your shoulder?”

Pratchett responded, “Not at all—but would you mind drooling on this shoulder”—he patted his right shoulder—“as the other one is already rather damp?”

Instantly, the oppressive cloud of feeling foolish lifted and disappeared. I will never forget how Terry Pratchett’s humor and kindness brightened my day and turned my embarrassment into laughter. (Not that I mean to say Connie Willis made me feel bad. I made myself feel bad. I should’ve kept my mouth shut.)

And now this kind, brilliant, prolific and amazing writer is gone. There will be no more tales of Discworld to anticipate with glee. His brilliance continues to shine in his work, which will live for a long, long time. He set a high standard for humanity. I only hope that someday we live up to it.

The last Tweet on Pratchett's account. Fans will know who is speaking.

The last Tweet on Pratchett’s account. Fans will know who is speaking.