As I have mentioned before, my second novel, “Fire in the Ocean,” is coming out from Diversion Books in February 2018. Diversion’s art department came up with a spiffy new cover for “The Obsidian Mirror,” which will be re-issued along with the debut of “Fire in the Ocean”:
“Fire in the Ocean” is the sequel to “The Obsidian Mirror,” and features the same cast of characters. New twist, though–the book is set in Hawai’i on the islands of Moloka’i and Hawai’i (the Big Island).
Why, you might ask, Hawai’i? When I wrote “The Obsidian Mirror,” I drew upon strictly New World mythologies, folk tales and traditions–Native American, MesoAmerican and Voudún, avoiding the supernatural traditions that essentially migrated to the Americas from Europe. I started it as a kind of experiment after reading one of Robert Jordan’s “Wheel of Time” novels. I just wanted to see if a fantasy could be crafted that entirely eschewed the standard fantasy tropes of caped adventurers, swords and sorcery–elves, vampires and trolls need not apply. To my surprise, the experiment turned into a book.
Although I wanted to continue the adventures of Sierra and her friends, I didn’t want to repeat the setting, plot, or other key elements of “The Obsidian Mirror.” So I picked Hawai’i as the venue for the sequel because: 1) I love Hawai’i ; 2) Hawai’i is also “New World,” and therefore fit into the strictures I had placed on myself; 3) it was an excuse to go back to the islands to do research. (And an amazing and wonderful trip it was, as those of you who have followed my blog for a while know!)
Why Moloka’i? Well, it turns out that Moloka’i in ancient times was known as the island of sorcerers. The island has its own take on the mythology and its own unique legends. Moloka’i proved to be a rich source of information and experiences, most of which were incorporated into “Fire in the Ocean.” As for why I chose the Big Island for part of the story–you’ll have to read the book.
Diversion Books just sent me the cover design for “Fire in the Ocean.” What do you think?
My publisher, Diversion Books, just sent me new cover art for “The Obsidian Mirror.” They plan to re-launch it in companionship with the Debut of the sequel, “Fire in the Ocean,” due out in February.
I’m thrilled by the new look for “The Obsidian Mirror,” as it is a real departure from the other two covers it has had the honor to wear. Many elements from the book are woven into the graphics: Sierra and her long braid, the Aztec Calendar, coyotes, cacti, Native American themes and high-tech symbols. I love the bold colors.
Here are the three covers in order of their appearance in the world:
I first encountered Mary Doria Russell when I read “The Sparrow.” It is one of the most memorable books I have ever read. Beautifully written, it is a science fiction story on the surface; a Jesuit priest who is part of a mission to a planet inhabited by intelligent beings finds himself weirdly seduced by an alien culture and eventually agrees to something he has no way of comprehending. The result is catastrophic for him, both physically and spiritually. He is accused of murdering one of the aliens under very sketchy circumstances and is returned in disgrace to Rome. The book is a meditation on how we view and deal with the “other,” and how actions can be viewed through many different lenses, some distorting one way, some another.
So when my husband recommended “Doc,” I was eager to read it. Apparently Russell is as versatile a writer as Jane Smiley, because “Doc” is as different from “The Sparrow” as can be imagined. It’s a fictionalized version of the life of Doc Holliday, the famous gambler and gunslinger of Dodge City, Tombstone, and the shootout at the OK Corral.
“Doc” is as beautifully written as “The Sparrow,” and in some ways as evocative and touching. Russell did her research, reading autobiographies and biographies of the principals and bit players alike, mining contemporary newspaper accounts and the penny dreadfuls, and the surviving letters that passed between Doc and his family and friends.
What emerges is a very different man than the legend of the pitiless gunslinger. Doc acquired his nickname because he was a trained and licensed dentist. Hailing from an aristocratic Georgian family, John Henry Holliday was a well-educated Southern gentleman with rarified tastes in music, art and literature. He also had tuberculosis, contracted from his mother, whom he nursed until her death. He became ill at the age of 22 and died at the age of 38. “Doc” takes us up to the age of 28, when he was still living in Dodge City and before the famous shootout.
The book is an exploration of the man’s friendship with the Earp brothers, the woman who shared his life and bed, Kate Horony, and others, showing him to be a true friend and a kind man who stuck with his profession as much and as long as he could, until the disease destroyed his ability to continue. He gambled to earn money, and spent it lavishly on his friends. Waging what he knew was a losing battle, Holliday stayed true to his upbringing. The stories about the men he had gunned down turn out to be primarily fictions, perpetuated by post mortem accounts penned by people who badly needed money.
I was also fascinated by Kate Horony, his off-and-on lover. Kate Horony was a well-ridden prostitute, a stereotypical figure in Old West literature.
Except Mary Catherine Horony started life as the daughter of a Hungarian-born physician. When Dr. Horony and his wife died within a month of one another in 1867, Kate and her younger sister were left to the care of a lawyer, who seemed not to have cared very much. Kate ran away at the age of 28 and probably became a prostitute shortly thereafter, there being few other positions for women on their own at the time.
Curiously, Russell perpetuates the myth that Kate was the daughter of Hungarian aristocracy, ruined by the fall of Emperor Maximilian of Mexico. Russell attributed to her a facility in many languages and an appreciation of music, art, and the finer things that would have appealed to Doc Holliday’s refined tastes. Maybe Russell knows something I don’t know, or perhaps she just liked the way Kate’s mythic past fit so neatly into Doc’s actual history that she couldn’t resist.
I found myself really caring about the characters in “Doc,” especially Doc himself and Wyatt Earp, so I was all the more startled and displeased by the way the book ended. Chronologically, the story ends before the shootout in Tombstone. After a lyric, heart-wrenching scene where Doc plays the piano for the first time in years, Russell suddenly switches from telling the story from within the characters’ points of view to a summary of what happened to each of the principals in later life. I found this sudden switch from intimate to remote to be abrupt and almost hasty, as though the author couldn’t be bothered with telling the tale to its natural conclusion.
I understand that a sequel is on the way that finishes out Doc’s miserable, pain-racked life to the end. This is no excuse for dumping the reader by the side of the road and telling him that he has to catch another bus. Will I read the sequel? I might, but I ached for Doc’s suffering so completely throughout the first book, I may have to skip Russell’s no-doubt skillful portrayal of his anguished and impoverished death.
I first encountered the Amelia Peabody mystery series immediately after my father died in a car crash. My mother was alone in a rented condo in Laguna Beach, CA. I flew to John Wayne Airport in Orange County after she called me with the news. I drove around lost in the dark for a few hours (this was pre-GPS), before I finally found the condo and my frail, shocked mother.
By the time we wept with each other and had a glass of wine, it was 3:30 am. Mom went off to bed. I tried but failed to sleep, so I rifled the condo’s bookshelves for something to read. There were several paperbacks left by former occupants, and I selected a book with the intriguing title of “The Mummy Case” by Elizabeth Peters.
And promptly fell in love. The doughty heroine of this mystery series is Amelia Peabody, a no-nonsense Victorian lady who inherits enough money from her father to set off on a grand tour of Europe and North Africa. In Egypt, she encounters a rude, abrasive, black-haired archeologist named Emerson who tends to bellow at her with rage at every turn. So naturally, they fall in love. (I have read everything Peters has written, under her two pseudonyms and her real name, Barbara Mertz, and I can always identify the romantic male lead by his rudeness and irascibility. This is a forgivable foible in my opinion.) I discovered later that Mertz was an Egyptologist, accounting for her extensive knowledge of archeology and ancient Egyptian history.
The mystery was well plotted, but more than that, I adored the humor and Amelia’s unique personality. Peters pokes gentle fun at Victorian conventions. Amelia is prone to admiring Emerson’s “sapphirine orbs” and “manly physique.” At all other times, she is practical, down-to-earth and prepared for anything. Another bow to Victoriana is Sethos, the “Master Criminal” who haunts their archeological adventures—but nurses an unquenchable tendress for Amelia.
Loving the series and its distinctive voice, I was skeptical and a bit afraid to read “The Painted Queen.” Peters died in 2013, leaving a partially finished manuscript and notes for this novel. Her close friend and fellow writer and archeologist, Joan Hess, finished the book. Attempts to continue an author’s work as a franchise—álà the “Dune” series—usually disappoint. I doubted the book would succeed and satisfy.
I am so happy to tell you I was wrong. “The Painted Queen” is faithful to its author’s original vision and style. There were very few false notes. The main one is Emerson’s rather too-frequent declarations of undying passion to Amelia. Not that Emerson never does this, but he usually restricts himself to once or twice per book.
The plot centers on the spectacular and famous painted bust of Nefertiti that was discovered in the ruins of Amarna, site of Pharoah Ankhenaton’s capitol city. The bust was spirited out of Egypt by German archeologists and now resides in Berlin, but this story centers on skullduggery aimed at stealing the statue prior to its removal from Egypt—all fictional, of course.
I chose to listen to an audiobook version of the novel. Barbara Rosenblat, my favorite voice for Amelia, narrates this book. Rosenblat’s raspy tones suit Amelia’s brisk personality, and she handles the humor with subtle slyness. Rosenblat (who is American) employs a British accent with ease and her other accents—she is required to handle German, Arabic, and French voices—seem spot-on to me, though I have no real idea what an Egyptian Arab accent sounds like, outside of Omar Sharif. She delivers a sweet, melodic voice for young women and gruff male voices that are equally convincing.
All our favorite characters come together to tell the tale—including Master Criminal Sethos. There are kidnappings, murders, disguises, poison, hallucinogenic drugs, mistaken identities, and misdirections of all sorts as our heroes and heroines battle to save the bust from the clutches of the villains, dodging assassins as they go. It’s a satisfying adventure that wraps up every plot thread, with the exception of one. Ramses and Nefret, whom faithful readers will know are destined for each other but forever being torn apart—are now both free and obviously interested in one another, but they are not united by the end of the story. I believe there may be yet another Amelia Peabody tale in the future.
Given the deft, note-perfect character of “The Painted Queen,” I am very much looking forward to it.
I occasionally review books and interview other authors on this blog. Here, I interview Oliver Chase, who recently published a political thriller, “Camelot Games.” Given the current political situation, I thought “Camelot Games” was incredibly insightful, as well as a great, fast-paced read.
In the interest of full disclosure, Oliver Chase belongs to a very exclusive group of which I am also a member—authors who were formerly published by AEC Stellar Publishing. AEC Stellar, once presided over by publisher Ray Vogel, featured a number of new authors that Ray took under his wing. The pressures of his “day job” and the need to give more time to his family forced Ray to give up his dream, and our little group of diverse authors was scattered to the wind. I think we all still have a collegial feeling for one another—I know I do. I’ll always be grateful to Ray for publishing my first novel and launching me into my lifelong dream of being a published novelist.
KD: In “Camelot Games,” you’ve written a fast-paced political thriller, complete with back-room skullduggery, betrayal, misdirection, an attack on the nation’s infrastructure, and an attempt at secession. When you wrote this book, was there something in the political atmosphere of the time that inspired you? Or was it something else?
Oliver: What a fun question. Several years ago as I waited for the editor to return one of my novels, I read about the 2003 Northeast blackout. As catastrophes go, only a small part of America and Canada were affected. If you were there, it was awful. If not, the whole affair was someone else’s problem.
The financial losses impacted millions of people. Elevators stuck between floors. The NE corridor’s trains stopped on their tracks. Fire departments and first responders worked for days to help people only to find many could not hold on.
I read about the computer glitch, a bug that kept an alarm and a notification at bay until it was too late. The bug was not intentional, but what would happen if it was?
What would happen if a kingmaker decided his little pond was not big enough, or that he wanted to be more than just a footnote in the history books. Why not use a handsome front man and a lovely ambitious wife at a time when an unhappy nation had grown distrustful of its leadership and clamored for a savior.
Scott and Angie McHale waited in the wings, poised to save a nation, a gentle guiding hand for the ages, and born from the ashes.
K.D.: Are you surprised by how many elements of your novel came to the fore in recent politics, such as the Calexit movement?
Oliver: “Camelot Games” came about in two starts. When a jury convicted a wife killer in San Francisco, I was amazed at the man’s steadfast denial in the face of overwhelming, though circumstantial evidence. I read his testimony and wondered if he could hear himself. Where was his attorney? I haven’t an opinion if the killer sitting on death row today is justified. Or, if the real killer still runs among us. But, I note the man’s refusal to concede or ask forgiveness is pretty unique.
The second story that brought both halves of the novel together involved an early agent provocateur railing against the haughtiness of industrialists who believe their own press. He pointed out they paraded naked, and refuse to listen. Such egotistical ham-handedness of the less powerful might cause temporary pain for citizens, but to do such a thing on a national scale, could prove disastrous.
Hence, “Camelot Games.”
K.D.: This story required a thorough knowledge not just of politics, but of military protocol and procedure and law enforcement. Do you have a background in these fields?
Oliver: I’m hardly apolitical, either in my personal beliefs or my actions. The story however does not identify one party or the other. I’ve scrubbed my convictions clean of the characters and let each either damn or exonerate themselves without regard to a modern political party, organized religious principle, or ethnic background. The book does take place in America, takes a swipe or two at other countries, but pits people and not organizations against one another.
BTW, people suggesting the secession of states, cities and communities has been around since the Whiskey Rebellion in 1791. No one is ever completely happy, even in America. We’re just not wired that way.
K.D.: Your protagonist, Scott McHale, is a strong character, though flawed. Unusually for your genre, his wife Angie is also a strong character and she plays a significant role in your story. Did you start out intending to have a strong husband-and-wife team, or did it just work out that way?
Oliver: I’m a staunch proponent of partnerships. I’d like to think stalwart individuals forged civilization from the Stone Age, but that didn’t happen. Partners happened. Sometimes a community forms an enterprise, sometimes its two people. Like in a marriage. My personal experience finds love a terrific motivator and the glue when the going gets tough. Respect, belief, vision, dedication are important and have their place in partnerships, too.
Does anyone ever wonder why a love-interest in a book appeals to readers? Rocky or rock-solid, I think we innately recognize we humans do better when burdens and happiness are shared.
K.D.: Did you have any trouble writing the female characters? Is Angie based on any real person or persons? Is Big Jim based on a real person, or is he an amalgam of shadowy kingmaker-types?
Oliver: Trouble writing female characters? Hmm. I suppose the reader will have to tell me if I missed the mark with the females in Camelot Games. Obviously, the book centers around strong women. Several are not just important, but are vital to move the story along. Each possesses a unique voice, philosophy, and view of the story. Each will reveal themselves by their actions and their words. I’d have to admit one or two were easier than others. All the females are fictional. Some I’ve known in my imagination, some I wanted to know. Some I hope, I’ll never to have to meet.
K.D.: What were the aspects of the plot that gave you the most trouble? How did you work past it?
Oliver: Since we first started telling tales around campfires in caves of animal drawings, we the storytellers tried to capture the imaginations of our audiences. A plot must be in mind when we begin the story, the stronger and more solid, the better. Otherwise, we’ll lose the reader, shaggy dog stories notwithstanding.
The plot of “Camelot Games” makes clear the book is not a techno thriller. The general pleasure reader likely has little desire to be wowed by my grasp of technology, aerodynamics, or frankly, the inner workings of senatorial subcommittees. What I hope the reader will see is that unbridled ambition by any name changes the dynamics of our most important relationships. Whether it’s marital love, dedication to country, or a lawmaker’s connection to those who elect him, aspirations left unchecked have a way of eating us from within.
K.D.: Did you have to do a lot of research for this, or were you already very familiar with what you were writing?
Oliver: Research is always a tricky, little devil. As I spent time piecing together the elements of the book, I read and researched quite a bit that never made its way into my pages. For instance, Scott McHale sat on several subcommittees, at least two of which had a direct bearing on nuclear energy. In order to make sense of the mysterious buildings that suddenly began populating western United States, someone had to clear the way. Be he willing or unwilling, the task needed to be completed. Not much of my self-education on legislative process appeared in the book. If however, a teacher or even a congressman in the know happens to read “Camelot Games,” I needed to make the process of approvals and financing believable.
As a side note, one of my tools was to have been the now illegal “ear marking.” When that went by the boards, I need to go back to my studies and find another way to fulfill Scott’s mandate. When we use a story-vehicle, authors must insure there’s air in the tires. Otherwise, the story will go flat, too.
K.D.: Which writers have been your primary influences?
Oliver: Herman Wouk, James Michener, and Leon Uris caught my attention and imagination early in my life. They encouraged me to seek out the more difficult writers like Faulkner and Steinbeck. I’m pretty conventional, I know, and I’ve never grown too far from that apple tree. Today, I like Craig Johnson, Helen Wecker, John Sanford, Stephanie Meyer, and Karen White. I find myself listening to as many books as I read, but still look forward to that twenty-minute sweet spot, under the bedroom lamp, just before I fade to sleep.
K.D.: Will you be using the Scott and Angie McHale characters in a sequel? If so, when will the book be available?
Oliver: I had not thought about Scott and Angie in a sequel. To tell the truth, I’m so busy with my noir crime series, I hadn’t considered it. But thanks for the question. I’ll have fun toying with the idea.
K.D.: You made it clear in “Camelot Games” that America’s electrical grid is vulnerable to attack from within. Do you also see it as vulnerable to attack from abroad? What should be done about that?
Oliver: America’s vulnerability to an attack on the electrical grid is a scary reality. In the last few years, more and more is written about how we should be protecting ourselves. Like anything else in government, unless the priority rises to a level where one’s votes are in jeopardy, I doubt any legislator will lean too far forward. The loss of power for even a short time will be catastrophic.
A year after “Camelot Games” went to the publisher’s dark hole, I happened across “One Second After” by John Matherson. Newt Gingrich didn’t write my preface, but he did Matherson’s, and what he said, and believes, is downright scary. Perhaps different stories, but the same frightening result.
Before I say adieu, please allow me to make a shameless, self-serving pitch. Oliver Chase’s Take on Life contains a couple short stories, tiny vignettes about people I once knew and serves as a testing ground for my 2018 anthology. Interestingauthors.com is a place I go weekly to let off a little steam. A couple other authors do the same. I enjoy reading their stuff as much as writing my little bit.
By the way, Olivechase.net is a place to buy my books. If you’d like signed, paperback copies, and we can’t catch up with one another in a Barnes and Noble or Indie bookstore, drop me a note. We can try to work something out. I’d rather go in the red and have you read the book, than try to hold anyone up for a couple of bucks. Besides, I really enjoy readers and writers so please don’t be shy. I’m not that hard to find.
Oliver Chase Biography
Oliver grew up on military bases throughout the country and like all boys, played good guys and bad. Coaxing him into an afternoon of baseball along Lake Erie, hiking the Southern California’s hills or paddling a canoe in the North Carolina backwater didn’t take much unless a book found him first.
His best friend and he joined the Marines and took a deferment to attend college. Herb left school finding stumbling blocks that seemed insurmountable at the time. A year after graduating, Oliver stepped onto a sweaty tarmac with a manual Smith Corona typewriter not far from where Herb had died. Fate usually finds a way of putting day-to-day frustrations into a cruel perspective, especially when lost in the haze of an ugly war.
Thirty-one young men flew days and nights in the mountains trying to keep the world safe for … well, says Oliver, that’s not really true, is it? The only reason we ever went into those dark, frightening places was to save our friends, most of whom we’d never met, and never would. That they lived however, meant others died and that still haunts to this day.
He spent time wandering after he got home. Lots of young veterans did, some on foot, some on the rails. Many like Oliver make stops along the road life gave him. He never slept in the park or a bus station, although many did. Most eventually found a way out of the maze from that crazy period of time, yet too many others did not. Oliver promised he was never truly at risk, but still believes pulling the right ticket is mostly a matter of circumstance and luck.
He did a bit of teaching on the Navajo reservation, spent a few years with the cops and a couple alphabet agencies and never quit writing. The old manual typewriter became a memory when his first computer came along. A Lenovo notebook travels with him now, the wanderlust never completely leaving him be. Today, he spends days on the family farm and occasionally still follows the season around when a bookstore bids welcome. Sometimes he wonders if the old Smith Corona found a home, too. He hopes so, wishing his old friend happier days.
Oliver Chase Links
I know that as a writer, I’m supposed to be producing blog posts every few days about compelling topics such as … I don’t know. Compelling topics, anyway.
My problem is that the political turmoil gripping this country is so frightening, so horrific, that I can barely think about anything else. But I’m sure most of you would welcome reading something that has nothing to do with politics. I know I would, but I’m having difficulty tearing myself away. Long story short, I have fallen woefully short on blog post production, sparing you my agonized ruminations on The State of the Nation.
So I’m going to tell you what I’m working on now, in case anyone wants to know. I finished the sequel to “The Obsidian Mirror” last fall. It’s called “Fire in the Ocean,” and it is set primarily on the Hawai‘ian island of Moloka‘i. Long-term followers may remember that I blogged my research trip there in the winter of 2016—and what a trip it was!
The blurb: What would you do if you found yourself marooned on a tropical island with a shape-shifting demi-god who has lost his powers—and another shape-shifting demi-god who has not?
Naturally, you make friends with the local monster and get the heck out. Sierra Carter, newbie magic worker, does just this but finds herself caught up in a web of greed, deception, good intentions and the deep magic of ancient Moloka‘i, the isle of sorcerers. A few meddlesome gods and goddesses complicate the situation even when they’re trying to help.
“Fire in the Ocean,” the sequel to “The Obsidian Mirror,” continues the tale of Sierra and her friends (including a mannegishi and a part-time coyote) as they battle with an energy developer to protect the precious natural environment of Hawai‘i.
Diversion Books has given “Fire in the Ocean” a February 2018 launch slot, so you’ll be hearing more from me about this book in the future.
I am also re-writing and re-illustrating a children’s book. When I was in my Master’s program at college, I took a course in children’s literature (I was getting a degree in teaching). I asked my professor if, instead of writing a mid-term and final essay talking about some aspect of children’s lit, I could just write a couple of children’s books. He was delighted with this idea, and I produced “I Am Not a Bear” for four- to six-year-old children. (I also wrote a novel for older children that I will not be revisiting.)
The story is a simple one about a boy who wants to be a bear and a little bear who wants to be a human. They try trading places only to discover that they were happier in their own homes.
At the time I wrote the book, I was living in a house trailer on a farm that trained sulky racers—thoroughbred horses that race with a lightweight cart and driver behind them. I have a vivid memory of being curled up on the couch, painting the illustrations for the book and listening to the horses clopping by outside. I got an A in the course, by the way.
I read “I Am Not a Bear” to my children when they were little, and thought about redoing the book. By then, having grown as a writer and as an artist, I thought I could improve on them quite a bit. But I was raising kids and running a business, and time was what I didn’t have.
Now that I have grandchildren and time, I am actually doing it. I have no plans to try to get it published—publishers normally want to pick the illustrators for stories, and I’m sure they are usually right, but this is my story, and I want to do it my way. I intend to have it printed on demand, a couple of books for the grandkids, one for a new great-niece, and a few extra in case more come along.
I am also helping a friend write his autobiography. It’s a rags-to-riches story, quite literally. We have worked on it for the better part of two years, trying to accommodate his busy schedule as a Distinguished Engineer at IBM Research and my fiction writing and travels. I think his story is fascinating, but it is a challenge to translate someone’s life experiences into coherent and gripping prose. It’s harder than I thought it would be, but I’m enjoying it.
I started a writer’s critique circle recently. I joined one that someone else started and enjoyed it enormously, but then she moved out of the area. I tried to revive the one she began without much success, but the new group is fully booked, and I hope it will be as useful and enjoyable as the one my friend started. All writers need editors and readers, and a critique circle can be incredibly helpful. I’m calling it Writers Square, partly because everyone calls these things circles, and partly because one of my favorite mystery series has a writers’ critique club called Writers Square. (I have always been a sucker for bad humor. Good humor, too.)
So that’s my blog for today. I hope you enjoyed this brief respite from politics. I know I did.
Four years ago, my husband and I and our daughter’s family bought a house together and moved in. We had a nice big yard, and Kerry (our daughter) decided we should have backyard chickens.
I wasn’t opposed to having backyard chickens, as long as there were no roosters, and superannuated hens would be comfortably retired instead of popped in a stew pot. I did not grow up on a farm. I am unabashedly sentimental about animals. Yes, I know where my food comes from. No, I am not going to start killing my food unless the P45 administration sends us all back to the Stone Age and I somehow miraculously survive. And I most definitely will not kill something that has a name and has trusted me. (I hated the episode on the PBS reality show “Frontier House” where one of the dads shoots a pig named JoJo and makes his son watch—the son who had raised and loved the pig.)
There was a delay in the acquisition of actual chickens. Kerry bought a chicken coop (some assembly required), but she got pregnant almost immediately. The next three years were chicken-free. But the new baby inexorably became a toddler, and the toddler is rapidly becoming a little girl, so the topic of chickens resurfaced. Kerry and her eldest child went to a daylong seminar on raising backyard chickens and returned home with a box of five fluffy baby chicks of assorted breeds.
You have to keep chicks protected and warm, and in any case, we didn’t yet have a chicken coop. So they wound up in a plastic brooder in the upstairs bathroom, warmed by a heat lamp. The bottom of the brooder is covered with a layer of wood shavings that drift everywhere—the floor, the sink, counter top, the toilet, the guestroom carpet. My shoes.
So there we were with five baby chicks. They ate voraciously, pooped abundantly, and appeared to grow before our very eyes. A scant four weeks ago they were downy little peepers. Today they are half-grown, with their feathers grown in and nascent combs. The brooder is getting a tad crowded in my opinion, but they don’t seem to mind. They were christened Ruby, Chix, Zippy, Sunny, and Henrietta. Henrietta is my contribution to the naming. She is the largest, calmest and (Kerry swears) the most intelligent of the lot. Kerry says Henrietta is the Boss Bitch of the flock. I am desperately hoping that Henrietta doesn’t turn out to be Henry. But not to worry; Kerry has located a rooster rescue organization. Who knew?
Kerry, being a force of nature, soon had her husband Mike working on a larger chicken coop because it turned out the previously purchased poultry palace was too small for five birds. Neither Kerry nor Mike had any carpentry experience, but they were undeterred. Armed with a borrowed circular saw, they began construction. Their friends (the ones who owned the saw) pitched in, and within a few days, they had most of the coop constructed, painted and reinforced against predators. It isn’t quite finished yet, but looks very professional.
Predators are a real threat in our neighborhood, at least to chickens, and cats and small dogs occasionally go missing as well. We have a fenced yard, which should keep out the coyotes, but it won’t keep out raccoons, weasels, gray foxes (gray foxes can climb and we have seen them in the yard), rats, bobcats, or mountain lions. Yes, mountain lions. There’s one that lives somewhere behind us. We know because a neighbor saw it early one morning, and another neighbor ran across a deer carcass the lion had killed.
Then spring break came along, and Kerry and family have departed for a week, leaving me home as chicken curator. Someone has to check on them at least three times a day. Despite the fact they see humans so frequently, the same thing happens every time. As I approach the bathroom door, it is quiet inside, but as soon as I touch the door, a chorus of anguished chirping starts up. When I enter the bathroom, the chirping becomes louder and more intense as all the chicks huddle into one corner.
Our chickens do not, as Chilean poet Pablo Neruda once wrote, “… look at us with dry eyes as though we were unimportant.” No. They look at me the way teenagers in a horror flick look at the chainsaw-wielding mass murderer who chases them around the haunted house they were stupid enough to explore. As I move them from their brooder to the bathtub, the chickens shriek and flap and run away. When I succeed in catching one of them, always holding it gently in two hands, the screaming is bloodcurdling. The captured one shrills to her companions that she is being murdered! MURDERED! And the others increase their despairing screeches until I have rounded up every one and carefully deposited them in the tub so I can clean up their current mess without panicky chickens running around the bathroom floor as I work.
I have to clean out the water dispenser every time. Once they got big enough, the chicks started perching on top of the dispenser, which would topple over, letting all the water drain out. Although I have found a way to prevent it from falling over (packing tape), the chicks pile shavings on top of the drinking area and the shavings wick away all the water. So every chick-check is accompanied by some form of cleaning and disposal of wet shavings, even if I don’t have to move them to the bathtub.
While they wait in the tub, the chickens poop. Everywhere. In huge quantities. Then they step in the poop and leave chicken-foot-shaped poop marks all over the tub. Once I set their living quarters to rights and restore the chickens to their brooder, I have to clean the tub. As I sluice water in the tub, the chicks loudly discuss their ghastly experience with each other. I recognize complaining when I hear it.
Kerry tells me they can finish the coop with one more day’s work. Of course, I will have to wait until the family returns home. I am breathless with anticipation.
This morning, I was determined to do some beachcombing. Everyone says there is sea glass here. But first we had breakfast at Lola Valentina, where the staff now knows us and the food is good. They have a small army of cats in the restaurant, black and white, orange tabby, and cream. They aren’t feral, exactly, but they aren’t pets. I suspect they are there not to cage crumbs from the tourists, but to keep the rodent and cucaracha populations under control.
Then we took No. 8., our putt-putt cart, over to the north shore. It is rocky all along the Caribbean side. There are no beaches and the currents are too strong for swimming. The waves are small, just a constant slap-slap-slap against the rough rocks.
Sadly, what we mostly found was plastic garbage. We did find some sea glass, but nothing that a sea glass enthusiast would get excited about. Mostly of the broken beer bottle variety but there were a few nice pieces. And we found a sad, dead cow fish. But mostly plastic garbage, which you see everywhere on this island. Every day, I saw people finish food and just walk away, leaving their refuse on the street.
After that, we went to Mia Reef, which is a resort built, natch, on top of a reef. As a consequence, the reef is now dead. It is reached by a narrow wooden bridge across a beautiful turquoise inlet. For a fee, non-residents can get all the food and drink they want (including alcohol), and hang out on the beach or at the pool. There is still reef, accessible from the beach, and the water is quite shallow all the way out to it. We didn’t snorkel because it was windy, but one man who was snorkeling said there was a lot to see. We swam in the aqua water and lazed on a swinging mattress under a palapa, looking out on the Caribbean. Mia Reef would be an ideal place to take kids because the water is crystalline, shallow and calm. Once older kids are used to the water, the reef would be an excellent introduction to snorkeling. The resort is elegant and clean, there’s a kids’ club, and the staff is attentive even to day trippers such as ourselves. The food was acceptable, the drinks not overly alcoholic, if you know what I mean.
We walked out on a long pier. There were two people snorkeling, and they said they saw a lot of fish. I decided not to try because of the wind and because we were scheduled for a snorkeling tour the next day, but I later regretted my decision to give it a pass.
As the following day was our next-to-last day on the island, we checked the flight times and discovered that we weren’t going to make our flight if we stayed on the island for the last day we were booked. We would have to go back to the Marriott Courtyard at the airport, which meant we had to check out the afternoon prior to our flight instead of staying on Isla. This was the same day we had scheduled the snorkeling tour, which bothered me because once you’re on one of these tours, you don’t just decide it’s gone on too long; you’re there for the duration. We had to turn in No. 8 by 4 pm and make sure we caught the ferry to the mainland in time. So I cancelled the trip again.
* * * *
We’d already seen most of the things there are to see on this small island. There were only two things left, so we decided to do them.
We started at Garrifon Reef Park to do some snorkeling. It was more expensive than Mia Reef, but it is a kind of family playground with zip lines over the water, snorkeling, kayaking, a shallow, wandering pool with waterfalls and grottoes, beaches, restaurants and bars. Food, drinks and all activities were included in the price of admission.
Tom and I went snorkeling, but it was a disappointment to me. They make you wear a life jacket, which annoys me because it makes it hard to swim. The reef is dead, but they won’t let you snorkel over it anyway. We saw some fish and I saw a stingray. Tom saw a very large fish that he thought at first was a barracuda, but it was too chunky for that. He’d recognize a shark, so we never figured it out. My snorkel mask, which is one of the new kind that have a non-fogging bubble and built-in snorkel, was apparently too large, and I had to snorkel with my mouth hanging open to prevent water from entering. There was a line of people waiting at the steps to get into the water, and none of them would budge to let us out. A kindly man eventually took my equipment to allow me to climb out, which was nice of him.
We had the cafeteria food they were serving for lunch, accompanied by a non-stop stream of pretty-much-non-alcoholic margueritas that we didn’t ask for, which was fine. Sort of like lime slurpees, but better. Again, this would be a terrific place to bring kids. I’m just spoiled because I have snorkeled in places like Hawaii and Tahiti, where the reefs are alive and the ocean life abundant. I think I’m done trying to snorkel in the Caribbean. I’ve snorkeled in Antigua (actually OK at the time; early 70s), Jamaica and now Isla Mujeres, and most of the reefs I’ve seen are dead.
This was our last night on the island, so we made reservations for the fancy restaurant at Villa Rolandi. I had a filet mignon with bearnaise sauce that was as tender as chicken (I mean well-prepared chicken) and flavor to die for. It’s a great place, but at $400US a night it’s pretty pricey, even if all meals and drinks and activities are inclusive.
The following day we had breakfast at Mango Cafe–poblano pepper stuffed with bacon, eggs, onions and cheese, breaded and deep-fried. OK not healthy, but I’m on vacation dammit. We’ve pretty much done everything there is to do here, so we visited the Tortugranja, a rescue and breeding facility for sea turtles. They provide a safe place to lay and hatch the eggs, then release the babies. They have tanks with some older turtles being rehabbed, and there are some very large specimens in a pen in the ocean. You can walk along a pier to see them. They sell bags of turtle chow at the entrance.
There’s a large pen that extends into the ocean containing several large turtles. I think they are mature adults that for whatever reason will not survive in the wild. When you throw turtle chow in the large pen the turtles get some of it, but there is an army of assorted seagulls above and another one of little fish below that eagerly gobble up much of the food.
They had several albino turtles–one tank had nothing but albinos–and had green, hawksbill and loggerhead turtles there. Sea turtles are threatened for several reasons. One is because they are so darned delicious. People everywhere catch and eat them and their eggs despite the fact they are endangered. Another is because many of their hatching beaches have disappeared, taken over by development and humans who enjoy the beach environment. Another is because given their diminished numbers, the natural predation on the babies cuts seriously into their surviving numbers. Baby turtles must crawl from their nests in the sand to the ocean, all the while being attacked by birds. Once in the water, the babies are an easy snack for fish and more birds.
After the Tortugranja, we were pretty much done with Isla. We went into town, bought some gifts, had lunch and turned in No. 8. Then it was time to pack and catch the ferry to the mainland. On the taxi ride from Puerto Juarez, the ferry port on the mainland, the driver told me he had saved up to take his family to DisneyWorld in Florida, spending $750US for visas. The visas were cancelled by the P45 administration, no explanations offered. I apologized for my country, embarrassed. This was the first time anyone in Mexico raised the subject; of course they rely on tourism, but I also think they gave us, as individuals, the benefit of the doubt. Plus, the Mexican people are for the most part friendly, kind and polite. Many times, someone stopped unasked and helped me with something–a dropped item, a suitcase, or helped me over rough ground. On the ferry, which was crowded, a man gave me his seat with his family despite my protests. The Mexicans absolutely do not deserve the cold shoulder they are getting from my country.
I was pleased throughout our trip to note that there were as many Mexicans as other nationalities on vacation in the places we went, enjoying the sights and experiences of their country. (Calakmul was an exception. Most people there were American or European. It’s a kind of remote place, after all, and not someplace you’d take kids.) I have visited Mexico a few times before and didn’t see this previously. I am hopeful this means the middle class is growing in Mexico, and more people have the leisure and money that we have taken for granted here for many decades. I believe there were more Mexican tourists in Isla Mujeres than Americans.
At some point during the trip, Linda asked me if I had enough material for the next novel. I am beginning to work on a story line, but I would say no, I do not. I came back from Moloka‘i two years ago seething with ideas and enthusiasm to start writing. I’m not there yet with this one. I think it will be a slow burn. This one has to be the best one, because after that, I am saying farewell to Sierra and Chaco, Clancy, Fred, Rose, Kaylee and Mama Labadie. Three books are enough.
Next research trip: Iceland, but not for a while. I still have to launch “Fire in the Ocean” and write the third book in the series. But I’m thinking about it!
Here are some photos, included in no particular order, but I like them for one reason or another and they didn’t fit into my narrative:
After a restless night (me, not Tom), we wished each other happy Valentine’s Day and got into the cart to drive to town. I was much less freaked out this time. Breakfast was the first order of business, then we needed to get the cart gassed up and the wheel fixed. The rental place was right in the middle of a shopping area filled with tiendas offering artisanal crafts and touristy tchachkis, and I wondered why Francisco had not brought us here. Who knows, but I spent a couple of hours going through the shops looking for gifts. I saw all kinds of cool stuff, and a whole lot of crap, but I had no desire to haul heavy woodcarvings or painted (and fragile) pottery home, so I was primarily looking for small, non-breakable, lightweight things.
I asked around for sea glass jewelry, as that is our daughter’s passionate hobby. I only found one shop that had it, and it consisted of monumentally ugly, poorly worn pieces set clumsily in huge, heavy silver collars. I finally did find a few pieces of delicate, beautifully designed jewelry in one store, but nothing with sea glass. I think based on what I got, that she will forgive me.
Tom, as always, followed me around while I shopped without the slightest impatience, bless the man. Once I concluded the hunt, we picked up the cart–but we got a new one with no wobbly wheel and much more get-up-and-go than the original. We called it No. 8, as that was the number painted on the side. No suspension, but a huge improvement nonetheless, as it no longer wobbled and had a bit more get-up-and-go. We went to a beach where someone had told us you can find sea glass and found a lovely little swimming area, but no sea glass. I suspect that the sea glass here is of the broken beer bottle variety, anyway, but I’ll keep looking.
We came back to the hotel. I was somewhat disturbed to find a squashed, three-inch cockroach lying by the bedside table, still waving its legs. I wasn’t disturbed by the cucaracha so much–it’s the tropics, after all–as the fact that we hadn’t squashed it and the maid hadn’t done the room yet. I sent it to Xibalba (the Mayan realm of the dead) down the toilet and mopped up the mess. Nothing was missing or amiss, so oh, well. It’s not as if I brought my diamond tiara with me. We returned to the Cubano restaurant for more excellent guacamole and a ceviche to die for, with octopus and conch in it.
And then we did nothing. Just nothing. Until about 8:30 pm, which is about a half an hour before most of the local restaurants close. We weren’t starving, so we went to Chedraui down the street, which is sort of a supermarket combined with Costco—you can get everything from mopeds and washing machines to fountain drinks, dried hibiscus flowers and fish. We got some cheese, crackers, wine and snacks and went back to the hotel for a modest repast, using our kitchen for the first time.
* * * *
We set our alarm for the next morning, as we were scheduled for a snorkeling tour at 10 am. However, the weather was projected to be quite windy, followed the next day by rain. Windy conditions are poor snorkeling conditions, so we rescheduled for after the rain.
As that was our big expedition today, we had to make new plans. We had breakfast at Lola Valentina, where we had eaten the day before, and the staff recognized us, which is always nice. I didn’t feel like a heavy breakfast and had fruit and yogurt. Then we visited the cemetery.
I adore cemeteries. The older, the better. This cemetery features the self-carved gravestone of Juan Menaca, although apparently he was buried in Merida. I wanted to find his stone, but the cemetery was sufficient on its own to delight me. The majority of the tombs are created by hand, each one different, and each one a very personal tribute to the departed, which is what I love about such places. Mexicans have a very personal relationship with their dead. Everyone knows about Dia del los Muertes, Halloween, where families picnic among the tombs and catch up their dead relatives on the doings of the past year. They share food and drink with their departed loved ones and have a lively family party.
Most of the tombs in the Isla Mujeres graveyard were designed like little two-story houses. The top story was often enclosed by glass and protected with miniature wrought-iron grills like most Mexican houses. These enclosures were often locked with padlocks, though in some cases the closure was a simple wooden latch. Inside were offerings of liquor, plastic and real flowers, little Madonna statues and angels, candles, and other things. One fancy tomb had an entire bottle of sparkling wine. Many of the structures are electrified–I’d like to see it at night. The monuments come in all sorts of designs. While most looked like little houses, one looked like a Roman temple, and there were many other variations. No two were alike, although there were several identical angel statues, each holding an index finger to her lips, the other index finger pointed heavenwards. It had the effect of a bunch of very bossy librarians.
Some of the tombs were crudely fashioned, others were elaborate. One looked like a suburban house, complete with artificial turf lawn. Another was fashioned in the shape of a ship–several were dedicated to sea captains, which makes sense on an island. One of the captains’ tombs had a railing composed of concrete ship’s wheels and a model ship resting in a large glass case in front. I assume it was a model of the captain’s own ship, or perhaps something he created. One structure that was made to look like a cottage was painted white with twining roses painted around the door. Several were covered in ceramic or marble tiles. The larger and taller monuments had built-in steps along the side. At first I thought perhaps these were for the deceased’s spirit to reach the offerings, but I soon realized the steps were there to allow the living to reach the little offering houses and replace the contents.
Sadly, hurricanes and time have damaged many of these momento morii. The sandy ground is littered with broken marble, glass tiles, shattered bottles and glasses, and so forth. But you can sense the care and love with which these tombs are created and—as much as possible—maintained.
We did not find Juan Menaca’s gravestone. Disappointing, but even I finally gave up. We ran a few errands and had a nice lunch and did some shopping. We did finally discover the “fiesta artisanal,” and there were some very beautiful items, some different than in the surrounding sea of tiendas, but I didn’t buy anything.
The afternoons here tend to be sweltering, even though there is always a breeze. I thought it would’ve been a nice day to swim at Playa Norte, but we stayed in out of the heat instead. Toward sunset, I thought we should go to Punta Sur and watch the sun set. Traveling south in No. 8, I saw a dog enjoying the evening breeze. This would not have been unusual except that he was lying on top of the peaked roof of a portico that stretched out in front of a house. I still wish I had gotten a photo.
When we got to Punta Sur, the facilities were closed for a wedding, but we did sit out and watch the dramatic clouds as the sun set and the storm began to gather. Frigate birds, looking like a flock of pterodactyls, hung on the wind far above us, not fishing, not doing anything, as far as we could tell. Perhaps it is enough to be able to suspend oneself above the sea like a hang-glider, taking in the gold-edged clouds, the towers of Cancun, the little rocky island below, and the darkening waters.