The Last Day in Kona, Revisiting Sam, Plus Kukui Nuts and Awa

Day 6: Hawaii to Molokai

Our last full day here dawned bright and beautiful. The plan was to visit Pu`uhonua O Hōnaunau National Historical Park, the place of refuge. We had visited years ago and thought it was beautiful. There is a restored heiau, ancient fishponds, interesting plants, and more.

Hōnaunau sits on the opposite arm of the bay where we went snorkeling a couple of days ago. There is an easy entry into the water there, and I hoped to snorkel that side of the bay, as we had done before.

Which reminds me of a story that Bob told me that I forgot to relate. One day in ancient times, the shark god took human form and stepped out of the bay at Hōnaunau. He was greeted in a friendly way by the people, and took a wife among them. He lived with them happily, but in the end had to return to the sea. Before he assumed his shark form, he told the people that because of their kindness and hospitality, the bay between the two points would always be a safe place for them to swim; his people (sharks) would not come there. And so it is to this day.

As I was fixing breakfast on our open lanai kitchen, I heard the sound of crashing surf. This is  thousand feet above the ocean, and perhaps four miles away, as the crow flies. I had never heard the surf from the lanai before. I peered out at the sea and I could see the white spume flying up from the bay at Hōnaunau and along the coastline cliffs. We would not be snorkeling today.

However, Hōnaunau is always worth the visit, so after breakfast, we drove down there. Sadly, the park was closed, a ranger standing at the barricade patiently answering the same question over and over and cars wheeling around and heading away. Of course, we had to ask, too. He told us there was a lot of damage from the storm.

What storm? It had been clear and calm the night before. We headed to Two-Step to see what we could see, and the road was covered with sand and rocks. Huge waves were crashing on the rocks, but people were paddling around in large pools that had been left by the water that splashed over the rocky barrier. We walked out on the rocks (not too far) to take pictures, then left.

Wave surge at Two-Step Beach.

Wave surge at Two-Step Beach.

 

View of Hanaunau from Two-Step. You can see the restored heiau on the point.

View of Hanaunau from Two-Step. You can see the restored heiau on the point.

On the way back, I spotted a wonderful tree that looked as though it were melting. I wanted Tom to take pictures. The tree is truly amazing, with aerial roots and twisty white tendrils that looked as though made of wax rivulets from a burning candle. There was a macadamia nut-Kona coffee-fruit store across the road, so we wandered over to look. I asked the shop keeper what kind of tree that was across the road. He looked blank and said, “What tree?” I guess that incredible-looking tree was just same-old, same old to him. (It turned out to be a banyan.)

Is this not an amazing tree?

Is this not an amazing tree?

The shop keeper’s wife asked what we were doing on the Big Island, and I explained I was researching a novel. She said her daughter wanted to write a book, and how did I get published? I said I’d be glad to help her daughter out if she wanted to email me. I don’t think I can help anyone get published, but I can tell her a bit about how the industry works–or doesn’t.

We tried raw macadamias (meh), then roasted and salted (yum!). But the absolute best were chocolate covered with sea salt–to die for. We bought some, needless to say.

I wanted to go see Bob again. I wanted to tell him about my experience with the lei at Kilauwea. I also wanted another healing–this time on my elbow and ankle. My elbow was so sore that day I could barely touch it (don’t know why), and my ankle has arthritis. Also, my hair was beginning to bug me. It is curly, and when it gets longer, it flies around and looks awful. The humidity of Hawaii wasn’t helping any; I might have been walking around under a gray haystack.

Bob was delighted to see us again. He listened to my story with great satisfaction, then told me more tales of his personal encounters. As he was speaking, a lovely Hawaiian lady came in and sat down. Bob talked and snipped, snipped and talked, until finally I said, “my husband is going to kill you if cut any more off.” I was afraid he would just keep on until I had a fashionably bald head (fashionable for young men, but not for ladies my age).

I said he should take the Hawaiian lady next and I would wait for my healing, but she said to go ahead, so we did. It was the same quiet ritual as before. I thanked her for her patience when we were done; I don’t know how long it all took, but where I live, the next customer would have been foaming at the mouth by then.

After the healing, my elbow in particular felt better. Not perfect, but better to the point where I could touch it without pain. I am really indifferent to whether or not I am merely suggestible, so long as the results are there.

Then we headed off to Greenwell Botanical Gardens, as it had been closed the last time we tried to go. It turns out the garden is operated by the Bishop Museum. Ken’s friend Peter was sick that day, so I will have to email him. I selected some books for the grandkids and chatted with Aloha, the lady behind the counter. Tom took off around the garden by himself, and I followed later.

Greenwell is dedicated to growing and preserving native Hawaiian plants. They don’t charge visitors. Tom and I wandered, reading the informative signs, which noted how the Hawaiians used the plants for food, dye, adornment, etc. I collected a list of questions to ask one of the guides. (We had elected to walk around by ourselves for a while.)

Native loulu palms at Greenwell Botanical Gardens. Highly endangered in the wild, although they once formed forests that carpeted the islands.

Native loulu palms at Greenwell Botanical Gardens. Highly endangered in the wild, although they once formed forests that carpeted the islands.

Back at the visitors center, I introduced myself to Jim, a guide with a magnificent white beard and twinkling blue eyes. After I asked a few questions, Jim cocked an eye at me and said, “Where are you from? You seem pretty well-informed.” That made me happy. After doing all this research, I still feel like the greenest newbie.

I won’t bore you with all the questions I had, but I did think what learned from Jim about Kukui trees was interesting. Kukui nuts were used by the Hawaiians as lights, and are also known as candlenut trees. The nuts are full of oil. The Hawaiians stacked them in a vertical row along a straight sliver of wood and ignited the top nut. It would burn for a while, then ignite the nut below it, which would burn in turn. I knew this, but what I wanted to know was if they were edible. In response, Jim found a good nut lying on the ground and cut it open for me. I tried it. It was a lot like the raw macadamia I ate at the store, and I commented it would probably taste better if toasted a bit. Jim said Kukui is sometimes roasted and salted and used as a condiment for poke. But you can’t eat very much of it, or you get the runs. He hastily added that the small amount I had consumed wouldn’t have that effect on me.

If you shop at Trader Joe’s you have seen some of the staff wearing Kukui nut leis. They polish up beautifully.

Koa trees are acacias, but their leaves are a beautiful, long sickle shape. Koa produces a gorgeous hardwood with light and dark streaks, and it appears the population is not endangered. Ancient Hawaiians made short surfboard and canoes out of the wood. I asked about this peculiarly non-acacia type of foliage, and Jim said they put out juvenile leaves that have the typical feathery appearance of acacia, but this new growth falls off and is replaced by the sickle-shaped leaves–which aren’t leaves. They are structures called “phyllodes,” but as they perform the necessary task of photosynthesis, I don’t think us non-scientists need to worry about the difference.

I noticed what looked like a tiny heiau (temple) constructed of lava rock near the visitors center. It was shaped like a four-sided pyramid, with the top flattened to make a small platform. It had an oval stone standing upright on top of it, like a Ku stone. I asked Jim about it, and he said it was built by the men who worked in the garden. It was not a miniature heiau, it was a replica of a district (aha-pu’a’a) marker. I asked if the stone on top was a Ku stone, and he said, no, it was dedicated to Kama-pu’a’a. I don’t yet know how the Hawaiians could tell the difference between one sacred stone and another.

Now seems as good a time as any to tell you about Kama-pu’a’a, the pig god. Kama (if I may be informal) was born on Oahu to parents who were of divine and chiefly ancestry. Kama was born in the shape of a little pig, and he got into all sorts of mischief in this form. In that sense, he is rather like Coyote the Trickster, of Native American tradition. There are many such gods/culture heroes, like Anansi (Africa), Loki (Norse), and Ti Malice (Vodun).

Kama’s human form was that of a stunningly handsome young man. Eventually he moved to Kahiki and married a woman there. But Pele began to beckon him across the ocean with her smoke. Given what happens next, I am not clear why Pele did this, but if you expect legends to make sense, you should probably stick with mathematics. (Not that math makes any sense to me. That’s why I write fantasy.)

Kama returns home to Oahu first, to recruit the assistance of his family in dealing with Pele, whom he knows is a fierce and powerful goddess. His grandparents agree to follow him to Hawaii (hidden in his genitals, which sounds uncomfortable), and Kama turns into one of his other body forms, the humu-humu-nuku-nuku-a’pu’a,a, and swims to the Big Island.

Kama makes his way to Pele’s home at Kilauwea in his human form, which had been enhanced  by his grandparents until there was no more beautiful man in all of Hawaii. He begins to chant at the crater’s edge. 40,000 of Pele’s people come out of her home to see who is chanting, and her sisters see this dazzling young man and desire him. They tell Pele about him because they are under kapu unless Pele frees them, but she is scornful. She tells them he is a hairy pig, and not worthy of them, but they don’t believe her and think she just wants Kama for herself.

Kama didn’t come for the sisters, he came for Pele. He chants to her with alluring words, whereupon she chants back, heaping insult upon insult. Kama is humiliated, and takes it out on his grandparents by slapping them (talk about adding injury to insult). More insults fly, and then Pele sends her lava right to Kama’s feet. A great fight ensues, and Kama’s family helps him. His sister floods Pele’s house, making it unfit to live in. Pele rekindles her fire and begins to chase Kama, who reverts to his pig form. Pele scorches his bristles, causing one of his grandfathers to die of grief, thinking his grandson dead, but Kama lives.

Pele finally chases Kama into the sea, where he assumes his fish form. Pele sends her eager sisters to the shore to entice him with their bodies (I’m being euphemistic here), but he mocks them from the waves. The Pele clan gives it up as a bad job and goes home. Kama resumes his handsome human form and follows. The sisters being as enthusiastic as ever, Pele releases them from the kapu, and Kama makes love to both of them. But he wants Pele, who has assumed the form of an old woman. Undeceived, Kama sweet-talks her into an assignation. They go at it for days, and Pele is in danger of dying. Another sister of Pele, who has a detachable, flying ma’i (Remember what a ma’i is? It’s her lady parts.), dispatches this organ to distract Kama from his piggish behavior with Pele. This is successful, and Kama goes chasing off to the other side of the island. So the dry side of Hawaii is Pele’s, and the wet side is Kama’s, and they continue their love-hate relationship to this day.

Whew. You wouldn’t believe how much detail I eliminated from this story in the interest of not losing my readers!

Then I asked Jim about awa (pronounced ah-vah, and known as kava in much of Polynesia). I knew that awa was cultivated by the ancient Hawaiians as a social drink, sometimes as part of ceremonies. I wanted to know what it tasted like, and what the effects were. (Research, you know). I asked where I could experience this–as long as it was not prepared in the traditional manner. (Traditionally, people–often children–chewed the root and spat into coconut shells. The resulting ickiness was imbibed.)

Jim looked at me and asked, “Have you tried going to a kava bar?”

Well, no, Jim, we hadn’t. It never occurred to me that such places existed.

So next stop, Ma’s Kava, which turned out to be immediately next door to Shear Magic. Ma’s Kava was a teeny space that shared its commercial doings with Qina Girl Floral. There were several small children surging around behind the bar. There was a diminutive bar made of koa, and three little bar stools. Both businesses are operated by a nice young couple, April and Josh. April has a degree from University of Hawaii, and Josh is a Fijiian ex-British Army guy. They served us two coconut shells full of a cloudy, pale, beige-ish liquid. Tom took two sips before deciding that was enough, so Josh gave him a half-cup of nettle tea to take the taste away. The tea, made of stingless nettles, was tasty, comparable to oolong.

It is abundantly clear that awa is not drunk for the taste, which is muddy, with a slight bitter aftertaste. Because I was, after all, doing research, I drank his as well as mine. It really is not intoxicating. After two shells (as they say), I was perfectly clear-headed, but maybe a little livelier than usual. Awa soothes body soreness, is a muscle relaxant, and a mood elevator, according to April. She and Josh showed us an awa root, which was about 12 feet long, twined and tangled. April said the older the root, the more potent the awa. It is extremely tough and has to be pounded a long time before it can be used. The taste differs with the variety, as does the potency. It left us wondering how anyone originally discovered its effects, as without modern equipment, the stuff is hard to make.

April shows us an awa root.

April shows us an awa root.

 

Awa is not regulated like alcohol or marijuana. April said there were kava bars in most areas, but not in every town. Their customers were mostly working men who come in for a shell after work to ease soreness and relax at the end of the day. They had no other customers while we were there–maybe we scared them off. We thanked April and Josh and went back to Camp Aloha.

We had a lovely evening. Joan came out and we offered her some wine and talked and talked. Casey eventually showed up, and more wine was poured. And there was more talking. Eventually, our hosts retired, we cleaned up the lanai kitchen a final time, and so to bed.

But before we begin the journey to Moloka’i, here is a photo of the amazing spider that hung outside the lanai. It had spun a white “X” in the center of its web, and it always sat right in the middle of the X, as you can see. The X consisted of zigzags of thicker white silk. I looked this up, and they don’t know why spiders sometimes do this. One theory was to make the spider look bigger to discourage predators, and you can see that this might indeed be so. It was quite large enough to discourage me.

X marks the spot.

X marks the spot.

 

 

 

 

 

 

 

 

 

 

Day 4: The Old Friend Comes Through and Things Become Brighter

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Day 4: Kona

I awoke early with snorkeling on my mind. We each grabbed a banana and a croissant, put swimsuits on and headed out to Two-Step beach.

“Beach” is actually a euphemism. It is a lava rock outcropping with a light dusting of sand here and there. As we made our way to the water’s edge, I guess we looked like newbies, because we received a lot of kindly advice from others about how to get in and out of the water.

This was well-received. Two-Step earned its name because there is an area where two shelves of lava form steps into the water. You can see the fish swimming below the steps even before getting in. We were given these rules:

-People exiting the water have right of way. They are likely tired, and it isn’t enormously easy to get out.

-Let the water take you out. Let the water bring you in.

-If you want to help people exiting the water, take their equipment for them, but do not offer them a hand. It’s too likely that they will accidentally pull you into the water.

I approached the water cautiously because getting slammed against the lava rock would probably be a bad idea. I wet my fins in the water and put them on, stuck my mask and snorkel on my head like a peculiar hair band, and eased carefully out. No problems. I began to snorkel as soon as Tom made his way in.

The water clarity was good, and there were plenty of fish–different types of butterfly fish, mostly millet seed, long nose, and raccoon. We also saw lots of bright-yellow tangs, a few bright-yellow trumpetfish, pufferfish, lots of black dragon triggerfish, wrasses, and my fave: the humuhumu-nukunuku-apu’a’a. This means “little fish with a snout like a pig,” and is Hawaii’s state fish. I can actually pronounce it flawlessly. We also saw a gorgeous blue parrotfish.

Memories to cherish: swimming into a cloud of black dragon triggerfish. They weren’t exactly schooling, more like hanging around together. In Hawaiian, these are called humuhumu-ele’ele. They are (as you might imagine) black, but they have neon-blue racing stripes edging their dorsal and ventral fins, and are quite lovely. Closer to shore, we saw a school of small white-silver fish with yellow tails that I have not yet been able to identify. They were clumped into several small groups, each side-by-side with the others and facing the same direction like marching soldiers. There were probably five or six little groups, not schooling, just hovering. Black dragon surgeonfish and a damselfish seemed to be herding them, though this was probably not the case.

We headed in after a bit. Both of us were cramping. I don’t know if this was because we haven’t swum with fins for more than a year, or because we don’t get enough exercise in general (sadly probable), or because of the rather weighty bananas we had for breakfast (I did get indigestion). We reached the two steps. I was much more cautious getting out, taking off my fins and flinging them onto the lava, then my mask (gently laid on the top step). I let the waves push me onto the first step, then carefully climbed out onto my knees, which I would never normally do because I have damaged them too many times. And thus to safety. As I was pulling myself out, I noticed a tiny starfish in a crack, round and flat like a pancake, with many small, rayed legs. I will try to find out what this was, because I’ve never seen one before.

We headed back to Camp Aloha. I took a swim in the pool, then showered, feeling refreshed. As I was relaxing, Ken called and asked if we would like to have lunch? Would I! We agreed to meet at Teshima’s at 12:30.  That left us just enough time to see an optometrist to get Tom’s glasses fixed. He had dropped his glasses, swiftly retrieved them before they hit the concrete–and bent the frame, causing a lens to fall out. We went to Eye Land Vision (get it?). The nice lady there fixed his glasses at no charge and even let us use the restroom.

We found Teshima’s and arrived right on time (probably unnecessary, as Ken would be operating on island time). The restaurant is Japanese-ish, with tempura and sashimi, but no sushi. They also offer hamburgers and other standard fare. We surveyed the menu and drank green tea while waiting. Before long, I saw a Ken-like hat sail past the window, and sure enough, there he was, followed by his wife, Margie. I hadn’t met Margie before, and really enjoyed making her acquaintance.

I asked a lot of questions. Not that many people make such a drastic change in their lives. Apparently Margie’s health was the spur that drove them to move from Chicago to Hawaii. (It wouldn’t have taken much for me to follow suit, if I lived in Chicago.) Ken quit journalism and bought a Kona coffee plantation.

“If anyone tells you they’re making money growing coffee here, they’re lying,” he told us. The plantations in the area (some grow macadamias, some coffee, some fruit trees, some a mix) tend to average 5 acres or so. But it was Ken’s health that forced him to sell his coffee farm. Margie told us he has a photographic memory, so absolutely everything he has ever read or seen is indelibly lodged in his brain. I suppose that is true of all of us, but Ken can actually access all that data. He rapidly became a recognized expert in sustainable agriculture. I suppose his eidetic memory is also responsible for his fluency in Japanese.

After chatting over lunch, he told us to follow him to his friend’s barber shop. His friend Bob owns a barbershop in Captain Cook called “Shear Magic.”  Ken told me that Bob had tons of stories about ghosts and spirits.

Shear Magic is located in a building off the main highway, a tiny shop towards the back. Ken introduced me to Bob, a cheerful, diminutive man with one missing tooth, and I explained why I wanted to hear his stories. There was a woman about my age waiting to get her hair trimmed, but she sat down in the barber chair and told Bob to go right ahead and talk while he was cutting. She occasionally chimed in with her own experiences, which was wonderful.

Bob is not ethnic Hawaiian. He is ethnic Japanese and married to a Vietnamese woman. But he told me that he reveres Pele, the volcano goddess, as do many here. He said that his wife’s family came to visit and they went to Volcanoes National Park. Out of the trunk of the car came crystal glasses, food and wine, which they arranged as an offering. He offered to call Pele for them, and they were delighted. As Bob explained, in Vietnam they revere a “lady goddess,” and they saw Pele as her Hawaiian equivalent.

Bob also reveres Kuan Yin, the goddess of mercy. He got a statuette of Kuan Yin and set it up in his bedroom, but the Vietnamese side of the family objected. They told him the goddess does not want to see him naked or making love, so he moved her to another room. (Hawaiian goddesses would probably want to join in. The ancient Hawaiians approved of sex and were unashamed of it.)

Ken in particular asked Bob to tell me about the night marchers. Bob said the night marchers were the spirits of the old Hawaiians. Every island was divided in those days into pie-shaped wedges called ahupua’a. The people lived near the sea, but had trails up into the hills of their ahupua’a to cultivate taro and awa (kava, which is an intoxicant). The night marchers follow their ancient paths to and from the taro patches. The woman in the chair piped up and said her house was right on one of those trails, and she had planted ti plants at the front and back doors as a signal that they were welcome to come through, although she has never heard or seen them. Bob has heard the night marchers many times.

He told me that he has been warned by spirits often not to go certain places. One time, he was fishing with a friend on a ledge by the ocean. A shadow woman appeared, far to his left and stayed there for several minutes, then disappeared. Then his friend exclaimed that a spirit whose face was covered by her long, white hair had appeared several yards to the right. They packed up their gear and left.

I asked if he had experience of any other such appearances, and he said that he has seen bright lights at night, small lights that flew right past him looking like tiny comets. This interested me because I had only the day before read about these in Martha Beckwith’s “Hawaian Mythology”:

“The fetcher as a streak of light may have a long history in Hawaii, since Ka-ili (The snatcher), described by Ellis in 1825 as a god seen at evening ‘flying about in the form of a comet,’ is the name of Liloa’s war god bequeathed to his favorite son Umi, who eventually seized the rule from his less able and less devout brother.”

Then his customer pitched in, saying that she had seen mysterious lights in trees and even on the side of a building at night. She said they were small and looked convex. When she tried to touch one, it disappeared. She also mentioned hearing Bob play the ukulele and sing earlier in the day, and suggested that we get him to display his talents for us.

The customer, now shorn, departed, and there were no people waiting, so we continued to talk. Bob never really ran out of stories. He told me that he came to Hawaii from Oahu, and immediately felt he had come home. He believes he is a reincarnated warrior, one of the Ali’i (ruling class) who were killed at “The End of the World” (the extreme southernmost tip of land in Hawaii) by the army of King Kamehameha I around 1790. So he is Hawaiian in his heart, if not in his genes.

I begged him to play the ukulele and sing. He resisted, but finally gave in and sang two songs.  He has a beautiful voice. The first was in Hawaiian and the second in English–it was about the old Hawaiians and mentioned the area we were in–Napo’opo’o and Hanaunau. Both songs were lovely. We applauded, and I said because he had shared his art with me, I wanted to share my art with him and would send him a copy of “The Obsidian Mirror” when I returned home.

Bob said he was studying to be a healer and described sensations he had felt during healings. He said when it worked, it felt like warm syrup pouring out of him. His teacher told him that was God working through him. I said I would pay him for a healing, but he replied that he did not take money for this. He agreed to do a healing on my knee, which I injured some time ago. He instructed me to close my eyes and relax, doing some deep breathing, then to envision golden light around my knee. We sat quietly for a while, then he said he hoped it would help. I don’t know, but my knee has felt pretty good since.

Bob healing my knee.

Bob healing my knee.

Go ahead. Say “placebo effect.” I don’t care.

Bob had another customer waiting by this time, so we left (I with a book by his healing teacher under one arm as Bob’s gift). Ken (who had left earlier) asked us to stop by his new farm, so we set off to find it. It turned out to be right off the highway, down a tiny road so rough it looked like a lava bed at first. It was easy to see he was in the midst of clearing brush, and he had a fire burning the brush, making ash to enrich the soil. He showed us a house on the property where he and Margie intend to start a B&B some day. It looks tiny from the front, but is actually pretty big. There’s a huge room in the back where he will teach food preservation classes. A busy and ambitious man. I haven’t the energy he does, and we must be about the same age.

We said farewell to Ken and headed down the highway. We stopped at Greenwell Farms, which is a Kona coffee farm. It has been in the Greenwell family for 150 years. It’s one of the largest in the area, and processes coffee for a lot of the smaller growers who can’t afford the space and equipment that it takes to process coffee. A nice woman named Caroline gave us a tour of the groves and some of the processing areas. As you may know, coffee is highly labor-intensive because the coffee bushes have “cherries” at different stages of ripening at the same time on the same tree. At Greenwell, they pick each tree at least three times as the cherries ripen. Then they are dumped into water for a quality test. It struck me a bit like witch-dunking; if the cherries sink, they are good. If they float, they are bad.

Then the cherries are put through a machine that removes the red outer skin. Recently, they have discovered that the skin is full of antioxidants, so now they make it into a health drink called Kona Red. (Didn’t try it.) The beans, two to a cherry, are covered with a sugary, slick substance that has to be removed before drying, so they ferment the beans for a while before they go into drying sheds. At Greenwell, they sun-dry them. Then they are graded according to size and roasted.

Baby pineapple growing at Greenwell Farms.

Baby pineapple growing at Greenwell Farms.

You may have heard of “peaberry” coffee. I never knew what that meant, but Caroline explained it. Occasionally, a coffee cherry has only one bean instead of two. The single bean curls around itself and makes a pea-shape that is richer in flavor than usual, though smaller. These are rarer, thus more expensive.

After learning all this, and discovering that the average coffee farmer in Kona has only about 5 acres, I no longer resented the very high price for Kona coffee–which, all said and done, is absolutely wonderful if you like coffee. I bought some coffee at the farm for the folks back home–and found that they had decaf Kona, which I have never seen before. Oh, and some chocolate covered macadamia nuts. I won’t tell you what the bill came to.

On to the Greenwell (yep, same family) Botanical Garden, which we wanted to see, but more to the point, Ken had recommended a friend who works there as a source of information about Hawaiian mythology. The garden had just closed but Ken’s friend was there. He was very pleasant, but said he knew more about plants than mythology, which makes sense, given where he works. So we proceeded back to Camp Aloha just before sunset. I fixed an omelet, using some of the leftover salad fixings and a lovely fat avocado grown on the farm here.

Tom went to bed early, but I stayed up journaling (Yikes! Getting behind!). It had been raining softly all evening, so the stars were a no-show. I fell into bed and slept like a pepe (baby), feeling MUCH happier.

Next up: an encounter with Pele, the volcano goddess. Yes. Really.

Day 3: In Which I Begin To Wonder If I Am Wasting My Time

We awoke early to the sound of many roosters trying to outdo one another. I cut up a pineapple (very proud of my expertise in picking a ripe, juicy one, though the juice spilled all over the lanai floor), and had pineapple, Cuban red bananas and yogurt. Plus croissants. Then I began working on my blog, with the usual frustration of trying to use the WordPress app on my iPad. I wound up using Tom’s computer again. I will be taking my Macbook Air on any future trips. It’s just too hard using the half-assed social media apps on the iPad.

We headed out to explore a little. First we went to Keleakakua Bay Park. This is at the end of a one-lane road. There’s a nice area for picnics, but the waterfront is not beach, but lava. The water was rough, and no one was swimming.

As we exited the car, I noticed that a woman was loading things into the car next to ours, which happened to be a Volt. I stopped and asked her how she liked it (loved it) and the conversation ranged very far indeed. Gabriela is from Germany but lives with her husband in the Puna area of the Big Island (lush, with grasslands and rainforest). She firmly believes that 9/11 was planned and executed by a shadow government of the United States and that Muslim extremists had nothing to do with it. I could not agree, largely because I can’t see the motivation. Then she told us about an amazing kahuna (holy person, priest) who had done wonders for her. A kahuna is just the sort of person I would like to meet, so I asked her for her email so I could send her a message and she could give me the contact info for the kahuna. I did this when we got back to Camp Aloha, but I suspect she may not respond. After all, I am just a crazy lady she met at the park.

There is an ancient restored heiau (temple, pronounced hay-ee-ow) right on the water. These are all constructed of rough-cut lava chunks that, amazingly, make nice, straight walls and platforms. There was absolutely no information about why the heiau was there or to which of the 40,000 Hawaiian gods it was dedicated. (No, I am not exaggerating the number of gods.) The only sign said “Kapu” (taboo, or forbidden.) I spotted a smooth, elongated oval stone at the apex of the heiau and tried to find a good place to take a picture without violating kapu. The area was obviously once a larger complex of buildings and platforms, and it is littered with rough boulders and bits and pieces of lava. I tripped over a tree root trying to get closer. I was largely undamaged, bar slight scrapes and bruises–but my iPhone screen was badly scratched by the lava. Grrrrr. But I got my photo.

The Ku stone is that rounded stone at the top. This was considered to be a satisfactory image of the god, and was itself kapu, or sacred.

The Ku stone is that rounded stone at the top. This was considered to be a satisfactory image of the god, and was itself kapu, or sacred.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Heiau walls and platform from the front.

Heiau walls and platform from the front.

The oval stone, by the by, is probably a Ku stone. Ku was one of the top gods in the Hawaiian pantheon. As the name of the bay has “ku” in it, it’s safe to assume the ehiau was dedicated to Ku. He had a lot of responsibilities, but his major one was war. He was the god to whom most human sacrifices were made. I am not fond of Ku.

Then we went to a bee and honey museum, run by Big Island Bees. They offered a free honey tasting, so why not? They had a nice little hive you could look at through glass, some odd but interesting sculptures made out of beeswax, beekeeping paraphernalia, and of course, an assortment of stuff to purchase. We tried the honeys, and I decided I liked the ohia blossom best. I bought a small jar of ohia blossom honey and an assortment for the folks back home.

Then we set off to find Two-Step Beach, which is a good local snorkeling spot. (I adore snorkeling. I really do.) we didn’t intend to snorkel right away, we just wanted to find it so we could go back in the morning when the water tends to be calmer and clearer.

We knew it was near Pu’uhonua o Honaunau National Historical Park. This is a wonderful place that Tom and I visited many years ago. It means “the place of refuge,” and ancient Hawaiians who had violated kapu could find safety there (the penalty for violating kapu was usually death.) There is a heiau and fishponds, and it is a peaceful and spiritual place. I hope we have time to visit again, but this time I was focused on finding the snorkeling beach.

We drove up into the steep hillside again, then down into Honaunau to ask where Two-Step was. Right next door, as it happens. Having determined this, we headed down the road, not quite knowing where we were going. We drove through rocky, brushy terrain for a while before coming to a residential area that began to look strangely familiar. And then we found ourselves at a dead end. In Keleakakua Bay Park. Okay. At least we now knew where we were.

Heading up the hill again, I asked Tom to take me to the Painted Church. It is on Painted Church Road, which is also the road where our B&B is. Tom declined to go in. As a former Catholic, he is unenthusiastic about churches.

Painted Church is a tiny Catholic church perched high above the bay. It is clearly Victorian, replete with gingerbread exterior. Below the church is an old graveyard, and I couldn’t help thinking it would be a wonderful place to be buried, except that I probably wouldn’t appreciate the gob-stopping view at that point.

Inside, this little church was painted with murals on the walls and bright patterns on the spindly columns. Some of the murals are depictions of Biblical scenes. But around the altar, the paintings are trompe l’oeil paintings of grand Italianate arches and columns, expanding the visual interior. The arched ceiling was painted in dawn colors with fanciful palm leaves. It was lovely. I was touched to see a stand outside stocked with trinkets, unstaffed, with an “honor system” receptacle for money. This is pretty common for fruit stands here, but not for trinket stands.

Altar at Painted Church. The apparently extended space behind is a mural.

Altar at Painted Church. The apparently extended space behind is a mural.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Painted Church ceiling. Wear your love like heaven.

The Painted Church ceiling. Wear your love like heaven.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Having surveyed the best of the local wine selection when we first arrived (Californians tend to be picky about wine because we have easy access to so many awesome wines. Europeans, please be aware that what you get in Europe from California is generally plonk.), we decided to head to a Costco north of the town of Kona. Indeed, the wine selection was fairly good. On our way to check out, I noticed a refrigerator full of leis (not a normal Costco offering). I have always wanted a maile leaf lei, but they are hard to find. Maile (pronounced like Miley Cyrus) is a vine, and its leaves are sweetly fragrant. When you see Hawaiian dancers or performers with a leafy garland (not a necklace-like circle) draped over the shoulders, that is maile. So I told Tom I’d be right back as he took his place in line. Sure enough, they had maile leis! So I bought one and wore it back to Camp Aloha, enjoying the soft, woodsy perfume. Maile leis are perhaps not as pretty as flower leis, but they smell wonderful.

I should probably explain why we came to Captain Cook in the first place. As in “The Obsidian Mirror,” I will set the sequel in today’s world, but draw upon ancient traditions. I felt I should understand how modern people of Hawaiian ancestry feel about the traditions of their forebears. I had only the barest of story outlines, but thought that talking to real people would get me further than just reading books. (But believe me, I have also been reading a lot of books about Hawaiian history, traditions and mythology.)

I first tried to get in touch with my former chiropractor, Kalani. Kalani and I once had a conversation about eating shark. He said he never ate it, and when I asked why, he told me that his grandmother had once said to him, “You no go eat shark, shark no go eat you.” That stuck with me, and as he is the only ethnic Hawaiian I knew, I thought perhaps he could help. However, Kalani has apparently vanished off the face of the Earth. I searched the Internet for him, but all trails led nowhere.

Then I contacted a former coworker who, though ethnically Japanese, grew up in Honolulu. Alas, he said he wasn’t close to any ethic Hawaiians.

Frustrated, I thought to contact Ken. I knew Ken from my early days working in public relations. He was a reporter who sometimes covered high tech. I had only met him in person once, and that was more than 30 years ago, but we had stayed in touch in a casual way over the years. Many years ago, Ken had bagged reporting, moved to Captain Cook, and started a Kona coffee farm. Then he became ill and couldn’t farm, so he became an expert in sustainable agriculture, working as a teacher and consultant all over, especially in Asia. He is fluent in written and spoken Japanese and just generally an interesting guy.

So I emailed Ken and asked him if he knew any Hawaiians who would be willing to speak with me. He did, and was willing to make introductions, so that is why we came to Captain Cook. However, Ken had just bought a new farm (having overcome his health problems to some extent), and by the time we got here, he was overwhelmed with clearing land, dealing with irrigation problems, and was just generally busy. So I have not met with him or his Hawaiian friends, though we have exchanged phone calls and emails.

I also figured, gee, the guy met me once, 30+ years ago. He may not be at all sure I am a person he wants to expose his friends to–and I don’t blame him. It’s amazing he agreed to do this at all. But I came 5,000 miles to do this. Am I asking too much? Am I even doing something intelligent or marginally sane? Why did I do this? Will Ken see me, or will his busy life and better judgement take precedence? This began to weigh on me, about midday.

Tom and I returned to Camp Aloha in the evening. I greeted Casey and offered some of our trove of wine from Costco, but he said he was doing his GET (general excise tax), and had to work. Normally genial, he sounded grumpy, which was reasonable under the circumstances, but I felt even glummer than before.

Tom cooked the monchong fillets we had bought the previous day. They were scrumptious. We played a couple of rounds of Russian Bank and we each won one round. Then to bed, but I was unhappy. I felt after three days I had accomplished nothing toward my purpose in being here, and time was running out. I was also coughing a lot–I think the “vog” was getting to me. I tossed and turned for quite a while. Tom wanted to know if he could help, but of course there was nothing he could do.

But stay tuned! The fourth day turned out much better!

Writing the Sequel: Embarking on a Spirit Journey

"Under the Cliffs of Molokai" by D. Howard Hitchcock

“Under the Cliffs of Molokai” by D. Howard Hitchcock

I deliberately spent the past six months promoting “The Obsidian Mirror.” I curtailed most of my other activities to give myself time to launch my first book properly. I did not start writing the sequel, though I have thought about it a great deal.

Well, “The Obsidian Mirror” is launched, and the time has come to start working on the next novel. During a vacation last year in Oahu I came up with some really fun things that could happen to my characters if they traveled to Hawai’i—although it won’t be as much fun for them as it will be for me. I knew I needed to ground the story in Hawai’ian mythology and tradition. I’ve been to several of the Hawai’ian islands and I have read a fair amount about the Hawai’ians’ ancient culture and mythology. But there is far more that I do not know, so I felt the need to do more research.

In my previous visits to the islands I have been a tourist. I was there for the snorkeling, the beautiful beaches, the fresh-from-the-ocean fish, and the relaxing natural beauty of Hawai’i. This time, it’s different; I want to know more about modern Hawai’ian culture—the culture of the people of Hawai’ian descent—but I also want to know how modern ethnic Hawai’ians relate to the culture and beliefs of their ancestors. To do this, I need to have some meaningful conversations with ethnic Hawai’ians. I am not going to learn this from a book.

I began by trying to track down my former chiropractor, an ethnic Hawai’ian and an excellent practitioner. Kalani has apparently vanished off the face of the earth. Short of hiring a private eye, I am not going to find him. I asked a friend of mine with connections in Hawai’i if she could introduce me to people there. She tried, but the person she introduced me to via email was always too busy to talk, and finally stopped responding altogether.

Then I asked a friend who lives in Hawaii for help. He is not ethnic Hawai’ian, but having lived on the Big Island for many years, he knows many. We actually have met in person only once. He was a technology journalist while I was working in high tech public relations. We’ve stayed in touch as he moved to Hawaii to grow coffee and eventually became an expert in sustainable agricultural practices. Despite the fact that he hasn’t seen me in person for probably 30 years (!!!) he agreed to introduce me to some of his friends and acquaintances on the Big Island. I am still amazed at his generosity and trust.

At the same time I was seeking personal contacts in the islands, I did what a good researcher does; I tried to get in touch with experts at The Bishop Museum, which is recognized as the world’s best museum of Polynesian culture. I never heard back from any of my attempts to communicate by email or phone.

But I did have a commitment from my Big Island friend, so it was starting to get real. I spent a weekend setting up a week on the Big Island, going from there to Oahu, where the Bishop Museum and the University of Hawaii reside. I set it all up—places to stay, rental cars, airplane flights. I arranged eight days in Oahu, reasoning that if worst came to worst, I could always just pay the entrance fee to the Bishop Museum and then find a docent of Hawai’ian descent who might be willing to help me.

Then I started reading a book called “The Sacred Power of Huna,” by Rima A. Morrell, Ph.D. I was actually looking for books on Hawai’ian mythology and folk tales, but I had never heard of Huna, so I bought it on a whim. According to Morrell, Huna is the original Hawai’ian spiritual practice, developed before the introduction of things like the kapu system and human sacrifice, which she says was imposed on the islands by Samoan invaders around the 14th century. Huna is deeply intertwined with hula and with the Hawai’ian language. Its purpose is to help individuals to increase the light in the world—literally and metaphysically. The author—who did her Ph.D. in Hawai’ian shamanism at University College London after getting her masters and undergraduate degrees from Cambridge—firmly states that magic is REAL, and gives several examples from her personal experience. She also states that Hawai’ians on other islands suspect that Molokai—the island of fewest tourists and greatest percentage of ethnic Hawai’ians other than Ni’ihau—is where magic is still being made. How could a fantasy writer resist?

I put the book down at this point. Molokai. Why had I not thought about Molokai? I have often wondered about it. It’s described as the “Aloha Island,” the friendliest. And it’s called the last remnant of Old Hawai’i, with no high-rise buildings and not a lot of tourists, despite having beautiful white sand beaches, forested uplands, and its own share of snorkeling spots and other tropical delights. I had a strong feeling I should go to Molokai, but thought, “I can’t, because I’ve already made arrangements for Oahu. It’ll cost too much money to change now.”

So I went about my business for a few days, but I couldn’t shake the feeling that I needed to go to Molokai. I don’t really know much about the island. I certainly don’t know anybody there. But it called to me. So I gritted my teeth and made all the changes and paid the extra money to Hawai’ian Airlines to change the reservations.

I have abandoned all my reasonable and rational plans to talk to experts at the museum or the university. I am embarking on what I see as a spirit journey. I don’t know what I will do when I get there. I don’t know what questions to ask. I don’t know what I will discover or whom I will meet. I don’t know how I am going to get what I need to write the next novel. I run the risk of not finding out anything at all. I am taking a leap of faith that my inner guide is taking me to the right place to do what I need to do and learn what I need to know.

At the very least, I will have spent two weeks in one of the most beautiful places on earth.

POSTSCRIPT

Immediately upon posting this piece–I mean, literally within a minute or two–I happened upon a FB page called “Huna Is Not Hawaiian.” Startled, I spent quite a while reading the page and following up on many of its links to longer pieces.

It appears that, indeed, Huna is NOT Hawai’ian, but a new-age overlay on Hawai’ian spirituality. The “Huna Is Not Hawaiian” page views it as a commercialized appropriation of Hawai’an culture.

I thought I should mention this, but it doesn’t impact what I am doing. My purpose in visiting Hawai’i and Molokai in particular is not to study Huna or become Hawai’ian by some strange magic. My purpose is to learn what there is for me to learn to write my next book.

Yes, I still view it as a spirit quest and have abandoned my usual rational methodology in favor of letting what happens happen. I have found in the past that letting things unfold naturally is sometimes a more effective way to reach a goal than systematically striving.

Did the book on Huna change what I planned to do? Absolutely. It reminded me that I had always wanted to visit Molokai, and that of all the islands, Molokai may be the one closest to Old Hawai’i. I still feel excited and confident that I made the right decision–for me. There is something for me there.

But I am under no illusion that a couple of weeks in Hawai’i will do more than enrich my store of experience and knowledge and, hopefully, stoke the joy and impetus of creating a new story. If I’m lucky, I won’t get sunburned.

Interview with K.D. Keenan on (r)Evolution with HiC

K.D. Keenan, author of "The Obsidian Mirror"

K.D. Keenan, author of “The Obsidian Mirror”

http://player.cinchcast.com/?platformId=1&assetType=single&assetId=5859167

Check Out Books Podcasts at Blog Talk Radio with Firefly Willows LIVE on BlogTalkRadio

The Launch Party, Coyotes, Mannegishi, and What Comes Next

Chaco, the Coyote Trickster

The launch party for “The Obsidian Mirror” went beautifully last Saturday afternoon. Kepler’s Bookstore in Menlo Park, CA graciously hosted the event, and there was a good crowd of people there. I did a very brief reading and answered questions.

Here’s a sampling of what I was asked:

Q: Is your protagonist (Sierra) autobiographical?

A: Sierra is concerned about the environment; so am I. Sierra is a PR executive, and used to be one. Sierra designs silver jewelry, and I do, too. There the resemblance ends because Sierra is way cooler than I am. (I didn’t mention this, but she’s also younger and more athletic than me.)

Q: What started you writing the book?

A: I had recently finished a Robert Jordan novel that involved riding horses, armor, swords, sorcery, etc. I really enjoyed the book, but later I wondered why, with thousands of legends, mythologies, folk tales and traditions, the New World is rarely used as inspiration for fantasy. Most epic fantasy, at any rate, is usually set in some pre-Industrial Age, pseudo-European environment. Elves, faeries, trolls, ogres, goblins, vampires, etc. are staple fare.

I love swords-and-sorcery, don’t get me wrong! But I had time (my freelance writing business was slow at the time), so I began writing a story based on New World traditions as an experiment. Before long, the characters took over and I HAD to finish the story.

Q: Is Chaco (Coyotl the Trickster) based on a person in your life?

A: I said Chaco was based on my husband, Tom, but I was kidding. Coyotl the Trickster is a folk hero among many of the Native American tribes. I should have mentioned that appearance-wise, I saw Chaco, in his manifestation as a deliciously sexy young man (as opposed to his coyote gig), as Gael García Bernal, the excellent Mexican actor who (among many other roles) played Ché Guevara in “The Motorcycle Diaries.”

One person thanked me for not making Chaco the villain. I started out thinking that since Chaco was The Trickster, he ought to be rather ambiguous; the reader would not be sure whether he was good or bad. I really, truly would have liked to write him that way, but he came out more of a scamp than a real rogue. (That was all his doing, not mine. I had other ideas.)

Q: What other characters are in the book?

A: There’s Fred the Mannegishi. Mannegishi are sort of like leprechauns in that they are small and green, but mostly because they are mischievous. Mannegishi are from legends of the Cree tribe. Fred is truly unreliable, but as one person present said (she had edited the manuscript for me), “Fred seemed like a pain in the butt at first, but he became my favorite character.”

I was asked if I made up Fred’s appearance, but I followed the description of Mannegishi in Wikipedia. I rarely made up anything about the supernatural characters; I tended to follow the traditional descriptions if they were available. Of course, much of my research consisted of strolling around the Internet when I needed a new monster. As the New Yorker cartoon has it, “Nobody knows you’re a dog on the Internet.” By the same token, it’s hard to know whether you’re reading something authentic, or a made-up legend by a tequila company or something. As “The Obsidian Mirror” is fiction—and fantasy fiction at that—I didn’t worry too much about academic purity.

 Q: Do you have a sequel planned?

 A: Yes, two. The next book will be set in Hawai’I, where Fred might meet some cousins of his. “The Obsidian Mirror” has an underlying theme of threat to our natural environment, which will continue to be a theme of my work. I am very concerned about the Pacific Gyre, also known as the Pacific Garbage Patch, a continent-size vortex of plastic particles in the ocean swirling around Hawai’i. But I do not plan on getting preachy. The books have to be fun to read, or no one will read them.

Of course, I may have to make the ultimate sacrifice and travel to Hawai’i to do research. A writer’s life is so hard.

The third sequel will be set in Mexico, and will have something to do with the Virgin of Guadalupe as Tonantzin, the Aztec flower goddess. I don’t know much more about it yet.

After answering questions, I sat down at the assigned table and signed books. The store sold out, with Kepler’s purchasing the last one for the staff. I hope they enjoy it as much as I enjoyed the party. I got a ton of compliments on the food—which I never touched because I was too wound-up!

From Sea to Poisoned Sea

Image: High Contrast

Image: High Contrast

Growing up, I learned in school about the natural wonders of our great land—the deep forests, crystalline rivers, wide and sweeping plans, and pristine deserts. This was probably reinforced by various Disney nature films depicting animals in the wild, with not a telephone line in sight.

Imagine my surprise when I got a little older and found out about “dead” lakes so polluted that nothing much could live in them. Rivers that caught on fire from time to time. Sweeping landscapes of gray factories belching dirty smoke into the air, surrounded by heaps of toxic slag. And because I lived a mere 100 miles from Los Angeles, that mother of all urban blight, the pall of grayish-brown smog that obscured the nearby 8,000-foot-plus-high mountains on many days.

I know it sounds as if I were a complete naïf, but I was stunned. The people who were dumping toxins and garbage into the water had to live here, too. Their children were being exposed to poison in the air and water. They had to look at the blight of human ingenuity, right along with the rest of us. So what could they possibly be thinking?

Many decades later, I am still wondering. It has never made sense to me that people would crap all over their own dinner tables. And it has never made sense to me that governments allow them to do this. Every time I read about some scheme to defang the EPA, or lower air and water quality standards, or build another nuclear power plant even after the disasters at Three-Mile Island, Chernobyl and Fukishima, I am newly gob-stopped. Why would anyone knowingly and deliberately destroy the only home we possess?

That’s one reason I wrote “The Obsidian Mirror.” In it, the ancient and evil Necocyaotl devises a new way to entice people to “look into the obsidian mirror,” after which they become so focused on their personal wants and desires that they are willing to despoil the earth to obtain them. He does this by spreading his evil essence in a fiendishly clever way, using modern technology.

To be honest, it’s the only explanation I can understand. Nothing else makes any sense at all. Profit motive, you say? That’s like burning down your own house to warm your hands for a bit. Until I get a better explanation, I’m sticking with the Necocyaotl Theory.

Listen to Chapter 1 of “The Obsidian Mirror” and Come to the Book Signing

Chaco #1

Chaco #1

This is it–my first podcast! I am reading Chapter One of “The Obsidian Mirror,” due out from AEC Stellar Publishing on June 27.

I will be hosting a launch party for the book at Kepler’s Books in Menlo Park, California on June 28 at 2:00 pm. I’ll be reading a portion of Chapter One and signing books. Come on down! Wine and munchies provided. (Leave a comment here to let me know if you’re coming. I’d hate to run out of food.)

I Took My Skull Back to the Place It Came From (Almost)

When I turned six years old, my grandfather gave me a present. It wasn’t wrapped, as I recall, but just placed in a plain cardboard box. As it happened, it was my favorite gift that year: a genuine human skull.

My grandfather, Frank W. Moore, was an adventurous man. In the earlier days of the 20th century, he helled around California in a Model T, driving across the desert before there was such a thing as “off-road” driving. He had a sailboat called “Amy H” in which he explored the California coast and offshore islands. (My grandmother was not named Amy H. I think the boat came with the name and he never got around to changing it.) In those days, California was underpopulated and he had the freedom to go pretty much wherever he wanted to do whatever he felt like. One of the things he liked to do was go out with his buddy, Dr. Walter B. Power, and cut down billboards.

On one occasion in 1917, he landed on San Nicholas Island, later made famous by writer Scott O’Dell as “The Island of the Blue Dolphins.” On or near the beach, he saw a white dome poking up out of the sand. He uncovered it and found a skull with half of its lower mandible. The teeth (those that were left) were ground down quite smooth as a result of the inhabitants’ diet of shellfish which contained a lot of sand. My grandfather took the skull home, where it became an object of envy for my mother, who had ambitions of becoming an archeologist (and eventually did). Mom named it Yorick after the skull in “Hamlet.”

In those days, there was no Native American Repatriation Act, aimed at restoring the remains of Native Americans to their tribes and homelands. The battle of Wounded Knee was a mere 27 years in the past when my grandfather found the skull, and the term “Native American” hadn’t yet been coined. Indians, in short, were not highly regarded by the mainstream culture back then. No one thought twice about my grandfather taking Yorick from his resting place on San Nicholas Island.

In 1917, there were no inhabitants on the island. The Nicoleños (or Ghalas-at) had been almost exterminated by Russian fur-trappers. In 1835, the padres of the California mission system moved five of the six remaining inhabitants to the mainland. The one who stayed, Juana Maria, became known as “The Lone Woman.” She lived there, utterly alone, until her removal from the island in 1853. She died not long after.

My mother thought the skull was that of a young male in his 20’s, pointing to the supra-orbital ridges and cranial sutures, and we continued to refer to it as Yorick. Sensibilities toward Native Americans hadn’t improved too much by the time my childhood rolled around, so I happily took Yorick to show-and-tell sessions at school–and I have to tell you, he never failed to make a hit appearance. No one could top me when it came to show-and-tell; imagine following my human skull with your toy cap gun (also a perfectly acceptable show-and-tell item in the 1950’s).

I took as much care of Yorick as a small child might be expected to do, but one day, something heavy fell on him as he rested in my off-duty Easter basket. My mother undertook to glue him back together–and while she was engaged in this project, the chipmunk I had taken home for the weekend from my third grade classroom escaped in the family room and took up residence in the couch. Mom thought this would be a good way to start a book: “While I was glueing my daughter’s skull back together, the chipmunk got loose.” I thought this had promise, but she never did write the book.

When my own children were in elementary school, I let them take Yorick to their show-and-tell sessions. He was as much a hit as ever, but I heard back from one teacher that Yorick was an inappropriate show-and-tell subject. She mentioned the Native American Repatriation Act, and I realized with something of a shock that Yorick was, of course, subject to that law. That ended Yorick’s career in show-and-tell.

I suppose I should have realized earlier that Yorick had been a human being whose remains had been wrested from his native land in an insensitive and chauvinistic manner. But Yorick had been a fixture in my life, and I hadn’t really thought of him as such. He spent the next couple of decades in a cardboard box. Out of sight, out of mind.

When I finished “The Obsidian Mirror” and began to look for a publisher, I remembered my unfulfilled obligation. My novel is based on New World legends, myths, and folk tales, and I recognized my enormous debt to the Native Americans and their many cultures. I thought if I got published–by a real publisher, not self-published–the finest way to celebrate this would be to repatriate Yorick to whichever Native American tribe now held the responsibility for those long-dead people of San Nicholas Island. I thought the Chumash were the most likely, as they are the tribe that lives around Santa Barbara now. I pledged to Yorick and the Powers That Be that I would repatriate Yorick if my book were picked up by a publisher. (I planned to self-publish if I failed to find a publisher, but I didn’t even contemplate what I would do with Yorick in that case.)

Well, AEC Stellar Publishing is bringing out “The Obsidian Mirror” sometime this summer. So I had a promise to keep.

To be honest, I had never before investigated where San Nicholas Island was, precisely, or what had become of it. I had assumed, as the island is considered part of the Channel Islands group, it had been rid of its introduced species like rats and goats and made into a nature preserve like Anacapa. A group of us sat in our living room this past holiday season and did some research. Some of us (not me) were voluble in proposing that we hire a fishing boat and go out to San Nicholas to rebury Yorick ourselves.

It turned out that San Nicholas Island is considerably south of the other Channel Islands (except for Santa Catalina and San Clemente), and sits perhaps 100 miles out to sea from the Southern California coast.

The Channel Islands

The Channel Islands

It also turned out that the island is under the jurisdiction of the United States Navy, which uses it for weapons research. The occupants of a fishing boat that attempted to land would probably be arrested. Some of the group still wanted to do it. “We’ll just tell them we’re old and we got lost,” said my friend Meg. Nope. Nope. Nope. Not going there. I reserve my feckless adventuring for my fiction writing.

I contacted my cousin Sally, who lives near Santa Barbara. Sally suggested contacting Dr. John Johnson, an anthropologist specializing in the Channel Island Indians. Dr. Johnson, a very kind and knowledgeable man, explained that there was an investigation underway to try to determine who (if any) were the legitimate descendants of the Nicoleños. And the organization in charge of the investigation? The U.S. Navy. I don’t have a whole lot of faith that the U.S. Navy feels any urgency about resolving this problem, but according to Dr. Johnson, there isn’t any alternative. Repatriated remains go to the Santa Barbara Museum of Natural History, where Dr. Johnson works. He assured me that there is a special area where these remains are kept until they can be interred in an appropriate manner and place. Yorick would stay in the museum until the Navy decided where he belonged.

Well, Santa Barbara was at least closer to San Nicholas Island than Yorick has been in more than half a century. I made an appointment with Dr. Johnson to turn Yorick over.

When my husband and I went to Santa Barbara, Dr. Johnson spent some time examining the skull, then said, “I think what we have here is actually Yoricka.” He believes that the skull was that of an older woman, not a young man, and showed us why he thought so. (Sorry, Mom. I think he’s right.) He asked me details about my grandfather and mother and I filled out some paperwork. Then it was time to say goodbye. On the way out of the museum, my husband turned to me and asked, “Feeling a little sad?”

I said, “Yes.” I wish I had taken a picture of Yorick before we left. After all, he–she–was a member of my family for 97 years. I wish I had known who you really were, Yorika. I hope you find your way back to your Island of the Blue Dolphins.

The Final Concept (Cover Art)

Well, the publisher has approved final cover art for “The Obsidian Mirror.” As you can see below, not too different from the last one. We still don’t have the blurbs, publisher’s logo, etc., but that’s out of my hands for now. I like this one!

Cover Art 2b